The mission of The Fra Angelico Institute for Sacred Art is to deepen the prayer life of Roman Catholics by evangelizing the truth, goodness, and beauty of God through education and the prayerful creation of sacred art.
Just wanted to notify the people who are following the art lessons in my St. Joseph Art Workshop tab that I just published Lesson 4: Applying Color and Modeling the Face. You need to go to the Menu tab above and click on Lesson 4 to see it.
My next post in the St. Joseph’s Art Workshop tab will be Lesson 5. It will be the last post in my Art Exercise of Painting Sacred Images using Acrylic Paint.
Thanks.
I hope you had a blessed Feast of Pentecost!
Please read Part 1 of “Fra Angelico – Heaven on Earth” (posted here on May 16, 2018) in order to receive a proper introduction to the Isabella Stewart Gardner Museum’s extraordinary exhibition that, unfortunately, closed this weekend..
As you moved into the gallery that exhibited this once in a lifetime collection of Fra Angelico paintings you first saw the beautiful painting entitled The Ascension of Christ, The Last Judgement, and Pentecost (the Corsini Triptych). It is painted in egg tempera with gold leaf on a wood panel. Fra Angelico painted it during the years 1447-1448, seven years before his death in 1455. It was loaned to the Gardner Museum from the Galleria Nazionali d’Arte Antica di Roma – Galerie Barberini Corsini, Palazzo Corsini.
My photographic images of that painting are found below:
The following quotation is taken from the Exhibition’s commentary found on the right side of the painting. Mesmerizing in its detail, Fra Angelico’s painting pictures three biblical events. At left, Christ ascends into heaven over the heads of the Virgin Mary and the Apostles. At right, a masterfully foreshortened dove – the Holy Spirit – descends to earth. The story culminates in the center. Christ passes judgment over the living and the dead, saving the worthy (left) and condemning the wicked (right). While the damned cower from fearsome devils who attack the poor souls with claws, angels embrace the blessed.
“This small devotional triptych – a painting with three parts – served a cultivated individual, probably a cleric (deacon, priest, or bishop) in Rome.” Please compare its three episodes to others in my upcoming posts. In the above painting Fra Angelico adopts a vertical presentation. This energizes the connection and communication between heaven and earth. The Gardner Museum’s curator remarked that this technique “enlarges the central scene, and emphasizes” the Catholic Church’s spiritual power.
Fra Angelico, as a Dominican priest, desired to present that Jesus’ act of Redemption (passion, death, and resurrection), and His Ascension back to the Father, made possible the moment of Pentecost. Christ’s actions enabled the eventual opportunity for our free will to choose to accept His Truth and be fed by the Spirit’s power. It is the Father and the Son’s will to have the Holy Spirit nourish us through His grace. This grace is available to us through the proper administration and worthy reception of the Holy Sacraments. Thus, we come to the central panel – the Last Judgement. Did we freely accept His Sacramental grace or did we ignore, and thereby, reject it? At that moment will we be on the right or the left of Christ?
Allow me to make some personal points on the three close-up photos below. In the first panel of this painting, notice the gold work around the body of Christ. I was allowed to closely examine it. I have never seen a painting’s gold work done with such precision and delicacy. It is not just gold leaf that is applied in a flat manner to the panel. It appears to be actual raised strands, or threads of gold, all applied with great precision. As you slowly move left or right around that part of the painting you notice the light catching the gold and literally radiating and shimmering around the image of Christ. 
The Ascension, with Pentecost below.
Second, the image of Pentecost, with the Blessed Mother in the center of the Apostles as the dove hovers and the fire of the Holy Spirit descends upon them and gives them the gifts and fruits of the Holy Spirit (Isaiah 11:23; 1st Corinthians 12: 4 ff; Galatians 5: 22 ff).
Notice St. Peter, filled with conviction, speaking to the assembly of men below (“Peter’s Discourse” found in the Acts of the Apostles chapter 2, verses 14 ff.). Also, notice the clothing on one of the men who gather outside of the upper room listening to Peter: the detail of the lace work on the bottom of one of his garments, and the shadows on the man’s red leotard/shoe. If you stand away from the painting at approximately eight to ten feet to take it all in (as you see in the panoramic top photo) you don’t notice all the detail; but the blessed Fra with his extraordinary perception, noticed the need for it, and he painted it in. A master of detail, and as a true maestro, he knew how to successfully accomplish it. Wonderful! The last two close-up pictures are below.
