I would like to thank one of my readers who identified the contemporary icon of St. Spyridon (thanks Carol!). The iconographer is the Catholic priest William Hart McNichols. He is a very talented artist who paints traditional icons and sacred images. At times, he steps out of the bounds of the traditional approach and adds his own personal interpretation of the person he is portraying. His artistic vision is unique. John Daly from Australia emailed me this morning to provide further grist for our mill concerning St. Athanasius, St. Spyridon, and the Council of Nicaea. One of the participants in … Continue reading Sacred Icons and Sacred Images – the Nicene Debate Continues!
I am always very appreciative of my readers writing to me and providing new information and interpretations of sacred icons and images. Happily, that occurred last evening when a reader, Mr. John Daly from Australia, provided me with information on the second icon that was in yesterday’s post on St. Athanasius. Let me provide you with that image so we will have a reference point: Mr. Daly is correct – it is St. Spyridon (born AD 270, died 340). Let’s take a look at the reasons for this correction: The bishop castigating the heretic Arius is wearing a distinctive hat. … Continue reading St. Athanasius and St. Spyridon: A Correction and Another Interpretation – Let’s Take A Closer Look!
St. Athanasius of Alexandria was “the Lion” of the Council of Nicaea. He was instrumental in providing well argued testimony rebuking the heretic Arius during the Council’s debates. His verbal skills, as powerful and commanding as a lion, shredded Arius’ arguments. His eloquence convinced the assembled bishops of the correct dogma that Jesus Christ has two, separate and distinct, natures (divine and human), and that Jesus Christ is fully human and fully divine. The heretic Arius insisted that Jesus was “just a creature” of God. The Council’s main purpose was to address the divine nature of Jesus Christ and the … Continue reading St. Athanasius – Coptic and Eastern Orthodox Icons
The extensive Gospel reading for Palm Sunday relates the Scriptural and historical truth that Jesus triumphantly entered Jerusalem, yet, five days later He was arrested, put on trial, tortured, and executed. As you know, the religious and secular leaders of Israel did not accept Jesus as the Messiah and Son of God. They were adamant about the fact that Jesus was just a man and that His claims, teachings, and healings were all fraudulent. Their disbelief took place during the first century, yet, two hundred years later there were Christians saying the same thing. The questions came down to, “Who … Continue reading Saint Nicholas Slaps a Heretic! A Reflection Appropriate for Palm Sunday
Is communication just a trait of human beings? Is it a trait of God? The Dogma of the Holy Trinity is one of the great Mysteries of the Christian Faith. All Christians acknowledge and accept that The One True God, the divine Holy Trinity, are three separate and distinct Persons of the Father, Son, and Holy Spirit. The Holy Trinity is not three separate Gods. They are one God in three Divine Persons. This is known as the dogma of the “consubstantial” Trinity: each of the three Persons is God – completely and entirely. These ideas were debated and verified by … Continue reading The Holy Trinity – Communication Through Word and Art
Jesus, full of the Holy Spirit, returned from the Jordan and was led by the Spirit into the wilderness, where for forty days He was tempted by the devil. He ate nothing at all during those days, and when they were over, He was famished. (Gospel of Luke chapter 4: verses 1-2) In the extraordinary painting below, we see Jesus after He was led into the desert wilderness by the Holy Spirit. He is surrounded by rocks and sand. He sits on a boulder, hands in front of Him. His eyes are filled with the knowledge of reality, of passions, power, … Continue reading Christ in the Wilderness: Lent – the Season of Preparation – Luke 4: 1-2.
