Catechesis and Catholic Art

Sacred art, by its very nature, is catechetical. The purpose of this art was and continues to be a method of instruction. The Catholic Church, in its Latin and Greek Rites, and the twenty-six Catholic Rites that are in union with Rome, have all produced magnificent sacred calligraphy and art; non-Catholic faiths have done this, too.

Two thousand years ago Christians hiding in Rome inscribed images of Christ, the Blessed Mother and with the Christ child, and other Scriptural images on the walls of the catacombs. That art contributed to the catechesis of the early Christians. Two millennia later, Pope St. John Paul II in paragraph 18 of his Apostolic Exhortation, Catachesi tradendae, speaks of this function: it is “an education in the faith… in an organic and systematic way, with a view to initiating the hearers into the fullness of Christian life.”

Sacred art, in tandem with scholarship, edifies and makes beautiful the truth, goodness, and beauty of God. One of my favorite forms of sacred art is that of the Coptic Christian Church (historically based in Alexandria, Egypt). Coptic art is presented in an especially down to earth way. It is beautiful and humble at the same time. It is catechetical and colorful. It possesses a fine palette, yet the viewer does not get caught up in the colors to the detriment of catechesis. 

The Coptic faith’s icons are simple, yet, profound. They convey theological truths in a way that can be understood by all age groups and are excellent sources of catechesis. 

The first image above is a 7th century Coptic icon. It was discovered at the Monastery of Bawit (Egypt) in the early 20th century by two French archaeologists who brought it, and other Monastery artifacts, back to Paris. Currently located in the Byzantine wing of the Louvre it is unique because it presents Jesus affectionately putting his arm around the Monastery’s abbot – Abbot Mena.

The second sacred image is my original composition. It is painted in archival ink, acrylic paint, and the halos are 23 karat gold leaf. My style slightly follows the Coptic in that it portrays figures that are not intimidating, are easily understandable, and act as a teaching tool for children and adults. It does present additional symbolism which further explains key theological truths of our faith.

Symbolism of the second sacred image:

The IC XC is the Greek abbreviation for Jesus Christ. 

The slightly larger than normal eyes represents holiness, spiritual wisdom, and maturity.  

Jesus’ white alb (tunic): purity; King David’s light green alb: hope for spiritual growth and friendship with God. 

Jesus’ outer garments consist of two parts: robe and stole which are painted in various shades of royal purple. Royal purple indicates kingly authority. The tassels of His stole are multicolored representing the intersection of purity and kingship. Christ’s lower stole’s has an intersecting weave representing Jesus’ blood and water shed for us on the Holy Cross. Liturgically, deacons, priests, and bishops all wear albs, cinctures (belts), stoles, and outer garments (dalmatic or chasuble). These articles of clothing each symbolize different aspects of Jesus’ Passion and ministry.

Elevated above Jesus’ left hand are the scrolls of the Old (Hebrew) and New (Christian) Testaments. The color symbolism for the Hebrew Scriptures’ scroll: green, which represents hope, expectation of the Messiah, and devotion to God. The Christian Scriptures‘ scroll: red, representing Jesus divine and human energy, love, Redemptive sacrifice, and His mercy and justice.

Jesus’ arm is around David’s shoulder. His gesture to David expresses His love, affection, and mercy which are evident and available to everyone. However, the expression that I put on Jesus’ face, especially His eyes, conveys the severe justice that Jesus’ renders to all non repentant sinners. David committed murder and adultery yet ultimately becomes aware of the enormity of his sins. His Psalms were written to plead for mercy, express sorrow for sins, and give praise and thanksgiving to God (see especially: Psalms: 1, 51, 56, 65, and 117). David’s crimson coat symbolizes human life and energy, it is trimmed in dark green symbolizing his hope for mercy.

Circa 1000 BC, David and his armies captured Jerusalem and brought the Ark of the Covenant into the city (1 & 2 Samuel). King David is holding the city of Jerusalem in his right hand; and in his left the book of Psalms. David’s son Solomon built the First Temple to house the Ark of the Covenant (1 & 2 Kings). 

Between David and Jesus are a ram and a new born lamb.