My photos (through the kindness of the Isabella Stewart Gardner Museum), and my text © Deacon Paul O. Iacono 2011-2018. Photos taken with an iPhone 6, no flash.
The Isabella Stewart Gardner Museum in Boston, Massachusetts is the only venue in America for the extraordinary “Fra Angelico: Heaven on Earth” exhibition. This amazing collection of reliquaries which express the life of the Virgin Mary, and other paintings of the greatest painter of the Early Renaissance, will be on display until this Sunday May 20th, 2018. Earlier incorrect media reports had the last day as May 28th.
I will be posting my photos of the Gardner Museum’s exhibit starting with this post and continuing on through the upcoming weeks and months. The exhibit consists of more than just the exquisite four reliquaries and it will be my pleasure to bring to you my photos of all of it. I am grateful to the Isabella Stewart Gardner Museum for allowing me to take photographs of the exhibit.
I will proceed with the first photo showing the image that you see as you climb the stairs of the Museum to the second floor where the exhibit is located. That image is of the Assumption of the Virgin Mary, surrounded by angels as she ascends in a vortex-like movement, toward God the Father. The reliquary containing the complete image was acquired by Isabella Stewart Gardner in 1899. This is the first time in history that all four reliquaries are reunited since they were split up and acquired by collectors and museums around the world.
My wife and I were privileged to visit the Museum and exhibition last week. Words cannot describe the restored reliquaries and paintings in this display. I am not embarrassed to say that at one point I was choked up with emotion as to the beauty, technical skill, narrative brilliance in explaining Sacred Scripture, and the theological depth that Fra Angelico expressed in these sacred images.
Beato Fra Angelico (birth name Guido di Pietro) was a Dominican friar and known by his religious name as Brother John of Fiesole. The first historical record of Fra Angelico as a painter is the 1418 record of payment for a painting commissioned by the church of Santo Stefano al Ponte in Florence. Fra Angelico is believed to have been born in the late 1390’s and died in 1455. He is buried in Rome at the church of Santa Maria sopra Minerva. He was beatified (beato) by Pope Saint John Paul 2 on October 3, 1982, and in 1984 the Pope declared that Fra Angelico was the patron of Catholic artists (that is why I named this blog after him). Beato Fra Angelico’s feast day is celebrated every year on February 18th.
As you come up the stairs leading to the second floor of the Museum and turn the corner you first see an enlarged version of Fra Angelico’s Dormition and Assumption of the Virgin located below. This image is showcased because it is found within the reliquary acquired by Isabella Stewart Gardner in 1899.
This enlarged version of the Virgin Mary is found within the reliquary, and is its centerpiece, seen below.
The above outer frame and base, which contains Fra Angelico’s painting, is known as a reliquary. A reliquary is a container which holds the relics (bones, hair, etc) of deceased holy people or declared saints of the Roman Catholic Church. The reliquary allows the faithful to venerate, not worship, the life, deeds, and mortal remains of the person whose relics it contains. Fra Angelico painted the four reliquaries’ images specifically for the church of Santa Maria Novella in Florence between the years 1424 through 1434 The painting is rendered in egg tempera, oil glazes, and gold. It is simply stunning.
There is another separate painting in the exhibit which concentrates just on the dormition of the Virgin Mary. I will show that to you in the next post.
The “Heaven on Earth” exhibition is made possible with the support, in part, by the Robert Lehman Foundation and the Massachusetts Cultural Council (the Council receives its funding from the State of Massachusetts and the National Endowment for the Arts). The media sponsor is WBUR in Boston. The Museum’s Executive Director, chief conservator, curators, conservators, and support staff brilliantly provided the technical expertise and planning for this exhibit. The companion book, edited by Dr. Nathaniel Silver (with contributions by more than ten experts) is also very well done and a worthy addition to your library.
Photos and text © Deacon Paul O. Iacono 2011-2018. Thanks again to the Isabella Stewart Gardner Museum for this beautiful exhibit and enabling the public to enjoy, be edified, and to take photos of it.
Today, May 1, is the memorial of St. Joseph the Worker. I chose him to be the patron of St. Joseph’s Art Workshop (found within this site’s Menu Tab at the top of the page) because he is, of all the saints, the most important next to Our Blessed Mother. He was a righteous man (in the finest sense of that spiritual word), a devout and very prayerful Jew, a carpenter, the beloved spouse of our Blessed Mother, and the foster father of Jesus Christ. Today we honor him as a worker. A worker in the professional sense and a worker in God’s vineyard.