Today’s post will continue to add to my two previous posts: The Apologists (Defenders of the Faith) – Part 7, and The Apologists – Comparing Icons. The men below are also known as the Ante Nicene Fathers. The word Ante (before) refers to the fact that they defended the Faith during the terrible persecutions of the first three centuries of the Church (the Domitian, Decian, Valerian, and Diocletian persecutions). These persecutions occurred prior to the Council of Nicaea (AD 325). The Council of Nicaea was called by the Emperor Constantine in order for the assembled bishops, and their representatives from throughout … Continue reading Apologists – Additional Saints Prior to the Council of Nicaea
Can you pick out the seven similarities between the two sacred icons of Church Apologists that are below? The differences? Let’s take a look at the two icons above. Both are correct in the way they are represented. From an artistic and symbolic point-of-view there are distinct similarities. They have seven similarities: the beard (signifying experience, authority, and that the saint is an elder); a large, high forehead (signifying Christian wisdom as influenced by the Holy Spirit which is visualized through the saint’s works and knowledge); the Holy Cross upon the priest’s stole (it appears as a garment that circles the … Continue reading Icons – Important Similarities/Differences
A Challenge: Are you as a Christian artist willing to internalize the message of the saint, scene, or Scripture passage you are artistically representing, and then, correctly portray it according to Church tradition? Sacred artists must have more than just an awarenesses of Jesus, His Mother, angels and saints because their witness provides us with the foundation stones of our Faith. Sacred artists must be more than artists who propose “Art for art’s sake”. If we do this what do we become? We become evangelists to the truth, goodness, and beauty of God, through the witness of Jesus Christ and … Continue reading Christian Witness and Sacred Art – The Early Church Fathers – Part 7
This post and an upcoming posts will very briefly explain some of the major figures in the Church history during the period of AD 65 through AD 155 – the period known as the age of the Apostolic Fathers. Ultimately, Parts 7 through 9 will cover some of the key leaders within the three subsequent periods of the early Church (circa AD 155 to circa AD 800). I am presenting this material because it is critical for anyone studying and painting sacred images and sacred icons to be aware of the theological understanding of the scholars and bishops in the … Continue reading The Apostolic Fathers in Roman Catholic Sacred Art – Part Six
The article below is reblogged from the always informative Orthodox Arts Journal. The article is the 9th in a series about sacred iconography that was written by Brother Aidan Hart, a British iconographer. Brother Hart has written extensively on all aspects of sacred iconography and has recently published a very comprehensive book on the subject called Techniques of Icon and Wall Painting. The editor at the Orthodox Arts Journal highly recommends it. Brother Hart’s articles are available at his website and he also offers sacred iconography workshops in Britain. This nine part article is well worth the effort of perusing … Continue reading Aidan Hart’s New Book on Sacred Iconography
My sincere thanks to Jonathan Pageau at the Orthodox Arts Journal, http://www.orthodoxartsjournal.org/, for permission to repost his wonderful presentation of the sacred icon miniatures of Russian artist Evgeny Baranov and the spectacular icon wood carvings by Rashid and Inessa Azbuhanov. We must take care when we paint/”write” large icons, yet, to complete an icon miniature or a wood carving, with such grace and spiritual truth, demands in my humble opinion, even more skill and patience! Enjoy, and be filled with astonishment! To see all of Baranov’s miniatures please visit their site:www.orthodoxartsjournal.org/miniature-icons-by-evgeny-baranov/ . To see the lovely icon wood carvings of the Asbuhanov’s please … Continue reading Evgeny Baranov’s Miniature Icons and Rashid and Inessa Azbuhanov Icon Carvings
In this morning’s Gospel from St. Luke (17: 1-6) we hear Jesus imploring His disciples to teach and practice the art of forgiveness toward those who hurt and abuse us, our families, and friends. Jesus is teaching that it is so important for people who want to be considered His disciples to follow His example and in no way offer a bad example or scandal to others. Jesus is emphasizing the power of faith to assist us in our efforts to be His disciples. People of faith possess the grace to forgive others. Our desire to model Jesus enables our … Continue reading Bishop Josaphat Kuncevych – A Saint of Forgiveness and Unity
