In the June 22, 2020 issue of Newsweek an on-line article by Aila Slisco reported some statements by political activist Mr. Shaun King. She states: “He [King] also remarked that stained glass windows and other images of a white Jesus, his European mother and their white friends should all be destroyed, insisting they are racist, examples of ethnic propaganda, and “a form of white supremacy. “They should all come down.” (I’ll comment on these statements by Mr. King in another post). King’s comments came in association with Black Lives Matter protests against the brutality of some police officers toward minorities. … Continue reading Iconoclasm and Shaun King
by Deacon Paul O. Iacono, Diocese of Providence, Rhode Island USA The author of the interesting and challenging blog site on sacred art and its analysis called Catchlight sent me two questions yesterday. They related to my last post which was entitled Fatima Messages, Pagans in the Vatican, and the End Times. “Paul, your protestations begs the question, do pagans go to Heaven? If so, why? If not, why not?” from Bernard Gallagher These are excellent questions. Before I attempt to answer them my readers should understand that I am a committed and Traditional Roman Catholic. His questions will be answered … Continue reading Do Pagans Go To Heaven or Hell?
October 13, 2019 commemorates the last message in the apparitions of the Blessed Virgin Mary by three Portuguese children. The children’s ages were six through nine, and they lived in the town of Fatima, Portugal. The apparitions occurred over a five month period which began on May 13th and ended on October 13, 1917. The Roman Catholic Church, after a period of study, formally declared in 1930 that these apparitions are worthy of belief by the faithful. It is wise to remember that many supposed apparitions have occurred over the centuries that have not been approved by Church authorities. In … Continue reading Fatima Messages, Pagans in the Vatican, and the End Times
We celebrate the Solemnity of the Assumption of Mary. In her honor let us review some the Church’s truths; dogmas which progressed to the point of Venerable Pope Pius XII proclaiming the meaning of the Blessed Mother’s life and her Assumption into Heaven. We are able to see this progression through Sacred Scripture, the various early ecumenical Councils of the Church, the individual writings of the early Church fathers (such as St. Cyril of Alexandria, St. John Cassian, St. Vincent of Lerins, St. Irenaeus, Tertullian, St. Augustine, St. John of Damascus, and the Gothic Missal of the 6th century). The … Continue reading The Assumption of Our Mother Mary – We Venerate Her Today
Today, May 2nd, is the “Memorial” day of St. Athanasius, a Doctor (profound theologian) of the Church. There are four “giants” of the Nicene and Post Nicene period, all are known as “Doctors” of the Church: St. Athanasius, St. Ambrose, St. John Chrysostom, and St. Augustine. They are immortalized in bronze by the Renaissance sculptor, Bernini, and are portrayed in his magnificent sculpture of the Throne of St. Peter found in the sanctuary of St. Peter’s Basilica. St. Athanasius and St. John Chrysostom are saints of both the Latin and the Greek Rites of the Church. Both were bishops. Yet, Bernini … Continue reading Bernini’s Bronze Sculpture of Four “Giants” of the Church
I would like to thank one of my readers who identified the contemporary icon of St. Spyridon (thanks Carol!). The iconographer is the Catholic priest William Hart McNichols. He is a very talented artist who paints traditional icons and sacred images. At times, he steps out of the bounds of the traditional approach and adds his own personal interpretation of the person he is portraying. His artistic vision is unique. John Daly from Australia emailed me this morning to provide further grist for our mill concerning St. Athanasius, St. Spyridon, and the Council of Nicaea. One of the participants in … Continue reading Sacred Icons and Sacred Images – the Nicene Debate Continues!
I am always very appreciative of my readers writing to me and providing new information and interpretations of sacred icons and images. Happily, that occurred last evening when a reader, Mr. John Daly from Australia, provided me with information on the second icon that was in yesterday’s post on St. Athanasius. Let me provide you with that image so we will have a reference point: Mr. Daly is correct – it is St. Spyridon (born AD 270, died 340). Let’s take a look at the reasons for this correction: The bishop castigating the heretic Arius is wearing a distinctive hat. … Continue reading St. Athanasius and St. Spyridon: A Correction and Another Interpretation – Let’s Take A Closer Look!
