This list is not a typical statement for my blog owing to the fact that it normally concerns sacred art and catechesis; however, I felt I needed to compose and share my thoughts with you. The views below are solely mine and are not meant to imply they have the endorsement of my Diocese (Providence, RI, USA). The United States of America consists of fifty states that are ruled by a National (and an individual State) Constitution. My views certainly may be applied to other world governments. A state and nation, that is a representative democracy, is its people. A … Continue reading Suicide of a Nation
Today we celebrate the feast of St. Lawrence, a deacon and third century martyr. St. Lawrence was one of the seven deacons of Rome who served as the Pope’s ministers during Holy Mass and as his administrators to the people of Rome. There is little historical evidence remaining on St. Lawrence. His Acts had been lost by the time of St. Augustine in the 4th century, yet, Pope St. Leo the Great and St. Augustine wrote about him and his martyrdom. The tradition of the Church states that he was a native of northern Spain and was ordained by Pope St. Sixtus … Continue reading St. Lawrence – Deacon and Martyr
In the June 22, 2020 issue of Newsweek an on-line article by Aila Slisco reported some statements by political activist Mr. Shaun King. She states: “He [King] also remarked that stained glass windows and other images of a white Jesus, his European mother and their white friends should all be destroyed, insisting they are racist, examples of ethnic propaganda, and “a form of white supremacy. “They should all come down.” (I’ll comment on these statements by Mr. King in another post). King’s comments came in association with Black Lives Matter protests against the brutality of some police officers toward minorities. … Continue reading Iconoclasm and Shaun King
by Deacon Paul O. Iacono, Diocese of Providence, Rhode Island USA The author of the interesting and challenging blog site on sacred art and its analysis called Catchlight sent me two questions yesterday. They related to my last post which was entitled Fatima Messages, Pagans in the Vatican, and the End Times. “Paul, your protestations begs the question, do pagans go to Heaven? If so, why? If not, why not?” from Bernard Gallagher These are excellent questions. Before I attempt to answer them my readers should understand that I am a committed and Traditional Roman Catholic. His questions will be answered … Continue reading Do Pagans Go To Heaven or Hell?
I would like to thank one of my readers who identified the contemporary icon of St. Spyridon (thanks Carol!). The iconographer is the Catholic priest William Hart McNichols. He is a very talented artist who paints traditional icons and sacred images. At times, he steps out of the bounds of the traditional approach and adds his own personal interpretation of the person he is portraying. His artistic vision is unique. John Daly from Australia emailed me this morning to provide further grist for our mill concerning St. Athanasius, St. Spyridon, and the Council of Nicaea. One of the participants in … Continue reading Sacred Icons and Sacred Images – the Nicene Debate Continues!
I am always very appreciative of my readers writing to me and providing new information and interpretations of sacred icons and images. Happily, that occurred last evening when a reader, Mr. John Daly from Australia, provided me with information on the second icon that was in yesterday’s post on St. Athanasius. Let me provide you with that image so we will have a reference point: Mr. Daly is correct – it is St. Spyridon (born AD 270, died 340). Let’s take a look at the reasons for this correction: The bishop castigating the heretic Arius is wearing a distinctive hat. … Continue reading St. Athanasius and St. Spyridon: A Correction and Another Interpretation – Let’s Take A Closer Look!
St. Athanasius of Alexandria was “the Lion” of the Council of Nicaea. He was instrumental in providing well argued testimony rebuking the heretic Arius during the Council’s debates. His verbal skills, as powerful and commanding as a lion, shredded Arius’ arguments. His eloquence convinced the assembled bishops of the correct dogma that Jesus Christ has two, separate and distinct, natures (divine and human), and that Jesus Christ is fully human and fully divine. The heretic Arius insisted that Jesus was “just a creature” of God. The Council’s main purpose was to address the divine nature of Jesus Christ and the … Continue reading St. Athanasius – Coptic and Eastern Orthodox Icons
I once heard a friend repeat a quote by the author Katherine Mansfield: If you wish to live, you must first attend your own funeral.” How true. We begin to live life perceptively only when we project ourselves to the time of our own death, imagining how we’ve lived our life and wondering whether we’ve met the mark. Depending on our frame of mind, and perspective on life, we may not include the spiritual in our self-assessment, or, only give it a passing thought. That is why Mansfield’s phrase may be viewed as spiritually deficient. In today’s Gospel on the … Continue reading Luke 15: 1-3, 11-32. The Prodigal: Which Brother Are We?