The ram refers to the sacrifice by Abram (Abraham) of a ram caught in a thicket in substitution for the sacrifice of his son Isaac (Genesis 22). Jesus and David are members of the same genealogical family, stretching all the way back to Abraham and Isaac and Isaac’s son Jacob.

The newborn lamb represents Jesus Christ, the “lamb of God” (John 1: 29). He was given in sacrifice by the Holy Trinity for the Redemption of mankind from their sins. That Redemptive act by Our Lord and Savior, Jesus the Christ, instituted the New Covenant which was sealed with His, the Lamb of God’s, blood.

The New Covenant does not replace the Old Covenant God made with the Hebrews. The New Covenant of Christ’s sacrifice (as described in the 27 books of the Christian Scriptures) fulfills the Old Covenant promise of a Savior found within the 45 books of the Hebrew Scriptures. The ram and the lamb provide the visible connection between the Hebrew Scriptures (Old Covenant) and Christian Scriptures (New Covenant).

The New Covenant is continued down through the centuries by the un-bloody sacrifice of Holy Mass. Selections from the Hebrew and Christian Scriptures are read. The Gospel is proclaimed prior to the priest representing Christ, in Persona Christi, transubstantiating the host and wine into the Body, Blood, Soul and Divinity of Jesus Christ.

In faith and action Catholics consume His Body and Blood toward the end of Holy Mass. This consumption does not transform Him, as simple food, into ourselves. Rather, we (as repentant sinners) are transformed by Him (through Sanctifying Grace) into Himself.  He doesn’t become part of us, rather, we become part of Him. This is an article of faith believed by all Catholic Christians of the Western an Eastern Rites of the Church. The reception of Holy Communion by Catholics is not a “right,” it is a privilege given by Jesus Christ to worthy (repentant and Reconciled) recipients (culminating in our giving eternal thanks and praise to Him in Heaven; see Matthew 26: 29).

Therefore, in this non-intimidating sacred image you have a teaching tool that includes elements of Sacred Scripture and Sacred Tradition. It is simple grist for any informed catechist’s mill.

UPDATE: If you find this subject interesting I recommend you read my post on Catechesis and Naive Sacred Art: St. Peter – A Lesson Plan, published on January 25, 2022. Thanks!

Copyright © 2011- 2021 by Deacon Paul O. Iacono – All Rights Reserved. Permission to reprint essays and/or my paintings must be obtained from me by, using the comment box and making a comment/request on this post. I will respond to you through answering in the comment box. Students, and those interested, may quote small sections of my essays as long as the proper credit and notation are given. Thank you.





Holy Triduum: A Video Pilgrimage to Jerusalem

This is a magnificent 30 minute overview of the places in Jerusalem in which Our Lord spent His last hours. 

Please share with your families and others who would benefit from it.

It is beautifully presented without the poor production values of other similar attempts. 

This production was filmed, edited, and narrated by members of the Augustine Institute in Colorado..

Thanks.

May you and your loved ones be blessed by Our Lord Jesus Christ and have a Holy and Blessed Easter season.

https://watch.formed.org/holy-thursday/videos/triduum

Good Friday/Easter 2021: Christ’s Embrace

Jesus Christ Our Lord and Redeemer silently hangs in agony on the Cross. His bloody arms stretched wide as if to embrace us.

We safely stand at a distance. We are mute and deafened by sounds that intensify our cowardice.

Death arrives and it is over. Jesus is quietly carried away and buried.

Days pass, filled with doubts we walk along a path and suddenly see Someone.

Jesus.

We draw back, stopped by the sight of the pierced hands of the One we know and love.

We are hesitant, but the sound of His voice propels us toward Him.

He embraces and kisses us. We in turn kiss Him, not with the kiss of Judas but the kiss of an intimate friend.

Copyright © 2011- 2021, Deacon Paul O. Iacono – All Rights Reserved.

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Copyright © 2011- 2021, Deacon Paul O. Iacono – All Rights Reserved. Permission to reprint must be obtained from the author in writing. Students, and those interested, may quote small sections of the article as long as the proper credit and notation is given. Thank you.