St. Athanasius of Alexandria was “the Lion” of the Council of Nicaea. He was instrumental in providing well argued testimony rebuking the heretic Arius during the Council’s debates. His verbal skills, as powerful and commanding as a lion, shredded Arius’ arguments. His eloquence convinced the assembled bishops of the correct dogma that Jesus Christ has two, separate and distinct, natures (divine and human), and that Jesus Christ is fully human and fully divine. The heretic Arius insisted that Jesus was “just a creature” of God. The Council’s main purpose was to address the divine nature of Jesus Christ and the … Continue reading St. Athanasius – Coptic and Eastern Orthodox Icons
The extensive Gospel reading for Palm Sunday relates the Scriptural and historical truth that Jesus triumphantly entered Jerusalem, yet, five days later He was arrested, put on trial, tortured, and executed. As you know, the religious and secular leaders of Israel did not accept Jesus as the Messiah and Son of God. They were adamant about the fact that Jesus was just a man and that His claims, teachings, and healings were all fraudulent. Their disbelief took place during the first century, yet, two hundred years later there were Christians saying the same thing. The questions came down to, “Who … Continue reading Saint Nicholas Slaps a Heretic! A Reflection Appropriate for Palm Sunday
I once heard a friend repeat a quote by the author Katherine Mansfield: If you wish to live, you must first attend your own funeral.” How true. We begin to live life perceptively only when we project ourselves to the time of our own death, imagining how we’ve lived our life and wondering whether we’ve met the mark. Depending on our frame of mind, and perspective on life, we may not include the spiritual in our self-assessment, or, only give it a passing thought. That is why Mansfield’s phrase may be viewed as spiritually deficient. In today’s Gospel on the … Continue reading Luke 15: 1-3, 11-32. The Prodigal: Which Brother Are We?
This passage from the Gospel of St. Luke is a parable about a destitute man named Lazarus and a rich man, who at times is called by the name Dives (the word dives in the Latin Bible refers to a “rich man”). Jesus places Lazarus sitting day after day by the rich man’s front door. Lazarus is sick. He is at Dives’ home hoping to receive a scrap of food from his table. The food never comes. Jesus continues to tell the story which culminates in the death of both men and their subsequent judgment. Lazarus is welcomed into Paradise and is … Continue reading Luke: 16: 19-31 – Is Lazarus in Your House?
Jesus, full of the Holy Spirit, returned from the Jordan and was led by the Spirit into the wilderness, where for forty days He was tempted by the devil. He ate nothing at all during those days, and when they were over, He was famished. (Gospel of Luke chapter 4: verses 1-2) In the extraordinary painting below, we see Jesus after He was led into the desert wilderness by the Holy Spirit. He is surrounded by rocks and sand. He sits on a boulder, hands in front of Him. His eyes are filled with the knowledge of reality, of passions, power, … Continue reading Christ in the Wilderness: Lent – the Season of Preparation – Luke 4: 1-2.
Today’s post will continue to add to my two previous posts: The Apologists (Defenders of the Faith) – Part 7, and The Apologists – Comparing Icons. The men below are also known as the Ante Nicene Fathers. The word Ante (before) refers to the fact that they defended the Faith during the terrible persecutions of the first three centuries of the Church (the Domitian, Decian, Valerian, and Diocletian persecutions). These persecutions occurred prior to the Council of Nicaea (AD 325). The Council of Nicaea was called by the Emperor Constantine in order for the assembled bishops, and their representatives from throughout … Continue reading Apologists – Additional Saints Prior to the Council of Nicaea
Can you pick out the seven similarities between the two sacred icons of Church Apologists that are below? The differences? Let’s take a look at the two icons above. Both are correct in the way they are represented. From an artistic and symbolic point-of-view there are distinct similarities. They have seven similarities: the beard (signifying experience, authority, and that the saint is an elder); a large, high forehead (signifying Christian wisdom as influenced by the Holy Spirit which is visualized through the saint’s works and knowledge); the Holy Cross upon the priest’s stole (it appears as a garment that circles the … Continue reading Icons – Important Similarities/Differences
A Challenge: Are you as a Christian artist willing to internalize the message of the saint, scene, or Scripture passage you are artistically representing, and then, correctly portray it according to Church tradition? Sacred artists must have more than just an awarenesses of Jesus, His Mother, angels and saints because their witness provides us with the foundation stones of our Faith. Sacred artists must be more than artists who propose “Art for art’s sake”. If we do this what do we become? We become evangelists to the truth, goodness, and beauty of God, through the witness of Jesus Christ and … Continue reading Christian Witness and Sacred Art – The Early Church Fathers – Part 7
In the past four posts I briefly reviewed the following topics: Part 1: What is Art, Part 2: Roman Catholic Sacred Art – Categories, Part 3: Roman Catholic Sacred Art – Painting Schematic, and Part 4: Roman Catholic Sacred Art – Three Major and Minor Stages. Today in Part 5, I would like to provide you with a brief review of a major, historically based, theological theme that directly impacts the creation of Roman Catholic and Orthodox Greek/Russian sacred art. It is an historical fact that in the year AD 30, the Roman historian Tacitus writes in his Annals that … Continue reading Roman Catholic Sacred Art – Part Five: The First Theological Theme
Allow me to wish everyone a belated Merry Christmas and a Happy New Year! I can do that because, liturgically, we are still in the Christmas Season! That Season ends this Sunday – the Baptism of the Lord. Okay, we left off in the last post with a schematic of the discipline of painting. The previous posts also provided a simple definition of Art and its disciplines. As we now return to our study allow me to provide you with the three “Major Periods” of Catholic Sacred Art. These Periods also impact what I, in my humble opinion, have labelled … Continue reading Roman Catholic Sacred Art – Three Major Stages
This is an easier way to view the material within yesterday’s post. Copyright © 2011- 2018 Deacon Paul O. Iacono All Rights Reserved Continue reading Art Schematic of Church Painting
Hello! Glad to be back after a series of learning experiences which took me away from the keyboard. I see from the website’s analytics that we are still popular on a worldwide level (thank you!). I also appreciate and thank all of the hundreds of subscribers that have stayed with this blog and continue to use and enjoy the material I’ve presented and the many tens of thousands that have popped in and out over the past seven years. Last week I made a church presentation (a power point lecture) on “Our Blessed Mother and Sacred Art Applied to Prayer.” For … Continue reading What is Art?
