Allow me to wish everyone a belated Merry Christmas and a Happy New Year! I can do that because, liturgically, we are still in the Christmas Season! That Season ends this Sunday – the Baptism of the Lord.
Okay, we left off in the last post with a schematic of the discipline of painting. The previous posts also provided a simple definition of Art and its disciplines.
As we now return to our study allow me to provide you with the three “Major Periods” of Catholic Sacred Art. These Periods also impact what I, in my humble opinion, have labelled “minor stages” of sacred art. These minor stages were outgrowths and were dramatically influenced by the previous major period. The academic source for the Major Periods is Pope Emeritus Benedict XVI’s book: The Spirit of the Liturgy.
I labelled the other stages minor not because they are any less in value, artistic merit, or cultural import, rather, I gave them that designation because the Major Periods promoted specific Catholic theological insights. The minor stages while artistically very significant, continued the theological themes and dogmas of the previous major period. The minor stages contributed to culture and sacred art by providing different artistic interpretations of the previous major period.
I am emphasizing that Catholic theology and its cultural environment dramatically affected Catholic sacred art. This is not a “new” insight on my part, just one that I believe should be emphasized in our studies. The beginning and end dates for the Periods below are fluid and, depending on the region of Europe you are studying, can be slightly increased or decreased in time.
My chart of the Periods/Stages is below:
Soon I will begin posting the development of specific theological themes, and a brief explanation of the major periods and minor stages. I will provide some artistic examples, too.
Your comments and constructive criticism are always welcome.
Thanks for visiting and have a great weekend.
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