Saint Joseph provides us with a model for some of the attributes that all Catholic artists should cultivate: the proper use of time, patience in learning the techniques and meaning of our work, and the daily work itself – making a prayerful commitment to find some time during the day to learn something new about sacred art and practicing the skills necessary for its proper construction.
You will find below a few of the phrases, prayers, and Scripture readings from today’s Divine Office (the Liturgy of the Hours) for the memorial of St. Joseph the Worker.
Come let us worship Christ the Lord who was honored to be known as the son of a carpenter.
God made him the master of His household, alleluia, alleluia. He gave him charge over all His possessions.
Saint Joseph faithfully practiced the carpenter’s trade. He is a shining example for all workers, alleluia.
A reading from the letter of Paul to the Colossians (3: 23-24): Whatever you do, work at it with your whole being. Do it for the Lord rather than for men, since you know full well you will receive an inheritance from Him as your reward. Be slaves of Christ the Lord.
The just man shall blossom like the lily, alleluia, alleluia.
All-holy Father, you revealed to Saint Joseph Your eternal plan of salvation in Christ, deepen our understanding of Your Son, true God and true man.
God of all righteousness, You want us all to be like You, may Saint Joseph inspire us to walk always in Your way of holiness.
God our Father, creator and ruler of the universe, in every age you call man to develop and use his gifts for the good of others. With Saint Joseph as our example and guide, help us to do the work You have asked and come to the rewards You have promised. We ask this through our Lord Jesus Christ, your Son, who lives and reigns with You and the Holy Spirit, one God, for ever and ever. Amen
Saint Joseph, please pray for us now and at the hour of our death. Amen.
May 1, 2018
© Deacon Paul O. Iacono 2011-2018
On this day, September 29th, the Western Rite of the Catholic Church celebrates the Feast Day of Saints Michael, Gabriel, and Raphael (the Eastern Rite celebrates it on either November 8th or 21st depending whether or not they use the Gregorian calendar).
Pope St. Gregory the Great (AD 540 – 604) mentions in one of his homilies: “You should be aware that the word “angel” denotes a function rather than a nature. Those holy spirits of heaven have indeed always been spirits. They can only be called angels when they deliver some message. Moreover, those who deliver messages of lesser importance are called angels; and those who proclaim messages of supreme importance are called archangels.”
Michael, Gabriel, and Raphael, as angelic spirits, have no gender; and are designated saints by the Western Rite and Eastern Rites of the Catholic Church as a result of their special status as messengers of God. We discover this in Holy Scripture (specifically the books of, Genesis 28: 12-13, Daniel 9: 22-23, Tobit 12: 15,18,20, Luke 1: 26-56, the Epistle of Jude 1: 9, and Revelation 12: 1-17). The designation “saint” also refers to their ability to intercede for the people of God at the throne of God. The Western and Eastern Rites do not worship the angels or the saints. Worship is relegated to God alone – Father, Son, and Holy Spirit. The angels and the saints are venerated – offered great respect – but never worshipped.
I painted the above sacred image of St. Michael a number of years ago. Instead of inserting the typical military shield that is associated with this archangel, I inserted a representation of the Holy Eucharist. The Western and Eastern Rites believe that a validly ordained priest, upon saying the words of consecration during the Holy Mass, through the sacred power of his ordination to the priesthood, converts the substance of the bread and wine into the true Body, Blood, Soul, and Divinity of Jesus Christ. Worthy reception of the Eucharist (meaning the recipient is not in the state of Mortal Sin) enables the recipient to be transformed into the life of Christ. Christ’s life strengthens us in our daily spiritual battle. Thus, St. Michael is holding the Eucharist as a representation that Jesus Christ, in the Holy Eucharist, is our shield – our true defense – against the wiles of Satan. The Holy Eucharist has embossed upon it IC, XC which is the Greek abbreviation for Jesus Christ, and the letters NI KA (Nika), represent the Greek word or phrase, “victory,” or, “our victor”). You will notice that the blue lower wings are in a different position. The blue wings on the left of the image are slightly elevated. I painted it this way to emphasize the truth that St. Michael is always here to assist us in our spiritual battle. He is always ready to move, to “fly” to our aid and intercede for us. Pope Leo XIII reminds us in his famous exorcism prayer to St. Michael, that Michael helps us when we sincerely call upon him at times of sinful temptation.