Just wanted to notify the people who are following the art lessons in my St. Joseph Art Workshop tab that I just published Lesson 4: Applying Color and Modeling the Face. You need to go to the Menu tab above and click on Lesson 4 to see it. My next post in the St. Joseph’s Art Workshop tab will be Lesson 5. It will be the last post in my Art Exercise of Painting Sacred Images using Acrylic Paint. Thanks. Continue reading St. Joseph’s Art Workshop: Lesson 4 – Applying Color and Modeling the Face
Today’s post is Part 4 in my series that began on May 16, 2018 concerning the recently concluded exhibition of extraordinary egg tempera paintings by the Dominican friar Beato Fra Angelico. The exhibition was held at the Isabella Stewart Gardner Museum in Boston, Massachusetts during the Spring of 2018 and was entitled Fra Angelico – Heaven on Earth. Nathaniel Silver, Associate Curator of the Collection for this exhibition, includes in his book, Fra Angelico – Heaven on Earth, articles by eleven scholars. Each paper is a quality contribution to scholarship. There is one article authored by Chiara Pidatella, entitled “The Provenance of … Continue reading Fra Angelico’s Four Reliquaries for the Church of Santa Maria Novella – Part 4 of the “Heaven on Earth” Exhibition
Today’s post is Part 3 in my series that began on May 16, 2018 concerning the recently concluded exhibition of extraordinary egg tempera paintings by Fra Angelico. The exhibition was held at the Isabella Stewart Gardner Museum in Boston, Massachusetts and entitled Fra Angelico – Heaven on Earth. Today’s painting concerns a major piece of the exhibition – the Armadio degli Argenti. The four panels of which the Gardner Museum only showed one is also known as the “Silver Chest.” It was commissioned in 1450 and completed in 1452, three years before Fra Angelico’s death. This panel (123 x 160 cm) … Continue reading Fra Angelico and the Armadio degli Argenti – Part 3 of the “Heaven on Earth” Exhibition
To all those that have expressed interest in the FREE on-line sacred art workshop that I am offering here at fraangelicoinstitute.com please note that yesterday I posted Lesson 3 in Exercise 1: Painting an Image of St. Rose of Lima. Just click on the St. Joseph’s Art Workshop Tab on top of the image of St. Gabriel and the Virgin Mary and you will see the first Workshop page. If you have already visited the Workshop Tab then just continue to scroll down to find the Lessons that I have posted so far. I am putting all the Lessons in … Continue reading St. Joseph’s Art Workshop – Lesson 3 – Applying Pigment
Good day, I just posted, starting at # 8 in the list, Part 3: Pigments and Mediums, required to paint the sacred image. Please note that the pigments in bold face are the ones you need to purchase for the sacred image in Exercise Number 1. Please remember that you will have to scroll down in the St. Joseph’s Art Workshop Tab in the Menu at the top of the site in order to reach the new post. Thanks. April 17, 2018 © Deacon Paul O. Iacono 2011-2018 Continue reading St. Joseph’s Art Workshop – Part 3: Pigments and Mediums
I just posted Part 1 and 2, which deals with the materials needed to paint a sacred image. It can be found within the St. Joseph’s Art Workshop tab in the Menu section at the top of the page. The next Workshop posts will deal with the names of the paints you need to purchase, the sacred image I have chosen for this exercise, where you may obtain it on the web, and beginning the drawing process. I will, hopefully, post them by April 22, 2018. Thanks for reading and participating in this artistic adventure! © Deacon Paul O. Iacono … Continue reading St. Joseph’s Art Workshop: Part 1 and 2 – Materials
One of the great pleasures of life is discovering and becoming friends with people who have a similar philosophy of life – especially when it comes to understanding truth, goodness, and beauty. Some of us may have been fortunate to have had the experience of great teachers in our lives. In my junior year of high school I experienced teachers of English and history who opened up for me the nature of those two subjects and introduced me to the idea of inquisitive scholarship. On an undergraduate level I remember three teachers in particular – one in comparative literature, the second … Continue reading A Most Amicable Teacher – The Insights of Artist Robert Henri