Vatican Creche – 2020 – A Contemptuous Insult

The Vatican, last week, unveiled the 2020 Christmas crèche in St. Peter’s Square.

Historical tradition explains that St. Francis of Assisi was the first to promote the display of the birth of Our Lord. He believed that it would edify and improve  prayerful worship of Jesus, the moment of His Nativity, and subsequent events.

For approximately 800 years the Christmas crèche has been portrayed in a respectful and accurate way. It combined different elements of the Nativity found in Sacred Scripture into one scene that conveys spiritual and historical truth to the viewer. Within the last fifty years people with specific agendas have changed that tradition.

I rarely use the first person pronoun in this blog. There are times that it must be done, this is one of them.

I believe that the Christmas crèche that was unveiled this past week, with the approval of certain high ranking Vatican authorities, is atrocious. The current crèche is presumed to be an example of modern Christian sacred art. It is not sacred art; it is secular art masquerading as sacred.

The purpose of sacred art (in both the Latin and Greek Rites of the Catholic Church, and the cultural Rites in union with Rome) is to edify and remind the viewer of the events surrounding the Incarnation of Jesus Christ, the Second Person of the Holy Trinity. Successful and reverent sacred art instructs and edifies the mind and soul of the viewer to those basic truths.

Christian sacred art does not confuse; it is not duplicitous. It is clear in proclaiming the Gospel of Christ and the witness of His faithful followers. Sacred art personalizes the Truths of the Church. It accomplishes that goal by being beautiful, good, and truthful as well as being spiritually transcendent.

The sacred art of the Church does not demean its history, Scriptures, dogma, traditions, and visual or musical arts. It acts in the same way as photographs which are remembrances of loved ones, activities, friends, places, and personalities. The Roman Catholic, Greek and Russian Orthodox, and the twenty-six ethnic Rites in union with Rome, have never worshipped sacred images; we venerate them in the same way we remember our loved ones.

Christian sacred art snaps our attention back to the preeminent Lover and Loved One, Our Lord and Savior Jesus Christ. The writings of St. John of Damascus (Damascene, born 675 – died 749) were successfully used during the Second Council of Nicaea (787), to explain these points and to explode the errors of the iconoclasts then, and, today.

The 2020 Vatican Christmas Creche, in my opinion, falls significantly short of the mark. It is a complete and total failure. It would be laughable if it wasn’t so important.

Briefly, it portrays the Blessed Mother, in what resembles a sarcophagus, looking like a reincarnation of an Egyptian Queen. A huge angel appears to resemble something out of a bad dream (I cannot understand its large rib cage). There is an astronaut (or is it a deep sea diver)? Let us not forget the repulsive and weird looking thing, with a horned helmet, to the right of the astronaut/diver.  Sheep resemble goats. Geese are running around in a frenzy of honking. The main characters all have oversized heads reminiscent of the dolls called Cabbage Patch Kids which were all the rage with my daughters and nieces over forty years ago (at least the dolls were cute). At night a single hideous crooked string of neon lights illuminate the figures. Instead of traditional and appropriate sacred music the viewer is subjected to a bizarre rendition of what appears to be a compilation of joyless ethnic music from a specific area of the world. There is more of this vapid artistic effort but this is enough to give you the scope of the travesty.

vatican-nativity-scene-2020-05-640x368
The Christmas angel looking like the head logo for a popular coffee company.

The 2020 Vatican Creche display is a very sad example of the misguided and ignorant intentions of those that approved it. It displays contempt for Scripture and Tradition and is an insult to all Christians. If the students who created it over a period of years wanted the public to see their final product then they should have displayed it on their campus not sacred ground.

If you are in Rome, do not take your children to see it – they will either collapse in laughter or run screaming from the Square.

You can view the clearest pictures of the monstrosity at the following site: https://novusordowatch.org/2020/12/mayday-vatican-nativity-scene-unveiled/

Copyright © 2011- 2020, Deacon Paul O. Iacono – All Rights Reserved. Permission to reprint must be obtained from me by using the comment box of this post. I will respond to you through answering in the comment box. Students, and those interested, may quote small sections of the article as long as the proper credit and notation is given. Thank you.

“The Nativity” – Presented by the Jim and Jane Henson Family Puppets – Christmas Eve on CBS

Floridian Sean Keohane, a member of the Fra Angelico Institute for the Sacred Arts, and a participant in the beautiful CBS/Paulist Production of “The Nativity” sent me the following information on an American television Christmas Eve Special that will be broadcast this Tuesday evening on CBS at 11:30 PM. You will want to set your DVR’s to record the show. I am sure that it will prove to be quite beautiful and a wonderful addition to your enjoyment of the holy Christmas season.  Sean is an artist and has been working with the famous Henson puppeters and the Jim Henson Creature Shop. He included a note and some pictures from Cheryl Henson that I would like to share with you.

Merry Christmas to all and best wishes for a safe and secure New Year, Deacon Paul and Jackie Iacono.

“A special note from Cheryl Henson:

I want to let you know about this special presentation of our mother’s puppet performance of “The Nativity” that will be a part of a CBS special on Christmas Eve. Heather Henson and I worked with Father Eric Andrews at Paulist Productions to remount this beautiful classic production as a tribute to Jane Henson. Mom had created this production over the past five years together with Heather and Sean Keohane in Orlando. The piece workshopped at The National Puppetry Conference at The Eugene O’Neill Theater Center. From there, Mom sculpted the heads for the first group of puppets which were then built and costumed by the New York Workshop. In remounting the show, the workshop made a few important additions, a bowing donkey and two shepherds among them. Vandy Wood designed a beautiful light weight set with a blue back drop dyed by Jason Weber. Everyone who worked on the show did a spectacular job.

We were blessed with an excellent team of performers who we know from shows we have funded through the Jim Henson Foundation and from the Henson workshop. Amanda Maddock directed the puppets for the television production, working with storyboards from Sean Keohane and Heather Henson. Chris Green, Erin Or, Eric Wright, Ulysses Jones, Yoko Myoi, Amy Rush joined her as puppeteers, delivering elegant breath taking performances.

We couldn’t be prouder of how this came together quickly to create a lasting tribute to our mother. There will even be mini documentary tribute to Jane included at the end of the commercial free hour. In addition to Jane Henson’s puppets, the show also includes the kites of Curtiss Lee Mitchell, flown by Curtiss and Heather Henson. The extraordinary spirit kites that they performed at mom’s service in April take flight over three spectacular songs; “Ave Maria,” “Silent Night” and “Joy to the World.” Everyone on the production agreed that all church services should include kites. They help the spirit soar!

We miss our mother and are glad to be able to celebrate her this holiday season. Please tune in or record this production if you can. Happy holidays and thank you for being a part of this community that she loved so much.

Cheryl Henson”emailed_image_v3

lizandmaryThe Visitation” Mary and Cousin Elizabeth in Jane Henson’s ‘Nativity Story’ for its premiere at St James Catholic Cathedral in Orlando, 2010, Puppet heads sculpted by Jane Henson, tabletop puppets built and costumed by the Jim Henson Creature Shop. Photo by John Henson.

Copyright © 2011- 2013 Deacon Paul O. Iacono All Rights Reserved