You are probably thinking, the poor old fellow has made a mistake in his spelling. Shouldn’t the title read “Son” of Justice? One evening a passage from Evening Prayer in the Divine Office caught my attention. It was the final prayer and it read: “Father, yours is the morning and yours is the evening. Let the Sun of Justice, Jesus Christ, shine for ever in our hearts and draw us to that light where you live in radiant glory.” That phrase provided this image’s title: Sun of Justice, Jesus Christ. My intent was to have the image direct the prayerful observer … Continue reading A Sacred Image – The Sun of Justice, Jesus Christ
In our Gospel today, from St. Mark Chapter 4: 26-34, we have two important parables concerning the reign of God: the first concerns the farmer’s sowing of seed and the second refers to the growth of the seed. When we examine the threads running through these parables we hear Jesus explaining not only the functions that the farmer performs, but the nature of the seed that is sown, as well. This first parable is found only in Mark’s Gospel and explains that through the ministry of Jesus, God’s sovereign and all-powerful rule over mankind is made visible. This is similar … Continue reading Seeds of Faith and Art
My favorite sacred icon of Our Lord Jesus Christ is the 6th century encaustic icon of Christ Pantocrator (Christ The Almighty One) from St. Catherine’s Monastery in the Sinai Peninsula. This sacred image was a paradigm shift in the way early Christians viewed and portrayed Jesus Christ. This icon (shown below) is not the thin young Messiah of the Catacombs, or the Roman nobleman presentation of the first four centuries of Church art (for examples confer Pierre du Bourguet’s book on Early Christian Painting). The Sinai Christ Pantocrator is portrayed as a robust Semitic man, who knows exactly what He is about, what His … Continue reading Icons, Icon Painters, and Praying With Sacred Icons: PART 3
The sacred icon is a visual aid that helps the person enter into a conversation with God, an angel, or a saint. If a sacred icon is to be painted with this purpose in mind then it it is a major responsibility of the sacred artist to construct the icon so that it may serve, rather than interfere with or destroy, that purpose. Thus, it is necessary for the sacred artist to curb the desire for ornateness, since it might detract from the prayer itself by focusing the viewer’s eyes on embellishment versus Person, or saint. Of all the physical … Continue reading Part Two: Icons, Icon Painters, and Praying With Sacred Icons
A few issues have come up in discussing some basic terms with people. I would like to be clear on how I have come to understand these words because it may affect how we view our “ministry” to be painters of sacred icons and or sacred images. From my understanding, the word icon in English, Greek, and Latin, is the word for image. In our usage as sacred artists, it refers to a sacred image of Our Lord, Our Blessed Mother, angels, or specific saints. The purpose of a sacred icon is that, as a piece of sacred art, it … Continue reading Icons, Icon Painters, and Praying With Sacred Icons: Part One
This is the third part of a three part series on a Spirit filled idea called Oro et Creo (“I Pray – I Create”). This idea was started by artists Jamie Medeiros and Deacon Tom Lambert. Please check out the first two parts of this series which have already been posted in order to get a full perspective on what they are accomplishing on the parish level. What is wonderful about what Jamie and Deacon Tom are doing is that they are providing a simple, no anxiety-no pressure structure through which the Holy Spirit can move the person to unite … Continue reading ORO et CREO: PART THREE – A Personal Reflection
This is the second part of a three part series with Jamie Medeiros, an artist whose parish is in Tiverton, Rhode Island, and Deacon Tom Lambert, a Permanent Deacon within the Diocese of Chicago, and whose parish is Our Lady of Mt. Carmel in Chicago, Illinois. Please be sure to read Part One of this two part interview in order to obtain a complete understanding of what the Lambert/Medeiros model of prayer and the creation of art is trying to accomplish. It is a model easily applicable to any Christian parish, within any Christian denomination, in the world. The Interview: … Continue reading ORO et CREO: I Pray – I Create – Part Two – A Wonderful Idea For Your Church