The above photograph is taken from Mr. Mel Gibson’s movie The Passion of the Christ.  It is an extraordinary film that is brilliantly acted and directed. Thanks to Mr. Gibson and his staff for allowing me to use it.

St. Thérèse of Lisieux – “The Little Way” to Jesus Christ

St. Thérèse of the Child Jesus (of Lisieux) died, a victim of tuberculosis, at the age of 24 on September 30, 1897. Every year her Memorial is celebrated in the Roman Catholic Church on October 1st.  She was later named a Doctor of the Church because of her extraordinary spiritual insights and witness to God’s love for us.

Those drawn to her life and spiritual perceptions desire to know the basics of her “Little Way” to union with Jesus. Many desire to understand her procedure to “the arms of Jesus'” love before they read her short autobiography entitled The Story of a Soul. 

John Nelson in his excellent book and fine introduction to the Little Way of St. Thérèse provides us with some very helpful steps. He says, The core elements of the Little Way are:

  1. Joyful humility as a little child of God [that is, understanding of the need for our awe of God, and persistent love of God and neighbor; our willingness to work and pray to achieve the virtue of humility];
  2. Bold confidence in God’s mercy and loving kindness;
  3. Tranquil trust in the actions of God’s limitless love
  4. Persistence in prayer as a simple raising of the heart to God;
  5. Daily practice of the little way of love.” 

He continues,“The Little Way to spiritual health is that of a child of God who humbly welcomes its utter inability, weakness, and poverty as a little one.”

The phrase “little one” refers to the person as a spiritual child that needs to learn from Jesus as they continually seek to be embraced within His loving arms.

The soul that commits to this process “…is boldly confident in its total dependence on the goodness, limitless love, and action of its Heavenly Father. Such a child of God desires only His Will, and to live solely through love [of Jesus] and for love” [of God and neighbor].

“Since love drives out fear [fear is the foundation of all anxiety], it never fears the justice of God, knowing that He comes to save His little ones.”  (all quotes above are from the book by John Nelson, The Little Way of St. Therese of Lisieux – Into the Arms of Love. Liguori Press, 1997).  

As a Carmelite nun, St. Thérèse of Lisieux lived an extremely virtuous life of humility, evangelical simplicity, and trust in God. Besides her contemplative prayer, and communal obligations, she devoted her short life to teaching these virtues to the novices in her community.

The late 15th century contemplative, Thomas à Kempis, in his masterpiece on spirituality and the path to God, The Imitation of Christ,  also helps us understand how to put the “love” that St. Therese speaks of into practice: “A good deed done without love goes for nothing, but if anything is done for love, however small and inconsiderable it may be, every bit of it is counted. God considers what lies behind the deed, and not what is actually done” [that is, accomplished]. (Book 1, section 15, page 48; edited by H.C. Gardiner, S.J.; Doubleday Image Book, 1955).

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Close-up of her face – incorrupt body of St. Therese of Lisieux. She died in 1897.

 

St. Therese of Lisieux Incorrupt
                        Incorrupt body of St. Therese of Lisieux.

Copyright © 2011- 2020, Deacon Paul O. Iacono – All Rights Reserved. Permission to reprint must be obtained from the author in writing. Students, and those interested, may quote small sections of the article as long as the proper credit and notation is given. Thank you.

Chinese Martyrs and the Beautiful Art of Ken Jan Woo

We remember today, July 9th, the 120 martyrs who died in China between the years 1648 and 1930. Eighty-seven of these were native born Chinese and were children, parents, catechists, and simple laborers ranging in age from nine to seventy-two.

In the early 19th century, St. Augustine Zhao Rong was a Chinese soldier who accompanied French missionary Bishop John Gabriel Taurin Dufresse to his martyrdom in Bejiing.  He was profoundly touched by the Bishop’s courage in the face of great trials, humiliation, and eventual death. As a result, Zhao Rong sought baptism, was given the baptismal name of Augustine, and soon ordained a diocesan priest. He spoke often of Bishop Dufresse’s sense of hope, love of Christ, and confidence.

In 1815 the Chinese government martyred Father Augustine Zhao Rong.