St. Michael in the iconography of the Church is always represented with a shield. The shield may say “Who is like God?,” which was his response to Lucifer when the latter attempted to storm the throne of Heaven. St. Michael brings us the message that evil, sin, and the demons are real. We are in the midst of a spiritual war; but God is victorious and has given His Church – His people – the help that it needs through the Holy Scriptures, the Incarnation and Redemption, and the seven Holy Sacraments.
St. Gabriel’s message to us is that God loves His creation so much that He desires to enter into it, to redeem it, and provide for its salvation; however, He will not force Himself on humanity, and needed the young virgin Mary’s consent in order for this to take place (refer to Luke 1: 26-56 for the account of the Annunciation). The name Gabriel means “the Strength of God.” He is God’s major “ambassador” – the angelic representative of God to humanity. You can see this in Fra Angelico’s beautiful painting at the very top of this site’s masthead which represents him in a majestic and very dignified manner. Church tradition believes that he is the angel that also announced the good news of Christ’s birth to the shepherds, prior to Jesus’ birth comforted St. Joseph upon his hearing of Mary’s pregnancy, and consoled Jesus in the Garden of Gethsemane.
St. Raphael’s message is that God heals us. He is found specifically in the Old Testament book of Tobit healing and ministering to humans. His name means “Medicine of God.” He cured Tobias, defended Sara, and assisted a young man on his pilgrimage with advice and companionship.
One of my former pastor’s, Father Nicholas Smith, mentioned in one of his morning homilies that the angels are here “to defend, serve, and help us. They are part of God’s family, and therefore, a part of ours.” These are beautiful words of comfort and consolation. Through our baptism we are members of God’s family, but until Father Smith’s homily, I never realized that the angels are part of our family, too!
May these three Holy Archangels help us this day, and every day, in assisting us on our path to God.
(Besides the Holy Scriptures listed above, I recommend a book entitled: St. Michael and the Angels, published in 1983 by TAN Books, it is filled with approved and scholarly sources on the nine choirs of angels).
(My sacred images and essays copyright 2009-2017, Deacon Paul O. Iacono)
In our Gospel today we hear John the Baptist proclaim “Behold the Lamb of God.”
We see in our mind’s eye, Andrew and another disciple, probably St. John, listening to the Baptist say those words.
Immediately after Jesus walks by they look at one another and, without saying a word, begin to follow Jesus.
Jesus, sensing their presence, turns and seeing them says,
“What are you looking for?”
They say: “Rabbi where do you live?”
They didn’t presume to say, “Rabbi we want to be your companions – we want to learn from you.” Rather they instinctually knew that this man, whom John the Baptist had proclaimed “The Lamb of God,” was the Lamb of God – the promised Messiah; and they wanted to be with Him.
In what must have been an astonishing moment for them, Jesus in turn says, “Come, and you will see.”
What did they see in those three years they spent with Him? That is what John believed he had to write down.
Those three years, and then the following years of John’s own ministry, had to be written down.
Two thousand years later we experience his excitement in the short clips of his memory as we read the significant facts and unique moments of what he experienced.
For in those facts and moments are contained the unique vision of John’s Gospel and Epistles.
They proclaim his experience of the truth that the Word of God – the Mind of God – was incarnated into the man Jesus, the Son of God.
This was done so that the Father could fully express the meaning of His love and His desire to share that love with His creation.
“Rabbi, where do you live?”
“Come and you will see.”
But this is the 21st century; and many of us do not hear the call of God to “Come and see.”
Maybe Jesus is calling to us and we are too distracted, or hurt, or swallowed up by life’s events; or maybe we don’t know how to see or listen to His message, or are just not listening at all.
But the message of this Gospel is that Jesus’ call – His invitation – is always open.
He invites us, like Andrew and John, to join Him for the afternoon and share a simple meal of bread and wine.
He invites us to be baptised into His family so we can receive the many gifts He desires to give us.
He invites us to know His laughter and joy; and He invites us to suffer with Him by knowing loneliness, sickness, heartache, and loss.
“Rabbi, where do you live?”
“Come and you will see.”
Our imagination can visualize a small Hebrew home, with a low doorway so large animals would not wander in.
