Paul in Arabia and Damascus

Galatians 1:15-18 relates St. Paul saying: “But when God, who had set me apart from the time when I was in my mother’s womb, called me through His grace and chose to reveal His Son in me, so that I should preach Him to the Gentiles, I was in no hurry to confer with any human being, or to go up to Jerusalem to see those who were apostles before me. Instead I went off into Arabia, and later I came back to Damascus. Only after three years did I go up to Jerusalem to meet Cephas (Peter). I stayed fifteen days with him.”

St. Paul’s wanderings were not without profit. Galatians, being the first Epistle after Luke’s Acts of the Apostles, relates Paul’s working through how his life had changed since his theophany of Jesus Christ. It relates his plan for spreading the Good News, debating issues of Jewish Law, and invoking all to live in the wisdom of the Holy Spirit. Time undoubtedly was spent praying about how the Lord was working in his life, what the Lord was requesting of him, future plans, settling up business affairs in Damascus,  and other large and small personal issues.

We all go through periods similar to those just described by St. Paul. So has it been for me. No theophany was experienced (!) but personal and medical issues have had their affect. The lessons learned echoes what is read in the first chapter of Galatians. I am better for it. For all types of adversities are allowed by the Lord, not because He wants us to suffer, but “to burnish us,” to make us shine with the virtues of fortitude, humility, and patient endurance. As the Saint says: “If we live in the Spirit, let us also walk in the Spirit…”

I see from the subscription list that this blog site has not lost any subscribers, in fact over the last two years of inactivity it has increased in membership. Thank you! I have plans for new posts for the upcoming months, specifically a series on the spirituality and virtues of Beato Fra Angelico and how they influenced his art. Are the virtues of a 15th century Italian Dominican priest transferable to us? I believe so, because, in reality, they are based on the Beatitudes that all Christians, regardless of Rite or denomination, hold dear.

May the grace of Our Lord Jesus Christ be with you. Thanks, talk to you soon.img_2151The above sacred image is an unfinished copy of St. Paul based on St. Andrei Rublev’s masterpiece. It is being painted by Deacon Paul O. Iacono. It is egg tempera on a gessoed wood panel.

Copyright © 2011- 2017 Deacon Paul O. Iacono All Rights Reserved

Jesus Our Savior – A Sacred Image in the Iconographic Tradition

I have the happy service of presenting a new workshop to interested adults from Massachusetts and Rhode Island beginning on Saturday February 14th, 2015.

In an attempt to give everyone individual attention the class is currently filled at a limit of ten people. We will be pursuing our studies of painting sacred images in the Latin iconographic tradition. I hope to make the artists aware of the importance of studying the Latin and Byzantine origins of sacred images and its inevitable blossoming within the Greek and Russian civilizations.

The workshop will run over a five-week period, for a total of twenty hours of class time. While they will not be painting the sacred image that is found below of Jesus Our Savior, the technique that I used to paint this image will be taught to the artists. Note that the image is painted using acrylic paints; however, I have developed a different approach in manipulating the layers of the paints. This approach evolved out of studying the work of the 12th century Benedictine monk, Theophilus the Presbyter (whom I have written about in previous essays on this blog), and my own experiments over the past few years of working with egg tempera and acrylic paints.

I specialize in painting personal prayer images (9 by 12 inches, or 12 by 16 inches) rather than images that would be found in large church or chapel applications. The image found below (95% finished) is typical of my approach. It is an image that the person in prayer can relate to, yet, it also carries a sense of transcendence. This approach will be taught in the upcoming workshop. I attempt to teach simplicity in both technique and spirituality. I  avoid flourishes and excessive naturalism in facial or garment representation. In this way I have ignored the typical approach of many Latin Rite sacred artists from the mid 14th century onward. I am attempting to rediscover, or reestablish, the Latin Rite techniques of painting sacred icons. This endeavor is a work in progress!

In the upcoming workshop the students will be studying my technique and actually paint an image of St. Michael the Archangel. Upon completion of that sacred image, they will eventually move on to painting an image of the Holy Theotokos, the Blessed Mother, and then complete the sequence in studying and painting a sacred image of Jesus Christ. In upcoming posts I will be blogging about their experience and the steps that they will take in completing the sacred image of St. Michael.

