Holy Triduum: A Video Pilgrimage to Jerusalem

This is a magnificent 30 minute overview of the places in Jerusalem in which Our Lord spent His last hours.  Please share with your families and others who would benefit from it. It is beautifully presented without the poor production values of other similar attempts.  This production was filmed, edited, and narrated by members of the Augustine Institute in Colorado.. Thanks. May you and your loved ones be blessed by Our Lord Jesus Christ and have a Holy and Blessed Easter season. https://watch.formed.org/holy-thursday/videos/triduum Continue reading Holy Triduum: A Video Pilgrimage to Jerusalem

Virgin Mary: Trust and Obedience in the Lord

On this solemnity of the Annunciation, March 25th, we remember St. Luke’s account of the Annunciation: “Now in the sixth month the angel Gabriel was sent from God to a town of Galilee called Nazareth, to a virgin betrothed to a man named Joseph, of the house of David, and the virgin’s name was Mary.” “And when the angel had come to her, he said, “Hail, full of grace, the Lord is with thee. Blessed art thou among women.” When she had heard him she was troubled at his word and kept pondering what manner of greeting this might be. … Continue reading Virgin Mary: Trust and Obedience in the Lord

Sacred Icons and Sacred Images – the Nicene Debate Continues!

I would like to thank one of my readers who identified the  contemporary icon of St. Spyridon (thanks Carol!). The iconographer is the Catholic priest William Hart McNichols. He is a very talented artist who paints traditional icons and sacred images. At times, he steps out of the bounds of the traditional approach and adds his own personal interpretation of the person he is portraying. His artistic vision is unique. John Daly from Australia emailed me this morning to provide further grist for our mill concerning St. Athanasius, St. Spyridon, and the Council of Nicaea. One of the participants in … Continue reading Sacred Icons and Sacred Images – the Nicene Debate Continues!

St. Athanasius and St. Spyridon: A Correction and Another Interpretation – Let’s Take A Closer Look!

I am always very appreciative of my readers writing to me and providing new information and interpretations of sacred icons and images. Happily, that occurred last evening when a reader, Mr. John Daly from Australia, provided me with information on the second icon that was in yesterday’s post on St. Athanasius. Let me provide you with that image so we will have a reference point: Mr. Daly is correct – it is St. Spyridon (born AD 270, died 340). Let’s take a look at the reasons for this correction: The bishop castigating the heretic Arius is wearing a distinctive hat. … Continue reading St. Athanasius and St. Spyridon: A Correction and Another Interpretation – Let’s Take A Closer Look!

St. Athanasius – Coptic and Eastern Orthodox Icons

St. Athanasius of Alexandria was “the Lion” of the Council of Nicaea. He was instrumental in providing well argued testimony rebuking the heretic Arius during the Council’s debates. His verbal skills, as powerful and commanding as a lion, shredded Arius’ arguments. His eloquence convinced the assembled bishops of the correct dogma that Jesus Christ has two, separate and distinct, natures (divine and human), and that Jesus Christ is fully human and fully divine. The heretic Arius insisted that Jesus was “just a creature” of God. The Council’s main purpose was to address the divine nature of Jesus Christ and the … Continue reading St. Athanasius – Coptic and Eastern Orthodox Icons

The Holy Trinity – Communication Through Word and Art

Is communication just a trait of human beings? Is it a trait of God? The Dogma of the Holy Trinity is one of the great Mysteries of the Christian Faith.  All Christians acknowledge and accept that The One True God, the divine Holy Trinity, are three separate and distinct Persons of the Father, Son, and Holy Spirit. The Holy Trinity is not three separate Gods. They are one God in three Divine Persons. This is known as the dogma of the “consubstantial” Trinity: each of the three Persons is God – completely and entirely. These ideas were debated and verified by … Continue reading The Holy Trinity – Communication Through Word and Art

Icons – Important Similarities/Differences

Can you pick out the seven similarities between the two sacred icons of Church Apologists that are below? The differences?   Let’s take a look at the two icons above. Both are correct in the way they are represented. From an artistic and symbolic point-of-view there are distinct similarities. They have seven similarities: the beard (signifying experience, authority, and that the saint is an elder); a large, high forehead (signifying Christian wisdom as influenced by the Holy Spirit which is visualized through the saint’s works and knowledge); the Holy Cross upon the priest’s stole (it appears as a garment that circles the … Continue reading Icons – Important Similarities/Differences

