Category: Anna Gouriev Pokrovsky iconographer

Anna Gouriev Pokrovsky iconographer, Art, Artists, Beauty, Catholic Art, Christianity, Dimitri Andreyev, Evangelization, Iconography, Icons, Marek Czarnecki iconographer, New Evangelization of the Catholic Church, Prosopon School of Iconography, Roger of Helmarshausen, Roman Catholic, Sacred Art, The Rosary, Theophilus the Presbyter, Uncategorized4 Comments

Theophilus, Iconography, and the Contemporary Sacred Artist – Part One

Deacon Paul O. Iacono

Today’s sacred artist within the Western tradition may have been exposed to many different artistic traditions. Artists may have been classically trained in a formal academy such as the Florence Academy of Art, or, they may have been educated at a secular institution that emphasizes a modern abstract expressionistic form of art. Other models are available, too. Some artists may have been self-taught, or, as in my case, study with specific masters of sacred art that offered intensive workshops to interested groups or individuals. Upon my retirement from a career in education, I finally had the opportunity to study and … Continue reading Theophilus, Iconography, and the Contemporary Sacred Artist – Part One

Aidan Hart, Anna Gouriev Pokrovsky iconographer, Art, Artists, Greek Orthodox, Iconography, Marek Czarnecki iconographer, New Evangelization of the Catholic Church, Orthodox Art, Peter Pearson iconographer, Prayer, Religious Art, Roman Catholic, Russian Orthodox, Sacred Art, Sacred Artists, Sacred Iconography, Spirituality, Vladimir Grygorenko iconographer3 Comments

Icons, Icon Painters, and Praying With Sacred Icons: PART 3

Deacon Paul O. Iacono

My favorite sacred icon of  Our Lord Jesus Christ is the 6th century encaustic icon of Christ Pantocrator (Christ The Almighty One) from St. Catherine’s Monastery in the Sinai Peninsula. This sacred image was a paradigm shift in the way early Christians viewed and portrayed Jesus Christ. This icon (shown below) is not the thin young  Messiah of the Catacombs, or the Roman nobleman presentation of the first four centuries of Church art (for examples confer Pierre du Bourguet’s book on Early Christian Painting). The Sinai Christ Pantocrator is portrayed as a robust Semitic man, who knows exactly what He is about, what His … Continue reading Icons, Icon Painters, and Praying With Sacred Icons: PART 3