Is communication just a trait of human beings? Is it a trait of God? The Dogma of the Holy Trinity is one of the great Mysteries of the Christian Faith. All Christians acknowledge and accept that The One True God, the divine Holy Trinity, are three separate and distinct Persons of the Father, Son, and Holy Spirit. The Holy Trinity is not three separate Gods. They are one God in three Divine Persons. This is known as the dogma of the “consubstantial” Trinity: each of the three Persons is God – completely and entirely. These ideas were debated and verified by … Continue reading The Holy Trinity – Communication Through Word and Art
Jesus, full of the Holy Spirit, returned from the Jordan and was led by the Spirit into the wilderness, where for forty days He was tempted by the devil. He ate nothing at all during those days, and when they were over, He was famished. (Gospel of Luke chapter 4: verses 1-2) In the extraordinary painting below, we see Jesus after He was led into the desert wilderness by the Holy Spirit. He is surrounded by rocks and sand. He sits on a boulder, hands in front of Him. His eyes are filled with the knowledge of reality, of passions, power, … Continue reading Christ in the Wilderness: Lent – the Season of Preparation – Luke 4: 1-2.
Can you pick out the seven similarities between the two sacred icons of Church Apologists that are below? The differences? Let’s take a look at the two icons above. Both are correct in the way they are represented. From an artistic and symbolic point-of-view there are distinct similarities. They have seven similarities: the beard (signifying experience, authority, and that the saint is an elder); a large, high forehead (signifying Christian wisdom as influenced by the Holy Spirit which is visualized through the saint’s works and knowledge); the Holy Cross upon the priest’s stole (it appears as a garment that circles the … Continue reading Icons – Important Similarities/Differences
Allow me to wish everyone a belated Merry Christmas and a Happy New Year! I can do that because, liturgically, we are still in the Christmas Season! That Season ends this Sunday – the Baptism of the Lord. Okay, we left off in the last post with a schematic of the discipline of painting. The previous posts also provided a simple definition of Art and its disciplines. As we now return to our study allow me to provide you with the three “Major Periods” of Catholic Sacred Art. These Periods also impact what I, in my humble opinion, have labelled … Continue reading Roman Catholic Sacred Art – Three Major Stages
This is an easier way to view the material within yesterday’s post. Copyright © 2011- 2018 Deacon Paul O. Iacono All Rights Reserved Continue reading Art Schematic of Church Painting
Today’s post is Part 3 in my series that began on May 16, 2018 concerning the recently concluded exhibition of extraordinary egg tempera paintings by Fra Angelico. The exhibition was held at the Isabella Stewart Gardner Museum in Boston, Massachusetts and entitled Fra Angelico – Heaven on Earth. Today’s painting concerns a major piece of the exhibition – the Armadio degli Argenti. The four panels of which the Gardner Museum only showed one is also known as the “Silver Chest.” It was commissioned in 1450 and completed in 1452, three years before Fra Angelico’s death. This panel (123 x 160 cm) … Continue reading Fra Angelico and the Armadio degli Argenti – Part 3 of the “Heaven on Earth” Exhibition
Good day, I just posted, starting at # 8 in the list, Part 3: Pigments and Mediums, required to paint the sacred image. Please note that the pigments in bold face are the ones you need to purchase for the sacred image in Exercise Number 1. Please remember that you will have to scroll down in the St. Joseph’s Art Workshop Tab in the Menu at the top of the site in order to reach the new post. Thanks. April 17, 2018 © Deacon Paul O. Iacono 2011-2018 Continue reading St. Joseph’s Art Workshop – Part 3: Pigments and Mediums
I just posted Part 1 and 2, which deals with the materials needed to paint a sacred image. It can be found within the St. Joseph’s Art Workshop tab in the Menu section at the top of the page. The next Workshop posts will deal with the names of the paints you need to purchase, the sacred image I have chosen for this exercise, where you may obtain it on the web, and beginning the drawing process. I will, hopefully, post them by April 22, 2018. Thanks for reading and participating in this artistic adventure! © Deacon Paul O. Iacono … Continue reading St. Joseph’s Art Workshop: Part 1 and 2 – Materials
One of the great pleasures of life is discovering and becoming friends with people who have a similar philosophy of life – especially when it comes to understanding truth, goodness, and beauty. Some of us may have been fortunate to have had the experience of great teachers in our lives. In my junior year of high school I experienced teachers of English and history who opened up for me the nature of those two subjects and introduced me to the idea of inquisitive scholarship. On an undergraduate level I remember three teachers in particular – one in comparative literature, the second … Continue reading A Most Amicable Teacher – The Insights of Artist Robert Henri
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