An icon of Father Zhao Rong was completed by the brilliant Chinese artist Ken Jan Woo. Many of his icons and sacred art can be seen at his website http://www.kenwooart.com/index.html. Classically trained, Ken brings a new contemporary spirit to the sacred images of the Church’s past history. His exquisite rendering of this saint, in a typical icon format, is powerful in its simplicity and harmony.

The witness of these Chinese saints, in association with the Gospel passage of Matthew 9: 18-26, begs a question: What sets St. Zhao Rong, his martyred companions, and the people in the Gospel apart from many in our society?

Jesus provided the people with faith-filled hope even when circumstances dictated that their situation was hopeless. Why is this?  It is because Jesus’ love for them, and willingness to share The Truth, was always directed back to His Father. Jesus tells us, “With God, all things are possible to those who believe.”

Jesus’ words were incendiary; for He said to the woman “Take heart, daughter – your faith has made you well.” That phrase “Take heart” ignited the woman’s expectant faith. Her belief allowed her to cooperate with the healing process.

Matthew’s Gospel passage provides witness to the local ruler’s spiritual courage to request Jesus’ help. The girl was already considered dead.  Professional mourners had already been hired to demonstrate the family’s public grief. The mourners and others in the crowd scornfully laughed at Jesus. Their grief was as bogus as their lack of faith. Jesus’ was ready to heal, teach, and be open to the needs of that family. It gave them a glimpse into the mind and heart of God; and it provides us with a model to follow, too.

Let our prayer be the prayer of the martyrs: Lord, you love each of us with a unique and personal love. As we face our troubles with confident hope, touch our souls with your saving power, and restore us to the fullness of your eternal life. Amen

Artwork Copyright © Ken Jan Woo. All Rights Reserved.

Copyright © 2011- 2020, Deacon Paul O. Iacono – All Rights Reserved. Permission to reprint must be obtained from the author in email/writing. Students, and those interested, may quote small sections of the article as long as the proper credit and notation is given. Thank you.

The Virgin Mary – Racial Supremacy and Artistic Diversity

Artistic images of the Blessed Mother of Jesus, as portrayed by different cultures within historical periods, have been part of world history for centuries. Below are a few examples of these images.

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Japanese Courtesy of: https://blogofthecourtierdotcom.files.wordpress.com/2013/01/japan.jpg

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Native American – Hopi

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Chinese

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Native American – Cheyenne

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Mexican

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Italian – Baroque Period

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African

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Medieval Europe

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European (Polish)

The various images of Jesus and His Mother portrayed by each ethnic group are beautiful and have spiritual meaning. Are the artists of these works prejudiced or racist?

Because of the controversy over comments made by political activists over the last few weeks it would appear that the motive of cultural artistic contributions is based on racial superiority. Their opinion  points to the obvious truth that in our social and political climate confusion is very possible.

A debate is occurring within the fields of physical anthropology, genetics, and evolutionary biology concerning the issues of race and racial supremacy. Some scholars have concluded that racial supremacy and even the various categories of human races do not exist.

Evolutionary biologist, Alan R. Templeton’s recent genetic research contributes to the discussion. The abstract of his research is published in final form as: Stud Hist Philos Biol Biomed Sci. 2013 Sep; 44(3): 262–271.

Highlights of Templeton’s research:

  1. “Races are highly genetically differentiated populations with sharp geographical boundaries.
  2. Alternatively, races can be distinct evolutionary lineages within a species.
  3. By either definition, races do not exist in humans but do exist in chimpanzees. [italics mine, P.O.I]
  4. Adaptive traits such as skin color do not define races and are often discordant with one another.
  5. Human populations are interwoven by genetic interchanges; there is no tree of populations.”

Thus, in the grand scheme of things superficial traits are what separate us not genetic differences. Valid scientific evidence may be proving that the concept of five races is outmoded and not substantiated by modern genetic research. It is correct to say that specific ethnic groups, with superficial physical traits, living within specific geographical areas, do exist.

If American or European “white” artists portray Jesus and all the individuals found in Holy Scripture as members of Caucasian ethnic groups, they would in the majority of cases, be artistically portrayed as having the superficial physical genetic traits of European/Middle Eastern populations.