My approach to the painting of sacred images in the iconographic tradition owes a debt of gratitude to my many teachers in the Byzantine and secular artistic traditions. I also owe a profound thank you to the Holy Spirit, whose grace has enabled my hands to paint sacred images. I pray that my sacred art has not offended Him. The image below appears slightly brighter than it actually is as a result of the flash.

Jesus Our Savior by Deacon Paul O. Iacono, Fra Angelico Institute for the Sacred Arts, Copyright © 2011- 2015 Deacon Paul O. Iacono All Rights Reserved

 

 

Copyright © 2011- 2015 Deacon Paul O. Iacono All Rights Reserved

The Gospel of John 1:35-42 – An Invitation to Follow Jesus

In our Gospel today we hear John the Baptist proclaim “Behold the Lamb of God.”

We see in our mind’s eye, Andrew and another disciple, probably St. John, listening to the Baptist say those words.

Immediately after Jesus walks by they look at one another and, without saying a word, begin to follow Jesus.

Jesus, sensing their presence, turns and seeing them says,

“What are you looking for?”

They say: “Rabbi where do you live?”

They didn’t presume to say, “Rabbi we want to be your companions – we want to learn from you.” Rather they instinctually knew that this man, whom John the Baptist had proclaimed “The Lamb of God,” was the Lamb of God – the promised Messiah; and they wanted to be with Him.

In what must have been an astonishing moment for them, Jesus in turn says, “Come, and you will see.”

What did they see in those three years they spent with Him? That is what John believed he had to write down.

Those three years, and then the following years of John’s own ministry, had to be written down.

Two thousand years later we experience his excitement in the short clips of his memory as we read the significant facts and unique moments of what he experienced.

For in those facts and moments are contained the unique vision of John’s Gospel and Epistles.

They proclaim his experience of the truth that the Word of God – the Mind of God – was incarnated into the man Jesus, the Son of God.

This was done so that the Father could fully express the meaning of His love and His desire to share that love with His creation.

“Rabbi, where do you live?”

“Come and you will see.”

But this is the 21st century; and many of us do not hear the call of God to “Come and see.”

Maybe Jesus is calling to us and we are too distracted, or hurt, or swallowed up by life’s events; or maybe we don’t know how to see or listen to His message, or are just not listening at all.

But the message of this Gospel is that Jesus’ call – His invitation – is always open.

He invites us, like Andrew and John, to join Him for the afternoon and share a simple meal of bread and wine.

He invites us to be baptised into His family so we can receive the many gifts He desires to give us.

He invites us to know His laughter and joy; and He invites us to suffer with Him by knowing loneliness, sickness, heartache, and loss.

“Rabbi, where do you live?”

“Come and you will see.”

Our imagination can visualize a small Hebrew home, with a low doorway so large animals would not wander in.

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We can imagine that this is where Jesus lived: in a small but adequate house on a simple Hebrew street.

Jesus, and any visitors, would have to bend down to get through the door.

We are asked to bend down, too.

We are to lower ourselves in humility, patience, reconciliation, and love.

For how are we to live with the Creator of the Universe if we are unwilling to honestly look at our own souls in the light of the One who loves us?

Ultimately, we respond to Jesus’ call by inviting Him into our heart. For that is where He truly wants to live, and rest, and share a simple meal of bread and wine.

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The above post is my homily for the 2nd Sunday of Ordinary Time. Year B. I delivered this homily at St. Francis of Assisi Church in Wakefield, Rhode Island on January 18. 2015 at the 8 AM and 10 AM Masses.  Copyright © 2011- 2015  Deacon Paul O. Iacono All Rights Reserved  Thanks to the blog Clerical Whispers for the photograph of a typical Hebrew street scene. Their site can be located at: http://clericalwhispers.blogspot.com/2012/05/exhibition-recreates-gospel-village-for.html

 

Link to the Film Within the Post: The Sacred Artist’s Cultivation of Silence

A few readers have emailed me to say that they are having a problem linking to the film mentioned in yesterday’s post. Since many subscribers receive these postings through their email address the easiest way to link to the film is to click on the blue title of the post that appears at the top of your opened email. When you single or double click on this blue title you are redirected to the actual website. The film appears within the website posting.

