What is our strategic plan in the Holy War to save our personal faith? The overall plan is simple: it is to win the war for our soul. Our tactics are paramount. For they must be in sync with the truth that God has given us Free Will (the ability to make decisions) and Reason (the ability to think through and logically make those decisions in the light of Scripture and Tradition). What are the tactics that support our efforts? The first is to realize that we are not powerless. Our God-given freedom allows us to make personal decisions for … Continue reading Holy War: The Battle for Our Souls and the Soul of the Church
News reports have been circulating the story that Harvard University’s Memorial Hall will be the site of a Satanic Black Mass on Monday evening May 12, 2014. The Satanic Mass, by its very nature, is a spiritual crime against the truth, goodness, and beauty of the Catholic Mass and everything that it stands for – specifically the transubstantiation of bread and wine into the real presence of the Body, Blood, Soul, and Divinity of Jesus Christ, the Son of God. The Harvard Extension Cultural Studies Club is hosting this despicable event. Its promoters and supporters know exactly what they are … Continue reading The Black Mass at Harvard – Is It A Hate Crime?
The article below is reblogged from the always informative Orthodox Arts Journal. The article is the 9th in a series about sacred iconography that was written by Brother Aidan Hart, a British iconographer. Brother Hart has written extensively on all aspects of sacred iconography and has recently published a very comprehensive book on the subject called Techniques of Icon and Wall Painting. The editor at the Orthodox Arts Journal highly recommends it. Brother Hart’s articles are available at his website and he also offers sacred iconography workshops in Britain. This nine part article is well worth the effort of perusing … Continue reading Aidan Hart’s New Book on Sacred Iconography
My favorite sacred icon of Our Lord Jesus Christ is the 6th century encaustic icon of Christ Pantocrator (Christ The Almighty One) from St. Catherine’s Monastery in the Sinai Peninsula. This sacred image was a paradigm shift in the way early Christians viewed and portrayed Jesus Christ. This icon (shown below) is not the thin young Messiah of the Catacombs, or the Roman nobleman presentation of the first four centuries of Church art (for examples confer Pierre du Bourguet’s book on Early Christian Painting). The Sinai Christ Pantocrator is portrayed as a robust Semitic man, who knows exactly what He is about, what His … Continue reading Icons, Icon Painters, and Praying With Sacred Icons: PART 3
The sacred icon is a visual aid that helps the person enter into a conversation with God, an angel, or a saint. If a sacred icon is to be painted with this purpose in mind then it it is a major responsibility of the sacred artist to construct the icon so that it may serve, rather than interfere with or destroy, that purpose. Thus, it is necessary for the sacred artist to curb the desire for ornateness, since it might detract from the prayer itself by focusing the viewer’s eyes on embellishment versus Person, or saint. Of all the physical … Continue reading Part Two: Icons, Icon Painters, and Praying With Sacred Icons
A few issues have come up in discussing some basic terms with people. I would like to be clear on how I have come to understand these words because it may affect how we view our “ministry” to be painters of sacred icons and or sacred images. From my understanding, the word icon in English, Greek, and Latin, is the word for image. In our usage as sacred artists, it refers to a sacred image of Our Lord, Our Blessed Mother, angels, or specific saints. The purpose of a sacred icon is that, as a piece of sacred art, it … Continue reading Icons, Icon Painters, and Praying With Sacred Icons: Part One