Christian Witness and Sacred Art – The Early Church Fathers – Part 7

A Challenge: Are you as a Christian artist willing to internalize the message of the saint, scene, or Scripture passage you are artistically representing, and then, correctly portray it according to Church tradition? Sacred artists must have more than just an awarenesses of Jesus, His Mother, angels and  saints because their witness provides us with the foundation stones of our Faith. Sacred artists must be more than artists who propose “Art for art’s sake”. If we do this what do we become? We become evangelists to the truth, goodness, and beauty of God, through the witness of Jesus Christ and … Continue reading Christian Witness and Sacred Art – The Early Church Fathers – Part 7

The Canon of a Catholic Sacred Artist

Allow me to suggest to my fellow Catholic sacred artists a “canon” of ten fundamental propositions. These ideas and proposals are my personal musings. They assist me in organizing my thoughts and behavior. It is my hope that they will act as an organizational tool for the interested reader, too. They may also assist you, as they have for me, in providing clarity to our foundation and purpose as sacred artists. The term “Catholic” in this document refers to the Latin Rite (Rome) and the more than twenty Rites of the Eastern Rite Catholic Churches that are in union with … Continue reading The Canon of a Catholic Sacred Artist

Paul in Arabia and Damascus

Galatians 1:15-18 relates St. Paul saying: “But when God, who had set me apart from the time when I was in my mother’s womb, called me through His grace and chose to reveal His Son in me, so that I should preach Him to the Gentiles, I was in no hurry to confer with any human being, or to go up to Jerusalem to see those who were apostles before me. Instead I went off into Arabia, and later I came back to Damascus. Only after three years did I go up to Jerusalem to meet Cephas (Peter). I stayed fifteen … Continue reading Paul in Arabia and Damascus

Jesus Our Savior – An Image that is a Work in Progress

I have the happy service of presenting a new workshop to interested adults from Massachusetts and Rhode Island beginning on Saturday February 14th, 2015. In an attempt to give everyone individual attention the class is currently filled at a limit of ten people. We will be pursuing our studies of painting sacred images in the Latin iconographic tradition. I hope to make the artists aware of the importance of studying the Latin and Byzantine origins of sacred images and its inevitable blossoming within the Greek and Russian civilizations. The workshop will run over a five-week period, for a total of … Continue reading Jesus Our Savior – An Image that is a Work in Progress

The Way of Beauty On-Line Course and Reimbursement Scholarship Opportunities

The mission of the Fra Angelico Institute for the Sacred Arts is to teach the truth, goodness, and beauty of God through the prayerful creation of sacred art. We are happy to announce that we have recently entered into a partnership with Thomas More College of Liberal Arts to present a wonderful on-line course to anyone interested in Catholic Culture and the sacred art of the Church. We also have a special opportunity for teachers of history, art, religion, and the humanities in Catholic high schools of the Diocese of Providence who complete this course. Thomas More College of Liberal … Continue reading The Way of Beauty On-Line Course and Reimbursement Scholarship Opportunities

Albert Lapierre – Sacred Artist and Iconographer

This past July I had the pleasure of restoring an icon that was written by the fine artist, Albert Lapierre, from Attleboro, Massachusetts. It is a beautifully done and was commissioned by Joan O’Gara on the occasion of the birthday of her sister, Rosalind, in October, 1998. Rosalind told me that her sister knew of her appreciation and devotion to the Gospel account of the Visitation of Mary to her cousin Elizabeth; however, Joan was not able to locate a print of this particular icon. In 1997 Joan decided to contact Albert Lapierre who was resposible for the creation of … Continue reading Albert Lapierre – Sacred Artist and Iconographer

Lesley Green – A Rhode Island Sacred Artist

One of the great blessings the Lord has granted me is the privilege of meeting so many wonderful people who are interested in studying and creating sacred art. An example of this is the fine Rhode Island artist, Lesley Green. Lesley is no stranger to art. She has been interested in it since adolescence and received a BFA from the Rhode Island School of Design. She continued to pursue her studies while taking time out to marry and raise a family. I first met Lesley a number of years ago, when my wife and I started the Fra Angelico Institute … Continue reading Lesley Green – A Rhode Island Sacred Artist

Aidan Hart’s New Book on Sacred Iconography

The article below is reblogged from the always informative Orthodox Arts Journal. The article is the 9th in a series about sacred iconography that was written by Brother Aidan Hart, a British iconographer. Brother Hart has written extensively on all aspects of sacred iconography and has recently published a very comprehensive book on the subject called Techniques of Icon and Wall Painting. The editor at the Orthodox Arts Journal highly recommends it. Brother Hart’s articles are available at his website and he also offers sacred iconography workshops in Britain. This nine part article is well worth the effort of perusing … Continue reading Aidan Hart’s New Book on Sacred Iconography

