News reports have been circulating the story that Harvard University’s Memorial Hall will be the site of a Satanic Black Mass on Monday evening May 12, 2014. The Satanic Mass, by its very nature, is a spiritual crime against the truth, goodness, and beauty of the Catholic Mass and everything that it stands for – specifically the transubstantiation of bread and wine into the real presence of the Body, Blood, Soul, and Divinity of Jesus Christ, the Son of God. The Harvard Extension Cultural Studies Club is hosting this despicable event. Its promoters and supporters know exactly what they are … Continue reading The Black Mass at Harvard – Is It A Hate Crime?
If you are in the vicinity of New Haven, Connecticut within the next two weeks take the opportunity to stop by the Knights of Columbus Museum for their magnificent exhibit entitled “Windows into Heaven – Russian Icons and Treasures.” The Museum is located at One State Street, New Haven, and offers free admission and parking. They are open from 10 to 5 pm. For the past year it has hosted a private collection of spectacular Russian sacred icons and liturgical artifacts. It is the finest collection of Russian sacred icons that I have observed in the Northeast owing to the fact … Continue reading Beautiful Russian Sacred Icons at the New Haven Knights of Columbus Museum
The article below is reblogged from the always informative Orthodox Arts Journal. The article is the 9th in a series about sacred iconography that was written by Brother Aidan Hart, a British iconographer. Brother Hart has written extensively on all aspects of sacred iconography and has recently published a very comprehensive book on the subject called Techniques of Icon and Wall Painting. The editor at the Orthodox Arts Journal highly recommends it. Brother Hart’s articles are available at his website and he also offers sacred iconography workshops in Britain. This nine part article is well worth the effort of perusing … Continue reading Aidan Hart’s New Book on Sacred Iconography
My sincere thanks to Jonathan Pageau at the Orthodox Arts Journal, http://www.orthodoxartsjournal.org/, for permission to repost his wonderful presentation of the sacred icon miniatures of Russian artist Evgeny Baranov and the spectacular icon wood carvings by Rashid and Inessa Azbuhanov. We must take care when we paint/”write” large icons, yet, to complete an icon miniature or a wood carving, with such grace and spiritual truth, demands in my humble opinion, even more skill and patience! Enjoy, and be filled with astonishment! To see all of Baranov’s miniatures please visit their site:www.orthodoxartsjournal.org/miniature-icons-by-evgeny-baranov/ . To see the lovely icon wood carvings of the Asbuhanov’s please … Continue reading Evgeny Baranov’s Miniature Icons and Rashid and Inessa Azbuhanov Icon Carvings
In our Gospel today, from St. Mark Chapter 4: 26-34, we have two important parables concerning the reign of God: the first concerns the farmer’s sowing of seed and the second refers to the growth of the seed. When we examine the threads running through these parables we hear Jesus explaining not only the functions that the farmer performs, but the nature of the seed that is sown, as well. This first parable is found only in Mark’s Gospel and explains that through the ministry of Jesus, God’s sovereign and all-powerful rule over mankind is made visible. This is similar … Continue reading Seeds of Faith and Art
My favorite sacred icon of Our Lord Jesus Christ is the 6th century encaustic icon of Christ Pantocrator (Christ The Almighty One) from St. Catherine’s Monastery in the Sinai Peninsula. This sacred image was a paradigm shift in the way early Christians viewed and portrayed Jesus Christ. This icon (shown below) is not the thin young Messiah of the Catacombs, or the Roman nobleman presentation of the first four centuries of Church art (for examples confer Pierre du Bourguet’s book on Early Christian Painting). The Sinai Christ Pantocrator is portrayed as a robust Semitic man, who knows exactly what He is about, what His … Continue reading Icons, Icon Painters, and Praying With Sacred Icons: PART 3
The sacred icon is a visual aid that helps the person enter into a conversation with God, an angel, or a saint. If a sacred icon is to be painted with this purpose in mind then it it is a major responsibility of the sacred artist to construct the icon so that it may serve, rather than interfere with or destroy, that purpose. Thus, it is necessary for the sacred artist to curb the desire for ornateness, since it might detract from the prayer itself by focusing the viewer’s eyes on embellishment versus Person, or saint. Of all the physical … Continue reading Part Two: Icons, Icon Painters, and Praying With Sacred Icons
A few issues have come up in discussing some basic terms with people. I would like to be clear on how I have come to understand these words because it may affect how we view our “ministry” to be painters of sacred icons and or sacred images. From my understanding, the word icon in English, Greek, and Latin, is the word for image. In our usage as sacred artists, it refers to a sacred image of Our Lord, Our Blessed Mother, angels, or specific saints. The purpose of a sacred icon is that, as a piece of sacred art, it … Continue reading Icons, Icon Painters, and Praying With Sacred Icons: Part One
Soon after an article appeared in our Diocesan newspaper (The Rhode Island Catholic) in June 2011 on the Fra Angelico Institute for the Sacred Arts, I spoke on the phone with a talented artist by the name of Jamie Medeiros. We talked about the mission and goals of the Fra Angelico Institute and then she explained to me the mission of a group that she started at her parish in Tiverton, RI. Her group’s name is Oro et Creo (I Pray – I Create). I was fascinated by her description since it clearly was another example of the Holy Spirit’s … Continue reading ORO et CREO: “I Pray – I Create” – Part One
Today we celebrate the feast of the Exaltation – or Triumph – of the Holy Cross. The early Catholic Church was intensely persecuted during the first 280 years of its life – so the symbol of the Cross – the symbol of public humiliation and excruciating death – was rarely used in our Christian iconography. But this doesn’t mean that the early Christians were reluctant to express their devotion to the Cross. Writing in the year 204, the Christian theologian Tertullian said: “At every going in and out, when we put on our clothes, when we sit at table, in … Continue reading The Triumph of the Cross and Our Lady of Sorrows by Jed Gibbons
What is iconography? The Sacred Iconography Guild is one of the twelve Sacred Arts Guilds that is sponsored by the Fra Angelico Institute. As of this post we have six members of this Guild who have expressed interest in learning this particular artistic tradition of the Church. Unfortunately, many people in the 21st century do not know the traditions of the Western (Latin, that is the Roman and affiliated rites of the Church) or the Eastern (Orthodox, that is the Coptic, Greek, Russian, and other Middle Eastern Rites) of Christ’s Church. All of these Rites have beautiful liturgies, the Sacraments … Continue reading Sacred Iconography and Personal Creativity – Do Not be Afraid!
Our First Post As our first post – on August 1, 2011 – I would like to explain that the mission of the Fra Angelico Institute for the Sacred Arts is to promote the creation of Christian sacred art and unite the creative process to the artist’s personal prayer life. Over the coming months we will be discussing various topics within the sacred arts, the creation of sacred art, important sacred artists from the past and present, and the development of our personal prayer life in union with our personal creative efforts. The Fra Angelico Institute for the Sacred Arts … Continue reading Welcome to the Fra Angelico Institute