Today, May 2nd, is the “Memorial” day of St. Athanasius, a Doctor (profound theologian) of the Church. There are four “giants” of the Nicene and Post Nicene period, all are known as “Doctors” of the Church: St. Athanasius, St. Ambrose, St. John Chrysostom, and St. Augustine. They are immortalized in bronze by the Renaissance sculptor, Bernini, and are portrayed in his magnificent sculpture of the Throne of St. Peter found in the sanctuary of St. Peter’s Basilica. St. Athanasius and St. John Chrysostom are saints of both the Latin and the Greek Rites of the Church. Both were bishops. Yet, Bernini … Continue reading Bernini’s Bronze Sculpture of Four “Giants” of the Church
I would like to thank one of my readers who identified the contemporary icon of St. Spyridon (thanks Carol!). The iconographer is the Catholic priest William Hart McNichols. He is a very talented artist who paints traditional icons and sacred images. At times, he steps out of the bounds of the traditional approach and adds his own personal interpretation of the person he is portraying. His artistic vision is unique. John Daly from Australia emailed me this morning to provide further grist for our mill concerning St. Athanasius, St. Spyridon, and the Council of Nicaea. One of the participants in … Continue reading Sacred Icons and Sacred Images – the Nicene Debate Continues!
I am always very appreciative of my readers writing to me and providing new information and interpretations of sacred icons and images. Happily, that occurred last evening when a reader, Mr. John Daly from Australia, provided me with information on the second icon that was in yesterday’s post on St. Athanasius. Let me provide you with that image so we will have a reference point: Mr. Daly is correct – it is St. Spyridon (born AD 270, died 340). Let’s take a look at the reasons for this correction: The bishop castigating the heretic Arius is wearing a distinctive hat. … Continue reading St. Athanasius and St. Spyridon: A Correction and Another Interpretation – Let’s Take A Closer Look!
St. Athanasius of Alexandria was “the Lion” of the Council of Nicaea. He was instrumental in providing well argued testimony rebuking the heretic Arius during the Council’s debates. His verbal skills, as powerful and commanding as a lion, shredded Arius’ arguments. His eloquence convinced the assembled bishops of the correct dogma that Jesus Christ has two, separate and distinct, natures (divine and human), and that Jesus Christ is fully human and fully divine. The heretic Arius insisted that Jesus was “just a creature” of God. The Council’s main purpose was to address the divine nature of Jesus Christ and the … Continue reading St. Athanasius – Coptic and Eastern Orthodox Icons
The extensive Gospel reading for Palm Sunday relates the Scriptural and historical truth that Jesus triumphantly entered Jerusalem, yet, five days later He was arrested, put on trial, tortured, and executed. As you know, the religious and secular leaders of Israel did not accept Jesus as the Messiah and Son of God. They were adamant about the fact that Jesus was just a man and that His claims, teachings, and healings were all fraudulent. Their disbelief took place during the first century, yet, two hundred years later there were Christians saying the same thing. The questions came down to, “Who … Continue reading Saint Nicholas Slaps a Heretic! A Reflection Appropriate for Palm Sunday
This passage from the Gospel of St. Luke is a parable about a destitute man named Lazarus and a rich man, who at times is called by the name Dives (the word dives in the Latin Bible refers to a “rich man”). Jesus places Lazarus sitting day after day by the rich man’s front door. Lazarus is sick. He is at Dives’ home hoping to receive a scrap of food from his table. The food never comes. Jesus continues to tell the story which culminates in the death of both men and their subsequent judgment. Lazarus is welcomed into Paradise and is … Continue reading Luke: 16: 19-31 – Is Lazarus in Your House?
Jesus, full of the Holy Spirit, returned from the Jordan and was led by the Spirit into the wilderness, where for forty days He was tempted by the devil. He ate nothing at all during those days, and when they were over, He was famished. (Gospel of Luke chapter 4: verses 1-2) In the extraordinary painting below, we see Jesus after He was led into the desert wilderness by the Holy Spirit. He is surrounded by rocks and sand. He sits on a boulder, hands in front of Him. His eyes are filled with the knowledge of reality, of passions, power, … Continue reading Christ in the Wilderness: Lent – the Season of Preparation – Luke 4: 1-2.
