Iconoclasm and Shaun King

In the June 22, 2020 issue of Newsweek an on-line article by Aila Slisco reported some statements by political activist Mr. Shaun King. 

She states: “He [King] also remarked that stained glass windows and other images of a white Jesus, his European mother and their white friends should all be destroyed, insisting they are racist, examples of ethnic propaganda, and “a form of white supremacy. “They should all come down.” (I’ll comment on these statements by Mr. King in another post).

King’s comments came in association with Black Lives Matter protests against the brutality of some police officers toward minorities. These protests quickly moved away from the issue of police brutality in some major cites and expanded into protests against historic and artistic representations of American/European civilization and the “white supremacy” that it allegedly represented. 

We have observed over the last two weeks examples of the new iconoclasm. 

Rhetoric like Mr. King’s and other activists could be passed off as uninformed except for the fact that two California mobs tore down and desecrated a statue of the Spanish missionary Fr. Serra. In the process they also harassed Catholic college students, laity, and a priest who were defending it.

Legitimate non-violent protests are protected by the U.S. Constitution, however, the destruction of public or private property is not. 

Public religious, military and political statues are the property of the local churches and governments. What happened to the government’s responsibility to protect them? Churches, and whatever articles they contain, are the property of the church regardless of denomination. Will the governments across the nation protect them?

Religious statues, sacred art, stained glass windows, etc, are defended by the 1st amendment of the U. S. Constitution. Is Mr. King saying that a Satanic statue of Baphomet can be placed in a public square but a statue of a Roman Catholic saint, who is specifically honored for his cultural contributions, cannot? 

Are the representations of the God and saints of the Roman Catholic Church, who has been a major contributor to world civilization, to be torn down because a segment of the population believe that they, without taking into account time period or cultural conditions, have been historically ethnocentric and intolerant of other cultures? Are these legitimate religious statues equivalent to the statues of Lenin, Stalin, Mao or Saddam Hussein?

What happened to Martin Luther King Jr.’s call for positive non violent change and tolerance in America?

Today, July 1st, is the Roman Catholic Church’s memorial of the missionary efforts of Fr. Junipero Serra, an 18th century Spanish missionary priest. Fr. Serra’s leadership and contributions to improving the educational and technological life of Native Americans and development of California is recognized as a public act and not just a religious effort; this is why his statues were erected by the state of California. His statue also stands in Statuary Hall in the U. S. Capitol building in Washington, D. C.  At various times national and state politicians, of both political parties, were present to honor him.

Fr. Serra’s main goal was to be an effective Christian missionary. He was following the Gospel injunction of Christ Himself in the 28th chapter of the Gospel of Matthew: “All power in heaven and earth has been given to me. Go, therefore, and make disciples of all nations, baptizing them in the name of the Father, and of the Son, and the Holy Ghost, teaching them to observe all that I have commanded you. And behold, I am with you always, until the end of the age.”

The new iconoclasm appears to be intolerant, or unaware, of history. The adherents public efforts, both in word and deed, are clearly seen in the mobs in California and specifically in St. Louis, Missouri where they beat Catholics who were praying in front of a monument of St. Louis IX. In both cases mob action desires to vent its anger, ideology, and psychological wounds against historic personalities. The mob desires to sponge away the past rather than continue to lawfully, peacefully, and vigorously work for social change. 

Is significant change necessary in the way some police departments train their recruits? Absolutely. Productive change can occur. It cannot occur when the structures of Constitutional democracy are trampled upon. Polarization has never accomplished anything; positive social change has never occurred through a mob’s physical or verbal violence.

The past cannot be rewritten. In America, many times statues regardless of being religious, political, or military, celebrate the good that people have accomplished, not their ethnocentrism. If small groups through mob action tear down public property, or Church property, then they are no better than many other mobs, tyrants and demagogues through history; such as Mao Zedong’s actions during the ten years of China’s Cultural Revolution, Lenin and Stalin’s iconoclasm and political/religious oppression during the 70 odd years of their Communist debacle, Hitler’s 13 year rampage of mass destruction and inhumanity, or present day Isil and their damage of populations and  archaeological sites in the name of religious ideology.

