Category: painting

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St. Lawrence – Deacon and Martyr

Deacon Paul O. Iacono

Today we celebrate the feast of St. Lawrence, a deacon and third century martyr. St. Lawrence was one of the seven deacons of Rome who served as the Pope’s ministers during Holy Mass and as his administrators to the people of Rome. There is little historical evidence remaining on St. Lawrence. His Acts had been lost by the time of St. Augustine in the 4th century, yet, Pope St. Leo the Great and St. Augustine wrote about him and his martyrdom. The tradition of the Church states that he was a native of northern Spain and was ordained by Pope St. Sixtus … Continue reading St. Lawrence – Deacon and Martyr

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Sacred Icons and Sacred Images – the Nicene Debate Continues!

Deacon Paul O. Iacono

I would like to thank one of my readers who identified the  contemporary icon of St. Spyridon (thanks Carol!). The iconographer is the Catholic priest William Hart McNichols. He is a very talented artist who paints traditional icons and sacred images. At times, he steps out of the bounds of the traditional approach and adds his own personal interpretation of the person he is portraying. His artistic vision is unique. John Daly from Australia emailed me this morning to provide further grist for our mill concerning St. Athanasius, St. Spyridon, and the Council of Nicaea. One of the participants in … Continue reading Sacred Icons and Sacred Images – the Nicene Debate Continues!

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St. Athanasius and St. Spyridon: A Correction and Another Interpretation – Let’s Take A Closer Look!

Deacon Paul O. Iacono

I am always very appreciative of my readers writing to me and providing new information and interpretations of sacred icons and images. Happily, that occurred last evening when a reader, Mr. John Daly from Australia, provided me with information on the second icon that was in yesterday’s post on St. Athanasius. Let me provide you with that image so we will have a reference point: Mr. Daly is correct – it is St. Spyridon (born AD 270, died 340). Let’s take a look at the reasons for this correction: The bishop castigating the heretic Arius is wearing a distinctive hat. … Continue reading St. Athanasius and St. Spyridon: A Correction and Another Interpretation – Let’s Take A Closer Look!

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St. Athanasius – Coptic and Eastern Orthodox Icons

Deacon Paul O. Iacono

St. Athanasius of Alexandria was “the Lion” of the Council of Nicaea. He was instrumental in providing well argued testimony rebuking the heretic Arius during the Council’s debates. His verbal skills, as powerful and commanding as a lion, shredded Arius’ arguments. His eloquence convinced the assembled bishops of the correct dogma that Jesus Christ has two, separate and distinct, natures (divine and human), and that Jesus Christ is fully human and fully divine. The heretic Arius insisted that Jesus was “just a creature” of God. The Council’s main purpose was to address the divine nature of Jesus Christ and the … Continue reading St. Athanasius – Coptic and Eastern Orthodox Icons

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Christ in the Wilderness: Lent – the Season of Preparation – Luke 4: 1-2.

Deacon Paul O. Iacono

Jesus, full of the Holy Spirit, returned from the Jordan and was led by the Spirit into the wilderness, where for forty days He was tempted by the devil. He ate nothing at all during those days, and when they were over, He was famished. (Gospel of Luke chapter 4: verses 1-2) In the extraordinary painting  below, we see Jesus after He was led into the desert wilderness by the Holy Spirit. He is surrounded by rocks and sand. He sits on a boulder, hands in front of Him. His eyes are filled with the knowledge of reality, of passions, power, … Continue reading Christ in the Wilderness: Lent – the Season of Preparation – Luke 4: 1-2.

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Roman Catholic Sacred Art – Categories

Deacon Paul O. Iacono

Tonight we will use yesterday’s post as a starting point to examine Roman Catholic painting. I mentioned that there are seven disciplines within the definition of Art. One of those disciplines is painting. As it applies to this discussion when we consider the discipline of painting we can say that there are two major categories: Roman Catholic Sacred Painting and Secular Painting. We can then subdivide these two major categories. Within the category of Roman Catholic Sacred Painting we have two major subcategories: Sacred Icons and Sacred Images. I propose that there is a subcategory below Sacred Images, it is called Religious Images. I will explain in later … Continue reading Roman Catholic Sacred Art – Categories

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St. Joseph’s Art Workshop: Lesson 4 – Applying Color and Modeling the Face

Deacon Paul O. Iacono

Just wanted to notify the people who are following the art lessons in my St. Joseph Art Workshop tab that I just published Lesson 4: Applying Color and Modeling the Face. You need to go to the Menu tab above and click on Lesson 4 to see it. My next post in the St. Joseph’s Art Workshop tab will be Lesson 5. It will be the last post in my Art Exercise of Painting Sacred Images using Acrylic Paint.  Thanks.   Continue reading St. Joseph’s Art Workshop: Lesson 4 – Applying Color and Modeling the Face

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Fra Angelico’s Four Reliquaries for the Church of Santa Maria Novella – Part 4 of the “Heaven on Earth” Exhibition

Deacon Paul O. Iacono

Today’s post is Part 4 in my series that began on May 16, 2018 concerning the recently concluded exhibition of extraordinary egg tempera paintings by the Dominican friar Beato Fra Angelico. The exhibition was held at the Isabella Stewart Gardner Museum in Boston, Massachusetts during the Spring of 2018 and was entitled Fra Angelico – Heaven on Earth. Nathaniel Silver, Associate Curator of the Collection for this exhibition, includes in his book, Fra Angelico – Heaven on Earth, articles by eleven scholars. Each paper is a quality contribution to scholarship. There is one article authored by Chiara Pidatella, entitled “The Provenance of … Continue reading Fra Angelico’s Four Reliquaries for the Church of Santa Maria Novella – Part 4 of the “Heaven on Earth” Exhibition