Can you pick out the seven similarities between the two sacred icons of Church Apologists that are below? The differences? Let’s take a look at the two icons above. Both are correct in the way they are represented. From an artistic and symbolic point-of-view there are distinct similarities. They have seven similarities: the beard (signifying experience, authority, and that the saint is an elder); a large, high forehead (signifying Christian wisdom as influenced by the Holy Spirit which is visualized through the saint’s works and knowledge); the Holy Cross upon the priest’s stole (it appears as a garment that circles the … Continue reading Icons – Important Similarities/Differences
A Challenge: Are you as a Christian artist willing to internalize the message of the saint, scene, or Scripture passage you are artistically representing, and then, correctly portray it according to Church tradition? Sacred artists must have more than just an awarenesses of Jesus, His Mother, angels and saints because their witness provides us with the foundation stones of our Faith. Sacred artists must be more than artists who propose “Art for art’s sake”. If we do this what do we become? We become evangelists to the truth, goodness, and beauty of God, through the witness of Jesus Christ and … Continue reading Christian Witness and Sacred Art – The Early Church Fathers – Part 7
Okay, we have reached Wednesday, the supposed day that if we can just get through it we will be on the downward slide toward the weekend. In an attempt to put a little pick-me-up in your afternoon I ask you to put aside your pencils, pens, and paint brushes and take 4 minutes and 9 seconds to listen to a “Dude Rocks Out Amazing Grace on the Piano.” The “Dude” in the green jacket and rose colored glasses is Terry Miles. He is an accomplished pianist, yet, this day he sits down to a public piano in a London train … Continue reading Amazing Grace – Amazing Piano!
This is an easier way to view the material within yesterday’s post. Copyright © 2011- 2018 Deacon Paul O. Iacono All Rights Reserved Continue reading Art Schematic of Church Painting
Just wanted to notify the people who are following the art lessons in my St. Joseph Art Workshop tab that I just published Lesson 4: Applying Color and Modeling the Face. You need to go to the Menu tab above and click on Lesson 4 to see it. My next post in the St. Joseph’s Art Workshop tab will be Lesson 5. It will be the last post in my Art Exercise of Painting Sacred Images using Acrylic Paint. Thanks. Continue reading St. Joseph’s Art Workshop: Lesson 4 – Applying Color and Modeling the Face
Today’s post is Part 4 in my series that began on May 16, 2018 concerning the recently concluded exhibition of extraordinary egg tempera paintings by the Dominican friar Beato Fra Angelico. The exhibition was held at the Isabella Stewart Gardner Museum in Boston, Massachusetts during the Spring of 2018 and was entitled Fra Angelico – Heaven on Earth. Nathaniel Silver, Associate Curator of the Collection for this exhibition, includes in his book, Fra Angelico – Heaven on Earth, articles by eleven scholars. Each paper is a quality contribution to scholarship. There is one article authored by Chiara Pidatella, entitled “The Provenance of … Continue reading Fra Angelico’s Four Reliquaries for the Church of Santa Maria Novella – Part 4 of the “Heaven on Earth” Exhibition
Today’s post is Part 3 in my series that began on May 16, 2018 concerning the recently concluded exhibition of extraordinary egg tempera paintings by Fra Angelico. The exhibition was held at the Isabella Stewart Gardner Museum in Boston, Massachusetts and entitled Fra Angelico – Heaven on Earth. Today’s painting concerns a major piece of the exhibition – the Armadio degli Argenti. The four panels of which the Gardner Museum only showed one is also known as the “Silver Chest.” It was commissioned in 1450 and completed in 1452, three years before Fra Angelico’s death. This panel (123 x 160 cm) … Continue reading Fra Angelico and the Armadio degli Argenti – Part 3 of the “Heaven on Earth” Exhibition
To all those that have expressed interest in the FREE on-line sacred art workshop that I am offering here at fraangelicoinstitute.com please note that yesterday I posted Lesson 3 in Exercise 1: Painting an Image of St. Rose of Lima. Just click on the St. Joseph’s Art Workshop Tab on top of the image of St. Gabriel and the Virgin Mary and you will see the first Workshop page. If you have already visited the Workshop Tab then just continue to scroll down to find the Lessons that I have posted so far. I am putting all the Lessons in … Continue reading St. Joseph’s Art Workshop – Lesson 3 – Applying Pigment
I hope you had a blessed Feast of Pentecost! Please read Part 1 of “Fra Angelico – Heaven on Earth” (posted here on May 16, 2018) in order to receive a proper introduction to the Isabella Stewart Gardner Museum’s extraordinary exhibition that, unfortunately, closed this weekend.. As you moved into the gallery that exhibited this once in a lifetime collection of Fra Angelico paintings you first saw the beautiful painting entitled The Ascension of Christ, The Last Judgement, and Pentecost (the Corsini Triptych). It is painted in egg tempera with gold leaf on a wood panel. Fra Angelico painted it … Continue reading Fra Angelico – “Heaven on Earth” Exhibition – Part 2 – Ascension, Pentecost, the Last Judgement