Another way to connect to the film is to go down to the last part of the opened email and you see the titles of the “tags and categories.” Connected to this section is a URL address, if you click on that URL address it will redirect you to the film, too. It is much easier to read the posts if you  come to the actual website rather than trying to read the tiny print of the email.

I have Cox Communications and when the posts come back to me in my email they are appearing in a font size that is close to size 8, which is pretty hard to read for these old eyes! So click on the blue title and it will redirect you to the website which is in a much bigger, and more enjoyable, font. If you still are having problems, please email me and I will make other arrangements for you to see the film.

The Sacred Artist’s Cultivation of Silence

I recently received a post from the always challenging and informative blog entitled Catholicism Pure and Simple. It features a short film by the Benedictine monk Abbot Christopher Jamison, O.S.B.

In this film Fr. Jamison speaks about silence and how critical it is for our well being. He mentions that its cultivation is a necessary prerequisite for certain types of prayer. The good news is that we can begin the process of cultivating silence by setting aside at least five minutes but no more than thirty minutes during the day. During that time we participate in an ancient Christian technique of developing awareness of our breathing, the silence that is within us, and the need to enter into this type of prayer in order to hear the still, quiet voice, of God. I’ll have more about this ancient Christian prayer technique in future posts.

Finding silence is especially important for the sacred artist. Sacred artists must prepare themselves prior to picking up the tools of their art and creating a sacred image. They accomplish this  through the cultivation of prayer throughout the creative process. The disciplines of silence, fasting in its various forms, and repentance for sins are important components of the Christian artistic and soul journey.

What is especially helpful about this ten minute film is that Fr. Jamison and a parishioner demonstrate the process of cultivating silence through an actual short period of silent relaxation and spiritual meditation. It is a simple yet profound moment that demonstrates how easily you can connect with the rhythms of your body and soul, and in the process, develop your prayer life with the Lord, His angels, and saints. This film is not only necessary viewing for the sacred artist but for all who are interested in a mature relationship with God.

The Way of Beauty On-Line Course and Reimbursement Scholarship Opportunities

The mission of the Fra Angelico Institute for the Sacred Arts is to teach the truth, goodness, and beauty of God through the prayerful creation of sacred art.

We are happy to announce that we have recently entered into a partnership with Thomas More College of Liberal Arts to present a wonderful on-line course to anyone interested in Catholic Culture and the sacred art of the Church. We also have a special opportunity for teachers of history, art, religion, and the humanities in Catholic high schools of the Diocese of Providence who complete this course.

Thomas More College of Liberal Arts is offering an on-line course entitled The Way of Beauty. This course has been designed by David Clayton and is being successfully implemented at Thomas More College of Liberal Arts. David is an Oxford University graduate, sacred artist, published author and broadcaster, and holds the position of Artist-in-Residence and lecturer in Liberal Arts at the College. David is passionate about Catholic art and music, the forms it has taken through the centuries, and the reinvigoration of Catholic culture. David’s blog can be found at www.thewayofbeauty.org.

As stated on the College website the Way of Beauty course “focuses on what shapes a Catholic culture and what makes it beautiful. It discusses the general connection between worship, culture and beauty particularly through the prism of visual art. The course program consists of a 13 episode video series and an e-book written by David Clayton. This book is only available to those who take this course. Participants who complete the on-line program are eligible to receive 25 hours of Continuing Education Units endorsed by Thomas More College of Liberal Arts. The College is regionally accredited by the New England Association of Schools and Colleges. Time spent in this program may also be able to be used towards later college credit offerings.” The cost of the on-line course is $99.00.

For the 2014-2015 academic year, The Fra Angelico Institute will provide reimbursement scholarships, through a competitive selection process, to Diocese of Providence high school teachers who enroll and complete the Way of Beauty on-line course.