Evgeny Baranov’s Miniature Icons and Rashid and Inessa Azbuhanov Icon Carvings

My sincere thanks to Jonathan Pageau at the Orthodox Arts Journal,  http://www.orthodoxartsjournal.org/, for permission to repost his wonderful presentation of the sacred icon miniatures of Russian artist Evgeny Baranov and the spectacular icon wood carvings by Rashid and Inessa Azbuhanov. We must take care when we paint/”write” large icons, yet, to complete an icon miniature or a wood carving, with such grace and spiritual truth, demands in my humble opinion, even more skill and patience! Enjoy, and be filled with astonishment! To see all of Baranov’s miniatures please visit their site:www.orthodoxartsjournal.org/miniature-icons-by-evgeny-baranov/ . To see the lovely icon wood carvings of the Asbuhanov’s please … Continue reading Evgeny Baranov’s Miniature Icons and Rashid and Inessa Azbuhanov Icon Carvings

Fr. Richard Reiser’s Beautiful Icon of the Transfiguration

The article that is found below my opening comments, and the image of the Transfiguration, is reblogged, through the courtesy of Fr. Richard Reiser, pastor of St. James Catholic Church Omaha, Nebraska. I really enjoy Fr. Reiser’s iconographic style. He is able to convey the Scriptural truth of the Transfiguration while, at the same time expressing it in artistic language accessible to contemporary Christians. Fr. Reiser studied with noted master iconographer Philip Zimmerman who founded the St. John of Damascus Icon Studio in Pennsylvania. Father Reiser pointed out to me in an email, that St. James is larger than the other saints. … Continue reading Fr. Richard Reiser’s Beautiful Icon of the Transfiguration

Summer 2012 Workshop in Painting Sacred Images – A Few Reflections

Over the past six years I have participated in numerous workshops in sacred art and have produced a number of sacred images, each of which helped me understand the techniques of this sacred art. In 2006, I participated in my first workshop at St. Michael’s Institute of Sacred Art at St. Edmund’s Retreat in Mystic, CT. The instructor was Peter Pearson, an Episcopal priest from Pennsylvania. He introduced the class to the beautiful and prayerful experience of painting a sacred image in the Russian Orthodox tradition; however, rather than using egg tempera paints (in which you mix the yolk of … Continue reading Summer 2012 Workshop in Painting Sacred Images – A Few Reflections

A Sacred Image – The Sun of Justice, Jesus Christ

You are probably thinking, the poor old fellow has made a mistake in his spelling. Shouldn’t the title read “Son” of Justice? One evening a passage from Evening Prayer in the Divine Office caught my attention. It was the final prayer and it read: “Father, yours is the morning and yours is the evening. Let the Sun of Justice, Jesus Christ, shine for ever in our hearts and draw us to that light where you live in radiant glory.” That phrase provided this image’s title: Sun of Justice, Jesus Christ. My intent was to have the image direct the prayerful observer … Continue reading A Sacred Image – The Sun of Justice, Jesus Christ

Icons, Icon Painters, and Praying With Sacred Icons: PART 3

My favorite sacred icon of  Our Lord Jesus Christ is the 6th century encaustic icon of Christ Pantocrator (Christ The Almighty One) from St. Catherine’s Monastery in the Sinai Peninsula. This sacred image was a paradigm shift in the way early Christians viewed and portrayed Jesus Christ. This icon (shown below) is not the thin young  Messiah of the Catacombs, or the Roman nobleman presentation of the first four centuries of Church art (for examples confer Pierre du Bourguet’s book on Early Christian Painting). The Sinai Christ Pantocrator is portrayed as a robust Semitic man, who knows exactly what He is about, what His … Continue reading Icons, Icon Painters, and Praying With Sacred Icons: PART 3

St. Francis of Assisi, Simplicity, and Sacred Artists

Today is the feast day of St. Francis of Assisi. He is one of the patrons of the Fra Angelico Institute for the Sacred Arts. St. Francis reminds us how we admire, and should emulate, the virtues of the saints. When we meditate on the life of St. Francis  – three characteristics of spirit – three virtues –  emerge. First, he was a simple man. He pursued simplicity. This does not mean that he was of limited intelligence, or that he pursued simplicity for simplicity sake, rather, it means that he tried, and was successful, at eliminating everything from his … Continue reading St. Francis of Assisi, Simplicity, and Sacred Artists

Sacred Artists Must Be Empty Vessels

In this morning’s Gospel St. Luke is clear that Jesus is carefully listening to the argument that breaks out among His disciples as to who is the greatest among them. One translation has St. Luke saying, “He perceives the thoughts in their hearts.”  It would be prudent to say that we are all psychologically and theologically hardwired to look for approval. King David wrote of this in the Psalms when he said:  “You have made them a little lower than God, and crowned them with honor and glory.”  David recognized the fact that we are something special in the grand scheme … Continue reading Sacred Artists Must Be Empty Vessels