The Isabella Stewart Gardner Museum in Boston, Massachusetts is the only venue in America for the extraordinary “Fra Angelico: Heaven on Earth” exhibition. This amazing collection of reliquaries which express the life of the Virgin Mary, and other paintings of the greatest painter of the Early Renaissance, will be on display until this Sunday May 20th, 2018. Earlier incorrect media reports had the last day as May 28th. I will be posting my photos of the Gardner Museum’s exhibit starting with this post and continuing on through the upcoming weeks and months. The exhibit consists of more than just the … Continue reading Fra Angelico – The “Heaven on Earth” Exhibition – Part 1
Today, May 1, is the memorial of St. Joseph the Worker. I chose him to be the patron of St. Joseph’s Art Workshop (found within this site’s Menu Tab at the top of the page) because he is, of all the saints, the most important next to Our Blessed Mother. He was a righteous man (in the finest sense of that spiritual word), a devout and very prayerful Jew, a carpenter, the beloved spouse of our Blessed Mother, and the foster father of Jesus Christ. Today we honor him as a worker. A worker in the professional sense and a … Continue reading St. Joseph the Worker and Sacred Artists
If you click on the Tab in the Menu titled St. Joseph’s Art Workshop, and scroll down, you will find my recent addition (as of April 26, 2018) on painting a sacred image. That new post – LESSON 2 – describes obtaining, drawing, and applying a sacred image to a wood panel. Enjoy! April 26, 2018 © Deacon Paul O. Iacono 2011-2018 Continue reading St. Joseph’s Art Workshop, Lesson 2: Obtaining, Drawing, and Applying the Sacred Image to A Panel
Good day, I just posted, starting at # 8 in the list, Part 3: Pigments and Mediums, required to paint the sacred image. Please note that the pigments in bold face are the ones you need to purchase for the sacred image in Exercise Number 1. Please remember that you will have to scroll down in the St. Joseph’s Art Workshop Tab in the Menu at the top of the site in order to reach the new post. Thanks. April 17, 2018 © Deacon Paul O. Iacono 2011-2018 Continue reading St. Joseph’s Art Workshop – Part 3: Pigments and Mediums
I just posted Part 1 and 2, which deals with the materials needed to paint a sacred image. It can be found within the St. Joseph’s Art Workshop tab in the Menu section at the top of the page. The next Workshop posts will deal with the names of the paints you need to purchase, the sacred image I have chosen for this exercise, where you may obtain it on the web, and beginning the drawing process. I will, hopefully, post them by April 22, 2018. Thanks for reading and participating in this artistic adventure! © Deacon Paul O. Iacono … Continue reading St. Joseph’s Art Workshop: Part 1 and 2 – Materials
Allow me to suggest to my fellow Catholic sacred artists a “canon” of ten fundamental propositions. These ideas and proposals are my personal musings. They assist me in organizing my thoughts and behavior. It is my hope that they will act as an organizational tool for the interested reader, too. They may also assist you, as they have for me, in providing clarity to our foundation and purpose as sacred artists. The term “Catholic” in this document refers to the Latin Rite (Rome) and the more than twenty Rites of the Eastern Rite Catholic Churches that are in union with … Continue reading The Canon of a Catholic Sacred Artist
If you are interested in actually creating a sacred image in the tradition of the Roman Catholic (Latin Rite) Church then please click on the Tab in the Menu Bar above Fra Angelico’s image of The Annunciation and read the introductory post on St. Joseph’s Art Workshop. That Tab will explain what I hope to provide interested individuals who would like to participate in this free on-line service. Participants must remember that all artistic endeavors are a continual learning process. As a result, if a student decides to walk through the door of this Workshop they must remember that rarely is … Continue reading St. Joseph’s Art Workshop – A Resource for Sacred Artists and Students
On this day, September 29th, the Western Rite of the Catholic Church celebrates the Feast Day of Saints Michael, Gabriel, and Raphael (the Eastern Rite celebrates it on either November 8th or 21st depending whether or not they use the Gregorian calendar). Pope St. Gregory the Great (AD 540 – 604) mentions in one of his homilies: “You should be aware that the word “angel” denotes a function rather than a nature. Those holy spirits of heaven have indeed always been spirits. They can only be called angels when they deliver some message. Moreover, those who deliver messages of lesser … Continue reading St. Michael and the Archangels