The images above certainly portray that the artists within another culture, or dominant ethnic group/cultures in specific regions of the world, do the same thing. This is logical because the artist of a specific ethnicity paints or sculpts to meet their group’s spiritual needs, or, the patron’s specific request. That is not an act of ethnic supremacy or racism.

Genetically, can we say with any assurance what the genetic make-up of Jesus, Mary, and His fellow Hebrews were when they existed? There is historical evidence to contribute to the answer.

Since the time of the Patriarch Abraham’s son Isaac, and Isaac’s son Jacob, there occurred the development of the twelve tribes of Israel.

These tribes definitely took shape and became a cultural, military, and political force by circa 1925 BC. Tribal leaders were very strict about intermarriage with other populations. Under Moses’ leadership, circa 1250 BC, they did not allow it at all. They were a large enough population to marry within the system of their tribes, and their members conformed to the demands of God and their leaders.

Abram (Abraham) and his flock of followers originated within the city of Ur, which was a Chaldean city-state of the Sumerian civilization. Today the archeological remains of the  city of Ur are located in Southern Iraq. Ur was Abram’s home before he, his family, and followers were given the order by God to travel to the land of Canaan.

Abram would later be given the name Abraham by God. “In various sources, “Canaan” refers to an area encompassing parts of Syria, Lebanon, Jordan, and Israel. The Israelites occupied and conquered Palestine, or Canaan, beginning around 1750 BC, or perhaps earlier. The Bible justifies such occupation by identifying Canaan with the Promised Land, the land promised to the Israelites by God” (source: https://www.britannica.com/place/Ur

Bottom line, Jesus, Mary, and “His friends” were ethnic Israelite/Hebrews. They were Hebrews from the genetic line of King David. David’s genetic line originated from Abraham’s son, Isaac, and grandson Jacob. There is no way to prove that Abraham, Isaac, and Jacob’s genetics are related to the people of today’s southern Iraq, or any other ethnic group.

If a person believes in the truth of the Holy Scriptures then the answer is that Jesus, His family, and Apostles, were all of the genetic line of Israelite/Hebrews with the superficial physical traits of that ethnic group.

Ultimately, Roman Catholic, Orthodox, and Anglican Biblical sacred art is not about race or superficial physical traits. The entire Hebrew and Christian Scriptures point to the truth that the human nature of the Son of God, Jesus the Christ, was born of Mary within Roman occupied Israel. The spiritual union of the power of the Holy Spirit with the consent of Mary  led to the birth of Jesus, the Redeemer of mankind.

Supremacy is not found in race, ethnic group, or prejudice/bigotry. It is only found in the authority and power of the Holy Trinity.

Praise be the name of Our Lord Jesus Christ.

Copyright © 2011- 2020, Deacon Paul O. Iacono – All Rights Reserved. Permission to reprint must be obtained from the author in writing. Students, and those interested, may quote small sections of the article as long as the proper credit and notation is given. Thank you.

Good Friday 2020

Father, by the merits of your Son’s passion, death, and resurrection  hear us in our troubles and fears. Strengthen us against anxiety and illness. This day allow us to join Jesus’ suffering with ours. Please have mercy on the souls of those who, from this current pandemic, pass into eternal life.

Thank you Lord, for Your Son’s sacrifice, love, and mercy.

“It was about nine in the morning when they nailed Jesus to the Cross. From noon until three o’clock there was darkness over the whole world. At three o’clock, Jesus cried out in a loud voice: ‘Father, into Thy hands I commend My spirit;’ and having said this He expired.”

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Closeup of the face on the Holy Shroud of Turin. A forensic artist’s recreation of a potential human likeness of the image found on the Shroud.

St. John Chrysostom, an Early Church Father, tells us: “There flowed from His side water and blood. Beloved do not pass over this mystery without thought; it has yet another hidden meaning, which I will explain to you. I said that water and blood symbolized Baptism and the Holy Eucharist. From these two Sacraments the Church is born: from Baptism, the cleansing water that gives rebirth [into the family of God] and renewal through the Holy Spirit, and from the Holy Eucharist [physical and spiritual nourishment; as He said: “Take and eat this is My Body. Take and drink for this is My blood]…   (Excerpts from the Holy Gospels and the Catechesis by St. John Chrysostom, AD 347 – 407, Archbishop of Constantinople).