In an attempt to provide a competitive atmosphere among the teachers, The Fra Angelico Institute for the Sacred Arts will provide a total of five reimbursement scholarships, one per high school, to Catholic high school teachers with the best implementation process.

In order to enter the competition to receive the reimbursement scholarship an interested Diocesan teacher will:

1) Notify the Fra Angelico Institute of their interest through our email at frainstitute@cox.net.

2) Formally register by clicking on the tab and following the prompts for the On-Line Course through www.thewayofbeauty.org.

3) Through the teacher’s personal Google account, participate in the program which consists of 13 on-line videos (approximately 30 minutes apiece) produced in association with Catholic TV.

4) Read the e-book – The Way of Beauty: Liturgy, Education, Art, and Inspiration. This e-book has been written exclusively for this course.

5) Submit on school stationary a statement from the teacher that the course has been completed, a one-page summary of how the course will be actually implemented in their curriculum, and one or two suggestions on how the course may be improved.

6) Submit a letter from the principal of their high school stating that they support the teacher in their desire to implement the goals of this course.

Using the US Postal System, these documents should be mailed to: Deacon Paul Iacono, Fra Angelico Institute for the Sacred Arts, St. Francis of Assisi Church, 114 High Street, Wakefield, RI 02879.

We hope you enjoy the course and best wishes to the teachers who compete for the reimbursement scholarships!

Copyright © 2011- 2014 Deacon Paul O. Iacono All Rights Reserved

Albert Lapierre – Sacred Artist and Iconographer

This past July I had the pleasure of restoring an icon that was written by the fine artist, Albert Lapierre, from Attleboro, Massachusetts. It is a beautifully done and was commissioned by Joan O’Gara on the occasion of the birthday of her sister, Rosalind, in October, 1998.

Rosalind told me that her sister knew of her appreciation and devotion to the Gospel account of the Visitation of Mary to her cousin Elizabeth; however, Joan was not able to locate a print of this particular icon. In 1997 Joan decided to contact Albert Lapierre who was resposible for the creation of many religious objects, statues, and sacred images. Prior to his passing he had a store and studio in Attleboro, Massachusetts. There are many examples of his work at the LaSalette Shrine in Attleboro.

At the time of Joan’s request, Albert was busily engaged at the Shrine with many projects, and was reluctant to take on another commission. Joan persuaded him, however, to take on this project – telling him that “Our Lady really wanted him to paint this image.” I am told that he didn’t have a comeback for that request!

Mr. Lapierre was able to fit its creation into his busy schedule and it was varnished and ready to be delivered by October, 1998. Needless to say, Rosalind was thrilled by Joan’s gift and it remains to this day an important focal point in Rosalind’s prayer life.

Time does take its toll and the icon sustained some accidental damage over the years. Rosalind located me through a Google search and phoned for a consult. She was especially concerned about areas that had chipped and lost pigment. We met and discussed the damage and she requested that I try to repair it as best as possible.

The repair turned out to be an interesting challenge. First, I believe that it is absolutely essential that a restorer not impact or change the design, colors, or compositional elements of the piece being restored. Respect for the original artist, and what they created, is paramount. Ultimately, the viewer must be able look at the restored piece and be unaware of the fact that it has been restored. There should be no distractions from the original intent of the artist.

My biggest challenge in this restoration was matching the original colors. For this particular icon Mr. Lapierre used acrylics. Since the painting was only seventeen years old, and had not been kept in direct sunlight, the paint had not deteriorated or dulled to any great degree. Thus, my task was to repair the chips that could be restored and then blend in the pigment restoration. The restoration was a success and it was blessed, and delivered to a grateful Rosalind, at a Mass here in South Kingstown at St. Francis of Assisi Church in August 2014.

Albert Lapierre died a number of years ago. Sadly, I never met the man that created such a sensitive and dynamic icon. It was a distinct honor to work on it. I thank Joan and Rosalind O’Gara for the privilege of doing so.

Below are a few images of the piece with a close-up of Mary’s face, and the beautiful catechetical scene of Elizabeth’s husband, Zechariah, praying in the Temple.

Copyright © 2011- 2014 Deacon Paul O. Iacono All Rights Reserved

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