I have the happy service of presenting a new workshop to interested adults from Massachusetts and Rhode Island beginning on Saturday February 14th, 2015. In an attempt to give everyone individual attention the class is currently filled at a limit of ten people. We will be pursuing our studies of painting sacred images in the Latin iconographic tradition. I hope to make the artists aware of the importance of studying the Latin and Byzantine origins of sacred images and its inevitable blossoming within the Greek and Russian civilizations. The workshop will run over a five-week period, for a total of … Continue reading Jesus Our Savior – An Image that is a Work in Progress
A few readers have emailed me to say that they are having a problem linking to the film mentioned in yesterday’s post. Since many subscribers receive these postings through their email address the easiest way to link to the film is to click on the blue title of the post that appears at the top of your opened email. When you single or double click on this blue title you are redirected to the actual website. The film appears within the website posting. Another way to connect to the film is to go down to the last part of the opened email and you … Continue reading Link to the Film Within the Post: The Sacred Artist’s Cultivation of Silence
I recently received a post from the always challenging and informative blog entitled Catholicism Pure and Simple. It features a short film by the Benedictine monk Abbot Christopher Jamison, O.S.B. In this film Fr. Jamison speaks about silence and how critical it is for our well being. He mentions that its cultivation is a necessary prerequisite for certain types of prayer. The good news is that we can begin the process of cultivating silence by setting aside at least five minutes but no more than thirty minutes during the day. During that time we participate in an ancient Christian technique … Continue reading The Sacred Artist’s Cultivation of Silence
One of the great blessings the Lord has granted me is the privilege of meeting so many wonderful people who are interested in studying and creating sacred art. An example of this is the fine Rhode Island artist, Lesley Green. Lesley is no stranger to art. She has been interested in it since adolescence and received a BFA from the Rhode Island School of Design. She continued to pursue her studies while taking time out to marry and raise a family. I first met Lesley a number of years ago, when my wife and I started the Fra Angelico Institute … Continue reading Lesley Green – A Rhode Island Sacred Artist
It is the evening hour on the first Easter Sunday. Gathered in the upper room the Apostles were in turmoil. They doubt. They fear. They have lost their sense of trust. They believed that Jesus was dead; and they knew that the Temple guards had orders to arrest all of them on sight. Earlier that morning, Peter and John had entered Jesus’ tomb, and came away amazed at what they saw. But the other Apostles in that room (all were present except Judas and Thomas) had not witnessed the empty tomb. The doors to the upper chamber, like their hearts and minds, … Continue reading St. Thomas: Skeptic, Cynic, and Repentant Saint
If you are in the vicinity of New Haven, Connecticut within the next two weeks take the opportunity to stop by the Knights of Columbus Museum for their magnificent exhibit entitled “Windows into Heaven – Russian Icons and Treasures.” The Museum is located at One State Street, New Haven, and offers free admission and parking. They are open from 10 to 5 pm. For the past year it has hosted a private collection of spectacular Russian sacred icons and liturgical artifacts. It is the finest collection of Russian sacred icons that I have observed in the Northeast owing to the fact … Continue reading Beautiful Russian Sacred Icons at the New Haven Knights of Columbus Museum
It has come to my attention that the links for today’s post that was sent by email to my subscribers are not appropriately linking to Matt Champion’s or Robin Stummers’ articles in The Guardian and The Observer. I believe the problem has been fixed, however, to see the post with the corrected links the email subscriber must click on the Blue Title of today’s post that appears when you open up the email on your computer. The corrected article/links should appear for you in a more easily read environment. Thanks. Continue reading Correction on Medieval Graffiti Post
A fascinating series of articles came to my attention today by Tatjana Jovanovic, a top contributor of a Linkedin group called Medieval and Renaissance Art, Antiques, Architecture, Archaeology, History and Music. Her article is entitled “Medieval Banksy: Confession of Medieval Graffiti Artist, Monk, and Writer.” Ms. Jovanovic is an aesthetician and artistic designer. She basis her article on two pieces that appeared in the US edition of The Guardian/The Observer. The first by Matt Champion provides a gallery of 13th and 14th century graffiti that is being collected by a British association known as the Norfolk Medieval Graffiti Survey www.theguardian.com/artanddesign/gallery/2014/mar/29/medieval-graffiti-pictures-lydgate A second … Continue reading Medieval Graffiti in English Churches – The Case of John Lydgate, O.S.B.