Soon after an article appeared in our Diocesan newspaper (The Rhode Island Catholic) in June 2011 on the Fra Angelico Institute for the Sacred Arts, I spoke on the phone with a talented artist by the name of Jamie Medeiros. We talked about the mission and goals of the Fra Angelico Institute and then she explained to me the mission of a group that she started at her parish in Tiverton, RI. Her group’s name is Oro et Creo (I Pray – I Create). I was fascinated by her description since it clearly was another example of the Holy Spirit’s … Continue reading ORO et CREO: “I Pray – I Create” – Part One
Catholics, Orthodox, and Protestants – we are all an Easter people. For two thousand years we have – through faith in historical documents and human witness – been invited to believe in a divine act of revelation: the Easter resurrection of our Lord and Savior; for it is in that act that our God shows us who He truly is. We believe that the resurrection of Jesus is a historical and spiritual fact; and that the resurrection of Jesus not only explains the truth of His promises but it demonstrates what has been promised to us. On the first Easter … Continue reading Our Living Hope: The Tomb Cannot Hold Us
In the passage from the first Epistle of Peter known as the Canticle of Peter (1 Peter 2: 21-24) Peter describes Jesus’ acceptance of His passion. He explains: “Christ suffered for you, and left you an example to have you follow in His footsteps. He did no wrong; no deceit was found in His mouth. When He was insulted He returned no insult. When He was made to suffer, He did not counter with threats. Instead He delivered Himself up to the One who judges justly. In His own body He brought your sins to the cross, so that all … Continue reading What Does The Silence Of Christ Say To Us?
Two weeks ago, at our Autumn Meeting of the Fra Angelico Institute for the Sacred Arts, some of the members displayed examples of their secular and sacred art. The mission of the Institute is to deepen the prayer life of its participants by evangelizing the truth, goodness, and beauty of God through the understanding and creation of sacred art. Some of our members were involved in this effort before they became participants in the Institute – evidence that the Holy Spirit is working in many different ways, through the efforts of a variety of talents, to express the truth, beauty, … Continue reading The Beautiful Lace Needlework of Esther Paris
All the events of human history have to be backlit by the reality of our faith that God does not abandon His people. An example of this truth is today’s memorial of Our Lady of the Rosary. This memorial was established by Pope St. Pius 5th in thanksgiving for the Catholic victory over the Muslim army and navy at the famous battle of Lepanto on October 7, 1571. Many rosaries were said by the European faithful during the battle to stem the tide of the Islamic invasion. The admiral for the Catholic Fleet, Andrea Doria, had the miraculous image of … Continue reading Our Lady of the Rosary
Today is the feast day of St. Francis of Assisi. He is one of the patrons of the Fra Angelico Institute for the Sacred Arts. St. Francis reminds us how we admire, and should emulate, the virtues of the saints. When we meditate on the life of St. Francis – three characteristics of spirit – three virtues – emerge. First, he was a simple man. He pursued simplicity. This does not mean that he was of limited intelligence, or that he pursued simplicity for simplicity sake, rather, it means that he tried, and was successful, at eliminating everything from his … Continue reading St. Francis of Assisi, Simplicity, and Sacred Artists
In this morning’s Gospel St. Luke is clear that Jesus is carefully listening to the argument that breaks out among His disciples as to who is the greatest among them. One translation has St. Luke saying, “He perceives the thoughts in their hearts.” It would be prudent to say that we are all psychologically and theologically hardwired to look for approval. King David wrote of this in the Psalms when he said: “You have made them a little lower than God, and crowned them with honor and glory.” David recognized the fact that we are something special in the grand scheme … Continue reading Sacred Artists Must Be Empty Vessels
As we continue our discussion of sacred iconography it is imperative that we take a historical view and look at the major contribution the Byzantine Empire and its civilization made to this sacred art form. When we speak of the Byzantine Empire we are referring, initially, to the eastern region of the Roman Empire. The Roman civilization was eight hundred years old when it began to feel the pressure of highly motivated foreign tribes that desired to pick away at her borders and plunder her cities. By the fourth century AD the Emperor Constantine moved the capital of the Empire … Continue reading The Challenge of Sacred Iconography – Part 2: The Byzantine Empire – Justinian and the Church of Holy Wisdom