As civilizations are we still unable to learn from the lessons of history? Is it too late?

Copyright © 2011- 2020, Deacon Paul O. Iacono – All Rights Reserved. Permission to reprint must be obtained from the author in writing. Students, and those interested, may quote small sections of the article as long as the proper credit and notation is given. Thank you.

Fra Angelico – “Heaven on Earth” Exhibition – Part 2 – Ascension, Pentecost, the Last Judgement

I hope you had a blessed Feast of Pentecost!

Please read Part 1 of “Fra Angelico – Heaven on Earth” (posted here on May 16, 2018) in order to receive a proper introduction to the Isabella Stewart Gardner Museum’s extraordinary exhibition that, unfortunately, closed this weekend..

As you moved into the gallery that exhibited this once in a lifetime collection of Fra Angelico paintings you first saw the beautiful painting entitled The Ascension of Christ, The Last Judgement, and Pentecost (the Corsini Triptych). It is painted in egg tempera with gold leaf on a wood panel. Fra Angelico painted it during the years 1447-1448, seven years before his death in 1455. It was loaned to the Gardner Museum from the Galleria Nazionali d’Arte Antica di Roma – Galerie Barberini Corsini, Palazzo Corsini.

My photographic images of that painting are found below:

The Ascension, Last Judgement, and PentecostIMG_1686

The following quotation is taken from the Exhibition’s commentary found on the right side of the painting. Mesmerizing in its detail, Fra Angelico’s painting pictures three biblical events. At left, Christ ascends into heaven over the heads of the Virgin Mary and the  Apostles. At right, a masterfully foreshortened dove – the Holy Spirit – descends to earth. The story culminates in the center. Christ passes judgment over the living and the dead, saving the worthy (left) and condemning the wicked (right). While the damned cower from fearsome devils who attack the poor souls with claws, angels embrace the blessed.

“This small devotional triptych – a painting with three parts – served a cultivated individual, probably a cleric (deacon, priest, or bishop) in Rome.” Please compare its three episodes to others in my upcoming posts. In the above painting Fra Angelico adopts a vertical presentation. This energizes the connection and communication between heaven and earth. The Gardner Museum’s curator remarked that this technique “enlarges the central scene, and emphasizes” the Catholic Church’s spiritual power.

Fra Angelico, as a Dominican priest, desired to present that Jesus’ act of Redemption (passion, death, and resurrection), and His Ascension back to the Father, made possible the moment of Pentecost. Christ’s actions enabled the eventual opportunity for our free will to choose to accept His Truth and be fed by the Spirit’s power. It is the Father and the Son’s will to have the Holy Spirit nourish us through His grace. This grace is available to us through the proper administration and worthy reception of the Holy Sacraments. Thus, we come to the central panel –  the Last Judgement. Did we freely accept His Sacramental grace or did we ignore, and thereby, reject it? At that moment will we be on the right or the left of Christ?

Allow me to make some personal points on the three close-up photos below. In the first panel of this painting, notice the gold work around the body of Christ. I was allowed to closely examine it. I have never seen a painting’s gold work done with such precision and delicacy. It is not just gold leaf that is applied in a flat manner to the panel. It appears to be actual raised strands, or threads of gold, all applied with great precision. As you slowly move left or right around that part of the painting you notice the light catching the gold and literally radiating and shimmering around the image of Christ. IMG_1745

The Ascension, with Pentecost below.

Second, the image of Pentecost, with the Blessed Mother in the center of the Apostles as the dove hovers and the fire of the Holy Spirit descends upon them and gives them the gifts and fruits of the Holy Spirit (Isaiah 11:23; 1st Corinthians 12: 4 ff; Galatians 5: 22 ff).