This past month the Fra Angelico Institute for the Sacred Arts was happy to sponsor a two day workshop. The purpose of this workshop was to introduce people to the idea that everyone has the capacity for expressing themselves in art. Using acrylic paints the participants were taught the process of “seeing” an image of a rose, breaking down its component parts, drawing the rose, applying and mixing pigments, painting the rose, etc. Our desire was to ultimately interest people, who possibly never considered themselves as having artistic talent, to see that they could paint a good quality representation of … Continue reading A Recent Art Workshop Leads to Another! – The Fra Angelico Institute
In the late 19th century a Russian painter, the noted portraitist, draughtsman, and teacher Ivan Kramskoi painted a haunting image of Jesus alone in the desert. It is a painting which expresses the internal struggle of the flesh versus the spirit. It portrays Jesus, in the early morning hours and the cold air of the dawn, with the sun rising over His back. He is surrounded by small boulders and sits on a rock, hands in front of him, eyes filled with anguish and pain. This portrait of Christ in the desert is not one of victory; looking closely at His … Continue reading Christ in the Wilderness, a Russian Artist, and a Challenge
Our society is quite adept at pointing out the sins and foolishness of others. Cable TV, radio talk shows, and various web sites love to dwell on the ignorant and immoral actions of politicians, celebrities, and the man in the street. But, as sacred artists within the Christian Tradition, what does Jesus require of us? Jesus demands that we become countercultural. He requires us to be more concerned with our own sinfulness rather than the sins or inadequacies of others. When we first heard it years ago, last Sunday’s Gospel of Matthew 5: 17-37 must have caught us off guard – … Continue reading Sin and the Sacred Artist
If you had the opportunity to watch the Super Bowl half-time show last weekend you saw that there were a number of symbolic messages that were being sent by the producers and main performer of the show; interestingly, variations on these messages continued to be sent throughout the game in the form of the commercials. The singer Bruno Mars’ half-time performance sent one specific message – one specific word – that flashed three times behind him at the beginning of his act, the word was: prepare. Prepare. But prepare for what? The verb prepare in and of itself, is a … Continue reading PREPARE! Bruno Mars in Light of Matthew 5: 13-16
Floridian Sean Keohane, a member of the Fra Angelico Institute for the Sacred Arts, and a participant in the beautiful CBS/Paulist Production of “The Nativity” sent me the following information on an American television Christmas Eve Special that will be broadcast this Tuesday evening on CBS at 11:30 PM. You will want to set your DVR’s to record the show. I am sure that it will prove to be quite beautiful and a wonderful addition to your enjoyment of the holy Christmas season. Sean is an artist and has been working with the famous Henson puppeters and the Jim Henson … Continue reading “The Nativity” – Presented by the Jim and Jane Henson Family Puppets – Christmas Eve on CBS
Joan Weist, a good friend of ours here in South Kingstown, Rhode Island was doing some gardening on Saturday afternoon May 18, 2013 and her neighbor brought to her attention an amazing circular rainbow that appeared around the sun. She grabbed her camera and snapped these extraordinary photos of the rainbow. Joan lives about ten minutes from us and her home is within walking distance to the Atlantic Ocean. The photos were taken on her IPhone 5. The color blotches which appear on her first photo also occur on her IPhone and is not a result of my computer’s coloration. I … Continue reading Sun Rainbow Photos by Joan Weist
Last February, in Parts 1 and 2 of this article, I shared with you some thoughts on an important figure in the history of Western European art: the Benedictine monk, Roger of Helmarshausen, also known by his pen name, Theophilus the Presbyter. Dom Roger was born in the late 11th century during a dramatic time in Western European history. In 1066 the Normans successfully invaded England and defeated the Saxons, which forever changed the history of England and the Continent. In 1084, St. Bruno founded the Carthusian Order in France, and in 1098 the foundation monastery of Citeaux saw the beginning … Continue reading Roger of Helmarshausen O.S.B. – Theophilus the Presbyter: Part 3 – The Prologues
The article below is reblogged from the always informative Orthodox Arts Journal. The article is the 9th in a series about sacred iconography that was written by Brother Aidan Hart, a British iconographer. Brother Hart has written extensively on all aspects of sacred iconography and has recently published a very comprehensive book on the subject called Techniques of Icon and Wall Painting. The editor at the Orthodox Arts Journal highly recommends it. Brother Hart’s articles are available at his website and he also offers sacred iconography workshops in Britain. This nine part article is well worth the effort of perusing … Continue reading Aidan Hart’s New Book on Sacred Iconography