We can imagine that this is where Jesus lived: in a small but adequate house on a simple Hebrew street.
Jesus, and any visitors, would have to bend down to get through the door.
We are asked to bend down, too.
We are to lower ourselves in humility, patience, reconciliation, and love.
For how are we to live with the Creator of the Universe if we, in the light of the One who loves us, are unwilling to honestly look at our own souls, ask for the forgiveness of our sins, and implore His mercy?
Ultimately, we respond to Jesus’ call by inviting Him into our heart. For that is where He truly wants to live, and rest, and share a simple meal of bread and wine.
++++++++++++++++++++++++++++++
The above post is my homily for the 2nd Sunday of Ordinary Time. Year B. I delivered this homily at St. Francis of Assisi Church in Wakefield, Rhode Island on January 18. 2015 at the 8 AM and 10 AM Masses. It was updated on January 11, 2019. Copyright © 2011- 2019, Deacon Paul O. Iacono All Rights Reserved Thanks to the blog Clerical Whispers for the photograph of a typical Hebrew street scene. Their site can be located at: http://clericalwhispers.blogspot.com/2012/05/exhibition-recreates-gospel-village-for.html
The mission of the Fra Angelico Institute for the Sacred Arts is to teach the truth, goodness, and beauty of God through the prayerful creation of sacred art.
We are happy to announce that we have recently entered into a partnership with Thomas More College of Liberal Arts to present a wonderful on-line course to anyone interested in Catholic Culture and the sacred art of the Church. We also have a special opportunity for teachers of history, art, religion, and the humanities in Catholic high schools of the Diocese of Providence who complete this course.
Thomas More College of Liberal Arts is offering an on-line course entitled The Way of Beauty. This course has been designed by David Clayton and is being successfully implemented at Thomas More College of Liberal Arts. David is an Oxford University graduate, sacred artist, published author and broadcaster, and holds the position of Artist-in-Residence and lecturer in Liberal Arts at the College. David is passionate about Catholic art and music, the forms it has taken through the centuries, and the reinvigoration of Catholic culture. David’s blog can be found at www.thewayofbeauty.org.
As stated on the College website the Way of Beauty course “focuses on what shapes a Catholic culture and what makes it beautiful. It discusses the general connection between worship, culture and beauty particularly through the prism of visual art. The course program consists of a 13 episode video series and an e-book written by David Clayton. This book is only available to those who take this course. Participants who complete the on-line program are eligible to receive 25 hours of Continuing Education Units endorsed by Thomas More College of Liberal Arts. The College is regionally accredited by the New England Association of Schools and Colleges. Time spent in this program may also be able to be used towards later college credit offerings.” The cost of the on-line course is $99.00.
For the 2014-2015 academic year, The Fra Angelico Institute will provide reimbursement scholarships, through a competitive selection process, to Diocese of Providence high school teachers who enroll and complete the Way of Beauty on-line course.
In an attempt to provide a competitive atmosphere among the teachers, The Fra Angelico Institute for the Sacred Arts will provide a total of five reimbursement scholarships, one per high school, to Catholic high school teachers with the best implementation process.
In order to enter the competition to receive the reimbursement scholarship an interested Diocesan teacher will:
1) Notify the Fra Angelico Institute of their interest through our email at frainstitute@cox.net.
2) Formally register by clicking on the tab and following the prompts for the On-Line Course through www.thewayofbeauty.org.
3) Through the teacher’s personal Google account, participate in the program which consists of 13 on-line videos (approximately 30 minutes apiece) produced in association with Catholic TV.
4) Read the e-book – The Way of Beauty: Liturgy, Education, Art, and Inspiration. This e-book has been written exclusively for this course.
5) Submit on school stationary a statement from the teacher that the course has been completed, a one-page summary of how the course will be actually implemented in their curriculum, and one or two suggestions on how the course may be improved.
6) Submit a letter from the principal of their high school stating that they support the teacher in their desire to implement the goals of this course.
Using the US Postal System, these documents should be mailed to: Deacon Paul Iacono, Fra Angelico Institute for the Sacred Arts, St. Francis of Assisi Church, 114 High Street, Wakefield, RI 02879.
We hope you enjoy the course and best wishes to the teachers who compete for the reimbursement scholarships!
Copyright © 2011- 2014 Deacon Paul O. Iacono All Rights Reserved