 

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Full view of the Holy Shroud of Turin. It shows the results of the scourging on both sides of His Body, the crowning with thorns, the wound in His side, and the marks of the nails in His feet and wrists (necessary because the wrists would have been able to hold the weight of His Body). The triangular patches surrounded by white areas on the Shroud are the result of a fire which melted a lead casket encasing the Shroud. 

On this day our Redemption [from sin] was earned by the suffering and death of Jesus, the Son of God; by His wounds you were healed. JESUS CHRIST IS LORD!  (Philippians 2: 6-11, and 1 Peter (chapter 2: 21-24).

Copyright © 2011- 2020, Deacon Paul O. Iacono – All Rights Reserved. Permission to reprint must be obtained from the author in writing. Students, and those interested, may quote small sections of the article as long as the proper credit and notation is given. Thank you.

Do Pagans Go To Heaven or Hell?

by Deacon Paul O. Iacono, Diocese of Providence, Rhode Island USA

The author of the interesting and challenging blog site on sacred art and its analysis called Catchlight sent me two questions yesterday. They related to my last post which was entitled Fatima Messages, Pagans in the Vatican, and the End Times.

“Paul, your protestations begs the question, do pagans go to Heaven? If so, why? If not, why not?”      from Bernard Gallagher

These are excellent questions.

Before I attempt to answer them my readers should understand that I am a committed and Traditional Roman Catholic. His questions will be answered through the lens of the teachings of my Faith. That Faith is based on a foundation of Holy Scripture, Sacred Tradition, and two thousand years of Catholic scholarship.

Allow me to also mention that we need to understand that two Councils of the Church, the Councils of Orange and Trent (1000 years later), are critical in forming a correct answer to Mr. Gallagher’s questions. The Councils of Orange are significant (both of them were held in the city of Orange in Southern France, AD 441 and 529). The more important Second Council of Orange’s episcopal deliberations were sent to Rome and approved by Pope Boniface II in AD 531. That Council specifically proclaimed that everyone (who has reached the “age of reason”) is given sufficient Grace to be saved from eternal damnation. God will give, and has given all people, Actual Grace. If a person accepts and acts on that Grace, they will be saved.

What is Actual Grace? Actual Grace is an admonition by God for a person to correct their way of life, desire, search after, and make the sincere effort to obtain the Sanctifying Grace provided by the Catholic ChurchThe key action which achieves salvation and eternal life with God is the Holy Sacrament of Baptism. This allows the person to enter into God’s family. The Sacrament of Baptism removes Original Sin from an individual’s soul and enables it to receive additional Sacramental Sanctifying Grace. All Grace enables a person to become holy in God’s eyes. The other six Sacraments flow from the waters of Baptism. Pope Pius 9th (papal reign 1846 -1878) proclaimed that it would be extraordinary for an unbaptized person to achieve the eternal salvation and reward of Heaven.

First principle,

a) The Roman Catholic Church, the ethnic church Rites that are in union with Rome, the Greek and Russian Orthodox Churches, and some of the Protestant churches say that Jesus Christ, is the Word of God, the Son of the Father, begotten not made and consubstantial with Him. He is the Messiah, the Savior.  His human life, ministry, passion, death, and resurrection redeemed mankind from their sins. His divinity is expressed through His position as the Second Person of the Blessed Trinity.

b) He is known to mankind through the historical Gospels and Epistles of the Apostles, the witness of His Mother, the Virgin Mary (especially at her apparition at Fatima, Portugal in 1917. When asked what sin was most harmful and condemned unrepentant people to Hell she responded: ‘The sins of impurity are one of the major reasons why men and women are condemned to Hell.'” We cannot ignore our sins or consider them unimportant because of the current worldview. Also, the erudition of the Catholic Church Fathers, Doctors of the Church, Saints, and the historical teaching authority of the Church have all provided the scholarship and analysis that is sufficient for humanity to understand God’d Revelation and laws.