In our Scriptures for the 3rd Sunday of Easter we have the extraordinary contrast of St. Peter’s deeds in the first reading with that of his behavior in our Gospel. In the first reading from the Acts of the Apostles we see Peter’s defiance of the priests and the elders in the Temple. This defiance is in direct contrast to his cowardice two months earlier on the night of Jesus’ arrest; and it also differs from what we visualize in today’s Gospel. The events of this Gospel occur before our first reading and the coming of the Holy Spirit at Pentecost. … Continue reading St. Peter’s Affirmation of His Love for Christ Is A Model for Us
My sincere thanks to Jonathan Pageau at the Orthodox Arts Journal, http://www.orthodoxartsjournal.org/, for permission to repost his wonderful presentation of the sacred icon miniatures of Russian artist Evgeny Baranov and the spectacular icon wood carvings by Rashid and Inessa Azbuhanov. We must take care when we paint/”write” large icons, yet, to complete an icon miniature or a wood carving, with such grace and spiritual truth, demands in my humble opinion, even more skill and patience! Enjoy, and be filled with astonishment! To see all of Baranov’s miniatures please visit their site:www.orthodoxartsjournal.org/miniature-icons-by-evgeny-baranov/ . To see the lovely icon wood carvings of the Asbuhanov’s please … Continue reading Evgeny Baranov’s Miniature Icons and Rashid and Inessa Azbuhanov Icon Carvings
At the Last Supper, on the night He was betrayed, our Savior entrusted to His Church the memorial of His death and resurrection. This memorial came to us through the Institution of the Holy Eucharist, a memorial that He intended would be celebrated forever by His Church in the magnificent prayer that is known as the Holy Mass. Let us adore Him, and say: Jesus, sanctify Your people, redeemed by Your blood. Lord, You humbled Yourself by being obedient to the Father’s will, even to accepting death, death on a cross. Please give all who faithfully serve You the gifts of: … Continue reading The Last Supper – Jesus as Servant, Christ as Sacrifice: An Evening Meditation
Please take a moment to read the first part of this multi-part essay that I posted a few days ago. I am requesting that you do this in order for you to understand my perspective on creating contemporary sacred art within the Latin Rite. Creating sacred art for me is a service ministry. It is a ministry through which a sacred artist unites him or herself to God’s Redemptive efforts. If you are a Baptized Christian who has been educated in the faith, regardless of the Rite or the denomination, you know that the Christian faith requires you to cooperate … Continue reading Theophilus, the Art of Iconography, and the Contemporary Sacred Artist – Part 2
Today’s sacred artist within the Western tradition may have been exposed to many different artistic traditions. Artists may have been classically trained in a formal academy such as the Florence Academy of Art, or, they may have been educated at a secular institution that emphasizes a modern abstract expressionistic form of art. Other models are available, too. Some artists may have been self-taught, or, as in my case, study with specific masters of sacred art that offered intensive workshops to interested groups or individuals. Upon my retirement from a career in education, I finally had the opportunity to study and … Continue reading Theophilus, Iconography, and the Contemporary Sacred Artist – Part One
A very clear narrative greets us in the Gospel by St. Luke. He tells us that both Zechariah and his wife Elizabeth were both righteous before God: walking in all the commandments and ordinances of the Lord – they were blameless; but they have no child. Elizabeth was barren and both were elderly. We read of Zechariah silently bringing his heavy heart before the Lord – even after all those years – it was still burdened with disappointment. The couple probably remembered Psalm 112 which says: “Happy the man who fears the Lord, who takes delight in his commands. His … Continue reading December 21, 2012 – The Archangel Gabriel’s Greeting to Zechariah
Wishing all Americans a Happy Thanksgiving holiday weekend, and all friends and followers of this blog a blessed and creative day. The statement below was released by Pope Benedict 16th this morning. It contains some very poignant and relevant points for meditation and implementation. As artists we have a wonderful responsibility to be “Guardians of Beauty in the World” – especially the beauty of faith. Enjoy! “Vatican City, 22 November 2012 (VIS) – Yesterday afternoon in the Aula Magna of the Palazzo San Pio X, the Pontifical Academies held their seventeenth public session on the … Continue reading A Papal Statement: The Beauty Of Faith Is Not An Obstacle To Artistic Creation
On October 15th we celebrate the Memorial of the great Spanish saint and the first woman declared a “Doctor of the Church” – Teresa of Jesus, also known as Teresa of Avila. Saint Teresa grew up in the early 1500’s and at the age of 20, entered the Carmelite convent in Avila. She freely admitted that for twenty years she had a very difficult time with prayer and distractions. Compounding the problem was the lifestyle of her fellow nuns. In the 16th century, Spanish convents were very relaxed places since a festive, vain, and worldly attitude was prevalent. The idea of strict discipline, … Continue reading St. Teresa of Avila – On Love