Today we celebrate the feast of the Exaltation – or Triumph – of the Holy Cross. The early Catholic Church was intensely persecuted during the first 280 years of its life – so the symbol of the Cross – the symbol of public humiliation and excruciating death – was rarely used in our Christian iconography. But this doesn’t mean that the early Christians were reluctant to express their devotion to the Cross. Writing in the year 204, the Christian theologian Tertullian said: “At every going in and out, when we put on our clothes, when we sit at table, in … Continue reading The Triumph of the Cross and Our Lady of Sorrows by Jed Gibbons
What is iconography? The Sacred Iconography Guild is one of the twelve Sacred Arts Guilds that is sponsored by the Fra Angelico Institute. As of this post we have six members of this Guild who have expressed interest in learning this particular artistic tradition of the Church. Unfortunately, many people in the 21st century do not know the traditions of the Western (Latin, that is the Roman and affiliated rites of the Church) or the Eastern (Orthodox, that is the Coptic, Greek, Russian, and other Middle Eastern Rites) of Christ’s Church. All of these Rites have beautiful liturgies, the Sacraments … Continue reading Sacred Iconography and Personal Creativity – Do Not be Afraid!
Today is the memorial of the Coronation of our Blessed Mother. Sacred icons and images have expressed the Queenship and Coronation of the Holy Theotokos – the Mother of God – for at least 1500 years. The icon The Virgin Salus Populi Romani, a 5th century icon, displayed in the Church of Saint Mary Major in Rome, and seen below, shows the Blessed Mother dressed in typical first century Middle Eastern garb as she holds her Son who gives a blessing. This icon reputed to be a copy of one that was painted by St. Luke the evangelist who tradition states … Continue reading The Eternal Now and the Coronation of the Blessed Virgin Mary
Over the past two weeks, our Sunday Gospels have stressed the truth that to be a faithful disciple of Christ we must keep our focus – in good times and bad – on Jesus. On August 15th, the solemnity of the Assumption/Dormition of Mary, the Church again directs our gaze – for in focusing on Mary we see not only our Queen – but the one true sign – the Great Sign – who points the way to her Son. Her signature was that of a perfect disciple – for she possessed the confident competence and the courageous commitment – … Continue reading The Dormition – Assumption of Mary
Today’s Gospel reading cuts right to the heart of the matter – and asks the question: do we have faith in our Lord Jesus Christ? St. Peter certainly came face-to-face with that question. As a commercial fisherman he knew how dangerous that storm was and that his boat and companions could easily perish in its waves. Then, suddenly, Jesus appears – walking on the water. The companions respond – “It’s a ghost!” Jesus calms them and says “Get a hold of yourselves! It is I. Do not be afraid!” Peter speaks up and says, “Lord, if it is really you, … Continue reading A Reflection on St. Matthew 14: 22-33
We, here at the Fra Angelico Institute for the Sacred Arts, believe that the foundation stones for this Institute are its Sacred Arts Guilds. A Sacred Arts Guild is a collection of people within a specific type of art form such as painting, sculpture, wood-carving, story writing, music, etc. The Sacred Arts Guilds are made up of those artists who are willing to come together on-line through posting and commenting with me on this blog, and when possible, in person to discuss and share their sacred art with other interested artists, and, if working in the same field, be willing … Continue reading What is a Sacred Arts Guild?
Our First Post As our first post – on August 1, 2011 – I would like to explain that the mission of the Fra Angelico Institute for the Sacred Arts is to promote the creation of Christian sacred art and unite the creative process to the artist’s personal prayer life. Over the coming months we will be discussing various topics within the sacred arts, the creation of sacred art, important sacred artists from the past and present, and the development of our personal prayer life in union with our personal creative efforts. The Fra Angelico Institute for the Sacred Arts … Continue reading Welcome to the Fra Angelico Institute