The Challenge of Sacred Iconography – Part 2: The Byzantine Empire – Justinian and the Church of Holy Wisdom

As we continue our discussion of sacred iconography it is imperative that we take a historical view and look at the major contribution the Byzantine Empire and its civilization made to this sacred art form. When we speak of the Byzantine Empire we are referring, initially, to the eastern region of the Roman Empire. The Roman civilization was eight hundred years old when it began to feel the pressure of highly motivated foreign tribes that desired to pick away at her borders and plunder her cities. By the fourth century AD the Emperor Constantine moved the capital of the Empire … Continue reading The Challenge of Sacred Iconography – Part 2: The Byzantine Empire – Justinian and the Church of Holy Wisdom

The Birth of Mary – The Pure Disciple Who Shows Us the Way

We cannot allow this day, September 8th, to slip by without celebrating the nativity of  our Blessed Mother. For as the Invitatory in the Roman Breviary says for today’s feast: “Come, let us celebrate the birth of the Virgin Mary, let us worship her Son, Christ the Lord.” It is right, and proper, and good that we do this. Inspired by divine Wisdom, the Holy Church of Jesus Christ, has through the years been fractured, tempted, and bruised by the assaults of Satan. Yet, in this feast we remember that we are saved, that Satan, ultimately, has been defeated by … Continue reading The Birth of Mary – The Pure Disciple Who Shows Us the Way

Sacred Iconography and Personal Creativity – Do Not be Afraid!

What is iconography? The Sacred Iconography Guild is one of the twelve Sacred Arts Guilds that is sponsored by the Fra Angelico Institute. As of this post we have six members of this Guild who have expressed interest in learning this particular artistic tradition of the Church. Unfortunately, many people in the 21st century do not know the traditions of the Western (Latin, that is the Roman and affiliated rites of the Church) or the Eastern (Orthodox, that is the Coptic, Greek, Russian, and other Middle Eastern Rites) of Christ’s Church. All of these Rites have beautiful liturgies, the Sacraments … Continue reading Sacred Iconography and Personal Creativity – Do Not be Afraid!

The Eternal Now and the Coronation of the Blessed Virgin Mary

Today is the memorial of the Coronation of our Blessed Mother. Sacred icons and images have expressed the Queenship and Coronation of the Holy Theotokos – the Mother of God – for at least 1500 years. The icon The Virgin Salus Populi Romani, a 5th century icon, displayed in the Church of Saint Mary Major in Rome, and seen below, shows the Blessed Mother dressed in typical first century Middle Eastern garb as she holds her Son who gives a blessing. This icon reputed to be a copy of one that was painted by St. Luke the evangelist who tradition states … Continue reading The Eternal Now and the Coronation of the Blessed Virgin Mary

The Dormition – Assumption of Mary

Over the past two weeks, our Sunday Gospels have stressed the truth that to be a faithful disciple of Christ we must keep our focus – in good times and bad – on Jesus. On August 15th, the solemnity of the Assumption/Dormition of Mary, the Church again directs our gaze – for in focusing on Mary we see not only our Queen – but the one true sign – the Great Sign – who points the way to her Son. Her signature was that of a perfect disciple – for she possessed the confident competence and the courageous commitment – … Continue reading The Dormition – Assumption of Mary

Fra Angelico’s Beautiful Image of St. Lawrence

Fra Angelico painted (fresco) this image between 1447 – 1449. It is found in the Vatican. It is approximately 9 by 7 feet and portrays the deacon, St. Lawrence, distributing the Church’s monies to the poor of Rome. St. Lawrence is wearing a beautiful rose colored dalmatic A dalmatic is the outer garment that is worn over an alb, stole, and cincture.  The dalmatic represents the deacon’s service to his bishop. It is only worn during the celebration of Holy Mass. St. Lawrence was martyred on August 10, 257. If you are interested in a more detailed review of the history of St. Lawrence  please refer … Continue reading Fra Angelico’s Beautiful Image of St. Lawrence

A Reflection on St. Matthew 14: 22-33

Today’s Gospel reading cuts right to the heart of the matter – and asks the question: do we have faith in our Lord Jesus Christ? St. Peter certainly came face-to-face with that question. As a commercial fisherman he knew how dangerous that storm was and that his boat and companions could easily perish in its waves. Then, suddenly, Jesus appears – walking on the water. The companions respond – “It’s a ghost!” Jesus calms them and says “Get a hold of yourselves! It is I. Do not be afraid!” Peter speaks up and says, “Lord, if it is really you, … Continue reading A Reflection on St. Matthew 14: 22-33