In our celebration of the memorial of St. Francis of Assisi we must pause for a moment and examine the virtues that motivated and energized his life. We can begin by saying that he was a simple man. He pursued simplicity. This does not mean that he was of limited intelligence, or that he pursued simplicity for simplicity sake, rather, it means that he was successful at eliminating everything from his life that did not enhance his understanding and love of Jesus. In other words, he kept to what was essential in life: “God, the state of our soul, judgment and eternal life.” He realized that “to … Continue reading The Virtues of St. Francis of Assisi – A Model For Sacred Artists
This is my third post in as many days on Our Blessed Mother Mary. September is an appropriate time to remember the significance of Mary in the life of the Church and, more importantly, in our own lives. For as the Mother of God she is, necessarily, the mother of our own spiritual life. She nurtures us to understand that her Son is always there for us. He does not impose Himself on us and neither does Mary. They desire us to freely choose kinship with them. Today, September 12th is the memorial of the Most Holy Name of Mary. The … Continue reading The Most Holy Name of Mary
Today we celebrate the feast of St. Lawrence, a deacon and third century martyr. St. Lawrence was one of the seven deacons of Rome who served as the Pope’s ministers during Holy Mass and as his administrators to the people of Rome. His execution occurred a few days after the martyrdom of Pope Sixtus II and four deacons (Januarius, Vincent, Magnus, and Stephen). At that time, all the deacons of Rome were executed. The role of deacon is distinguished by service to the poor – both in mind and body. A deacon serves at “table” which results in his participating in the corporal … Continue reading St. Lawrence – Archdeacon and Servant of Christ
The Fra Angelico Institute for the Sacred Arts is truly honored to receive three blogging awards. Teresa Rice at Catholiclibertarian has nominated this blog for three awards: The Illuminating Blogger Award, The One Lovely Blog Award, and The Very Inspiring Blogger Award. Teresa Rice’s blog at Catholiclibertarian is dedicated to discussing contemporary issues through the lens of being a faith-filled Catholic as well as a person who has a mixture of conservative and libertarian political views. Teresa’s columns are always well written, insightful, challenging and dogmatically faithful to the Catholic Church. We are proud, honored, and humbled by her confidence … Continue reading We Receive and Give Awards – We Are Deeply Touched!
We are so very grateful to everyone who has visited this website over the past year. It was on August 1, 2011 that I posted my first essay. By midnight tonight over 13,000 people, from 106 nations, will have visited this site and, hopefully, been spiritually fed by the discussion on issues concerning sacred images and iconography, prayer, and reflections on the Holy Scripture. May God continue to bless all those who have an interest in sacred art and move them to deepen their prayer life by using sacred art as a focal point in their meditations. Thank you! May … Continue reading Thank You! Our One Year Anniversary!
Over the past six years I have participated in numerous workshops in sacred art and have produced a number of sacred images, each of which helped me understand the techniques of this sacred art. In 2006, I participated in my first workshop at St. Michael’s Institute of Sacred Art at St. Edmund’s Retreat in Mystic, CT. The instructor was Peter Pearson, an Episcopal priest from Pennsylvania. He introduced the class to the beautiful and prayerful experience of painting a sacred image in the Russian Orthodox tradition; however, rather than using egg tempera paints (in which you mix the yolk of … Continue reading Summer 2012 Workshop in Painting Sacred Images – A Few Reflections
You are probably thinking, the poor old fellow has made a mistake in his spelling. Shouldn’t the title read “Son” of Justice? One evening a passage from Evening Prayer in the Divine Office caught my attention. It was the final prayer and it read: “Father, yours is the morning and yours is the evening. Let the Sun of Justice, Jesus Christ, shine for ever in our hearts and draw us to that light where you live in radiant glory.” That phrase provided this image’s title: Sun of Justice, Jesus Christ. My intent was to have the image direct the prayerful observer … Continue reading A Sacred Image – The Sun of Justice, Jesus Christ
One of the great pleasures of life is discovering and becoming friends with people who have a similar philosophy of life – especially when it comes to understanding truth, goodness, and beauty. Some of us may have been fortunate to have had the experience of great teachers in our lives. In my junior year of high school I experienced teachers of English and history who opened up for me the nature of those two subjects and introduced me to the idea of inquisitive scholarship. On an undergraduate level I remember three teachers in particular – one in comparative literature, the second … Continue reading A Most Amicable Teacher – The Insights of Artist Robert Henri