Notice St. Peter, filled with conviction, speaking to the assembly of men below (“Peter’s Discourse” found in the Acts of the Apostles chapter 2, verses 14 ff.). Also, notice the clothing on one of the men who gather outside of the upper room listening to Peter: the detail of the lace work on the bottom of one of his garments, and the shadows on the man’s red leotard/shoe. If you stand away from the painting at approximately eight to ten feet to take it all in (as you see in the panoramic top photo) you don’t notice all the detail; but the blessed Fra with his extraordinary perception, noticed the need for it, and he painted it in. A master of detail, and as a true maestro, he knew how to successfully accomplish it. Wonderful!     The last two close-up pictures are below.

IMG_1748

IMG_1749

My photos (through the kindness of the Isabella Stewart Gardner Museum), and            my text © Deacon Paul O. Iacono 2011-2018. Photos taken with an iPhone 6, no flash.

 

When People Or Governments Get In Our Face

Recently I received a rather funny email from a friend concerning a God loving Marine coming to terms with an atheist professor. It triggered, however, a serious reflection on how we, as Christians, are to confront those who “get in our face” about issues of spiritual beliefs, sacred art, religious freedom, and personal liberty.

The passage from St. Matthew’s Gospel, chapter 5: 38-42, on “an eye for an eye and a tooth for a tooth” gives us an insight into who Jesus is as God. The behaviors that He explains, and asks us to imitate, are actions that He would perform; so in this passage on “an eye for an eye” we are getting a glimpse into the personality of God.

Jesus explains that the old Jewish law of “an eye for an eye and a tooth for a tooth” is no longer appropriate or virtuous in God’s eyes, it doesn’t reflect the behavior and actions that the Lord is trying to teach His people to follow, actions which reflect the Lord’s own mind and heart.

The following photo by talented photographer Kenny Lindstrom found at www.flickr.com/photos/kennylindstrom/ provides meaning, visual imagery, and the clarity of a typical traffic stop sign. We instantly recognize what the creator of this sculpture is trying to say (by the way, is this image done in sand, stone, or clay?). We get the message; but, as in all art, its interpretation depends on the values and beliefs of the viewer. Lindstrom’s photograph is a wonderful example of how a piece of art can display an impression that is both a teaching and reflective moment for the viewer.

The Holy Scriptures, however, are not to be viewed as artistic reflections or suggestions to the reader and listener. The Holy Spirit divinely inspired the Bible; thus, the faithful understand (sometimes better than many of the academics) that Jesus, as the Son of God, came to teach, preach, and heal mankind. His words are not suggestions, they are directions for living within His Sacred Heart; and that demands fortitude, perseverance, and most importantly, His grace.

Over the last two thousand years the Catholic Church has taught that we have a right to defend ourselves – a right to resist the evil that is done to us. But Jesus teaches that we should not resist evil with an evil response or by an evil means  – in other words we should not resist evil with a spirit of vengeance, rage, anger or with an unlawful or excessive physical or verbal response.

So, Jesus is teaching us that the tribal law of an “an eye for an eye and a tooth for a tooth” is destructive and directly opposed to the Father’s plan of a loving spiritual family living within a shared community.  Yet, not everyone in the world is a Christian; and the 20th and 21st centuries are showing themselves to be much more personally and collectively violent than many of the other centuries combined.

So what do we do? Jesus teaches us that our response to evil and insult, as difficult as this may be, should be measured; that is, it should be filled with patience and grace. For if we confront and attempt to defeat evil with an evil or vengeful response, then, we are weakening ourselves and empowering that which we hope to defeat. This does not mean, however, that we are to deny a sense of righteous and justifiable anger over injustices that are done – the Lord Himself gave witness to that when He drove the moneychangers and polluters of His Father’s Temple into the street.

The world can slap us on the cheek, it can take our belongings, it can take away our religious, political, and artistic freedoms and prevent us from speaking out against injustice, and it can even take our lives, but it can never touch our hearts or souls because the Lord God Himself has forever claimed us as His own children.

Let us pray that when we do have to correct our own actions or those of another, we do it based on Jesus’ spirit of graceful moderation, love, and kindness.

Copyright © 2012 Deacon Paul O. Iacono All Rights Reserved