c) He is also known through the extraordinary scholarship of St. Augustine and St. Thomas Aquinas. The teaching authority of the Church, (as found in its Magisterium), is the Church’s responsibility to give to the world an authentic interpretation of the Revelation of God as found in Sacred Scripture and Sacred Tradition.

d) Additionally, let us not forget the importance of the testimony of the angels found in Holy Scripture, and the saints, of whom Jesus’ Mother Mary is the greatest of saints. All of these facts contribute to mankind’s understanding and witness of our Savior Jesus Christ.

e) Jesus commissioned His Apostles (the first bishops) to make known the free gift of His Redemption and graces. These critical graces are found in the Seven Sacraments of the Church, beginning with the keystone Sacrament, Baptism.

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An icon of Jesus Christ. It is found within the former Eastern Rite Church of Hagia Sophia (Holy Wisdom). The Church was built in the early 6th century and is located in Istanbul, Turkey (formerly Constantinople). It was a mosque, then was a museum since 1935, but recently it was converted back into a mosque.

Second, let’s refer to what Jesus Christ says in response to Nicodemus’ questions concerning eternal life in the Gospel of St. John, John 3: 1-21: “Amen, amen, I say to you, unless a man be born again, he cannot see the kingdom of God.” Nicodemus continues to question Him, and Jesus responds, “Amen, amen, I say to you, unless a man be born again of water and the Spirit, he cannot enter the kingdom of God…You must be born again.”

The great significance of the necessity of Baptism into the Christian faith is again stressed in another passage of the Gospels. The Gospel of St. Matthew, in its very last passage deals with the commissioning of the Apostles which occurred after His resurrection and before His Ascension back to the Father. Jesus emphasizes that combined with their preaching and works they must baptize faith-filled individuals because of Adam and Eve’s sin. Humanity’s broken relationship with God must be healed. It was healed through the death and resurrection of the Father’s Son Jesus the Christ. Jesus death, on our behalf allowed the formation of the Church and the Sacraments to be instituted to provide the grace to a broken humanity. Baptism is the Sacrament that makes this happen. It makes an individual’s body and soul a member of God’s family. Matthew 28: 18-20: “Jesus drew near and spoke to them saying, “all power in Heaven and on earth has been given to me. Go, therefore, and make disciples of all nations, baptizing them in the name of the Father, and the Son, and the Holy Spirit, teaching them to observe all that I have commanded you; and behold, I am with you always, to the close of the age.” 

Third, it appears, within the Christian faith, that we can come to specific conclusions that will provide a springboard for my response to Mr. Gallagher:

  1. If the human race was alienated from God, and the spiritual relationship with Him was broken, then a loving and merciful God would not give up on His children. Thus, through the course of history God has slowly manifested and revealed Himself to humanity starting with our spiritual parents, Adam and Eve; then through the patriarchs, leaders, and prophets of the chosen Jewish tribes culminating in the Incarnation of His Son, Jesus the Christ. God desires us to love Him and conform to His Laws. He has given us reason and free will. He has given us the ability to think and act not like robots but as free men and women. His revealed truths and laws must be evangelized and faithfully kept by individuals and mankind as a whole. The “Good News” must be spread by the Church as a whole and individuals, too.
  2. The First Commandment applies, as we see in Exodus 20: 1-6ff: “I, the Lord am your God, who brought you out of the land of Egypt, that place of slavery. You shall not have other gods besides Me. You shall not carve idols for yourselves…you shall not bow down to them or worship them. For I the Lord am a jealous God…inflicting punishment on those who are wicked and hate me…and mercy on those who love Me and keep My commandments.”
  3. Through Scripture and study of the Catechisms of the Council of Trent and that of Pope St. John Paul II, united with faith we also know that Jesus Christ is the consubstantial only Son of God and the promised Savior. Now, have (for example) the Amazonian pagans that we recently observed in Rome, or the new pagans of the 20th and 21st centuries been exposed to that truth?
  4. Christ freely offered Himself for our eternal salvation. This was accomplished through the words and actions of His human ministry and ultimately through His Passion, death, and resurrection. Jesus Christ is the Way, the Truth, and the Life. Have apostates, pagans, or other non believers been exposed to that truth?
  5. We see God through faith in Him, participating in prayer, Scripture study, good works, and the Sanctifying Grace found in the Seven Sacraments. Have pagans, past and present, been exposed to and accept these truths?