The book of Exodus mentions the Egyptian city of Rameses. If you travel to the Egyptian University Museum of Antiquities, in one of the side rooms, you will see two interesting artifacts: an ancient stone pillar that proclaims: “The pharaoh built the city of Rameses with Asiatic Semitic slaves,” and an ancient tomb painting showing slaves hard at work making bricks for the city. Many scholars view these “Asiatic Semitic slaves” to be the Hebrew people. With the unveiling of Moses as a prophetic leader we read of the Hebrews release from bondage through the unstoppable combination of his leadership … Continue reading Our Lady of Mt. Carmel Calls Us To Holiness
Please see my post of July 9, 2020 entitled Chinese Martyrs and the Art of Ken Jan Woo. Thank you. Continue reading Ken Jan Woo – sacred artist
In response to a valuable comment made about my post – Part 2 – Icons, Icon Painters, and Praying with Sacred Images, I thought everyone would enjoy seeing one of the oldest images in existence of Saints Peter and Paul: a bronze medallion found in an excavation of the cemetery of Saint Domitilla in Rome. The Domitilla cemetery is fascinating because it is the oldest of the Roman catacombs and, according to one source, still contain bones. The Domitilla catacombs are very well preserved and contain a second century (AD 101 – 200) fresco of the Last Supper. This image … Continue reading 3rd Century Bronze Medallion of Saints Peter and Paul
Recently I received a rather funny email from a friend concerning a God loving Marine coming to terms with an atheist professor. It triggered, however, a serious reflection on how we, as Christians, are to confront those who “get in our face” about issues of spiritual beliefs, sacred art, religious freedom, and personal liberty. The passage from St. Matthew’s Gospel, chapter 5: 38-42, on “an eye for an eye and a tooth for a tooth” gives us an insight into who Jesus is as God. The behaviors that He explains, and asks us to imitate, are actions that He would … Continue reading When People Or Governments Get In Our Face
In our Gospel today, from St. Mark Chapter 4: 26-34, we have two important parables concerning the reign of God: the first concerns the farmer’s sowing of seed and the second refers to the growth of the seed. When we examine the threads running through these parables we hear Jesus explaining not only the functions that the farmer performs, but the nature of the seed that is sown, as well. This first parable is found only in Mark’s Gospel and explains that through the ministry of Jesus, God’s sovereign and all-powerful rule over mankind is made visible. This is similar … Continue reading Seeds of Faith and Art
My favorite sacred icon of Our Lord Jesus Christ is the 6th century encaustic icon of Christ Pantocrator (Christ The Almighty One) from St. Catherine’s Monastery in the Sinai Peninsula. This sacred image was a paradigm shift in the way early Christians viewed and portrayed Jesus Christ. This icon (shown below) is not the thin young Messiah of the Catacombs, or the Roman nobleman presentation of the first four centuries of Church art (for examples confer Pierre du Bourguet’s book on Early Christian Painting). The Sinai Christ Pantocrator is portrayed as a robust Semitic man, who knows exactly what He is about, what His … Continue reading Icons, Icon Painters, and Praying With Sacred Icons: PART 3
On Wednesday evening, May 23rd, ten members of the Fra Angelico Institute for the Sacred Arts here in the Roman Catholic Diocese of Providence, Rhode Island USA were commissioned and blessed to begin their study, here at the Institute, and work to become competent painters of sacred icons. As we approach the Solemnity of Pentecost we can certainly see the movement of the Holy Spirit in this work. We are reminded of a commentary by St. Cyril of Alexandria, the bishop and patriarch of Alexandria, Egypt during the years of 412 to his death in 444. He was a man … Continue reading A New Class of Iconographers Begin Their Studies: The Work of The Holy Spirit
A few issues have come up in discussing some basic terms with people. I would like to be clear on how I have come to understand these words because it may affect how we view our “ministry” to be painters of sacred icons and or sacred images. From my understanding, the word icon in English, Greek, and Latin, is the word for image. In our usage as sacred artists, it refers to a sacred image of Our Lord, Our Blessed Mother, angels, or specific saints. The purpose of a sacred icon is that, as a piece of sacred art, it … Continue reading Icons, Icon Painters, and Praying With Sacred Icons: Part One
Today is the feast day of St. Matthias. The Acts of the Apostles relate that Matthias was chosen by lot to replace the disciple who had betrayed Jesus in the garden. In chapter 18 of our Gospel, St. John speaks of Judas, who was in collusion with the Romans and the Jewish elders, and brought them to the place where Jesus was staying in the garden; the betrayal took place and the deaths occurred. In the period after Jesus’ death the Apostles were known as the Eleven. The Eleven. A title which causes us to pause, even today, two thousand years … Continue reading St. Matthias and the Renewal of Easter Hope – The Lord Loves His Friends