Fourth, so,  are pagans going to Heaven or Hell?

In a nutshell, I would never presume to know God’s mind, except from that which He revealed through Holy Scripture and Sacred Tradition. I would never make a judgement on another person’s soul as he or she are seen by God at the time of their death and individual judgement. Unknown to the world, even a great sinner may suddenly, in their last moments, repent of their sins and ask for God’s mercy. But, make no mistake about it, Scriptural Revelation, and the Sacred Tradition of the Catholic Church and specifically the words of Jesus in the Holy Scriptures, states that there is a Hell (Matthew 10: 28; 22: 13. Luke 16: 26; etc.); there is a Heaven, and, damnation into Hell for all eternity. 

It is believed that there is also a place of natural happiness called Limbo. It is not within Heaven, nor is it in the fires of the Hell of the Damned. It is a state of natural happiness and joy. It is not supernatural happiness because its inhabitants do not have the Beatific Vision (see additional discussion in the Summa Theologica, Supplement 1, 3rd part article 2, by Fra Rainaldo da Piperino). The question of what happens to infants who die without the Sanctifying Grace of Baptism is a much debated issue. Many Traditionalists support the idea of Limbo; however, contemporary scholarship supports the idea that God, in His mercy, would not withdraw the vision of His glory to unbaptized infants who have died.

Some additional issues:

  1. Let’s take a look at three major Greek philosophers: Socrates, Plato, and Aristotle. They were scholars who lived and died before the birth and ministry of  Jesus Christ. They lived within a pagan/pantheistic society whose members believed in a multitude of gods  Are Socrates, Plato, and Aristotle in Heaven or Hell?
  2. The answer is, “I don’t know!”
  3. But Jesus said, “I am the Way, and the Truth, and the Life. No one comes to the Father but through Me” (John 14: 6). Wouldn’t that statement preclude the unbaptized Greek philosophers entrance into Heaven?
  4. The answer is “Not automatically.”
  5. So, what do we know? We know that those three philosophers were men who searched for the truth, not only about  themselves as individuals but about the world itself. They searched after the truth. They made the sincere effort to find the truth by thinking, questioning, analyzing reality, both physical and metaphysical. They used all the evidence at their disposal to do so. They lived, before the Son of God was incarnated. They did not have the witness of Jesus Christ and to His specific and eternal revelation as the Son of God, both human and divine. They also probably did not have any exposure to the history of the Jewish people and God’s revelation to them. As per the the points made earlier, did they act on God’s Actual Grace to truly desire life with Him?
  6. But, in the time after the Incarnation and Ascension of Jesus, a person who had the opportunity to be exposed to and Baptized into the  Christian Faith (in the full expression of it in the Western and Eastern Rites of the Catholic Church, and some of the Protestant and Anglican churches if they use the Trinitarian formula), would have a critical free choice to make.
  7. If they are pagan, agnostic, atheist, Catholic Christian, Deist, Protestant Christian, Satanist, Wiccan, etc, and they would then, after an effort to know the truth, reject Actual Grace and the witness of Jesus Christ out of intentional misunderstanding, intellectual arrogance, stubbornness, cultural and historic prejudices, selfishness, willful rejection of Christian Revelation, narcissistic impulses, apostasy, or some evil influence, they would be freely putting their eternal soul into mortal sin. They would be facing the eternal punishment of Hell because they chose the path, through their own free will of “definitive self-exclusion from communion with God and the blessed in Heaven” (confer page 269 in the Catechism of the Catholic Church,  2nd edition).
  8. God is loving and compassionate. He is filled with mercy for those who sincerely repent their sins. God is merciful; however, our God is a God of Justice. Why would Jesus Christ be Incarnated to minister, suffer, die, and be resurrected if the Holy Trinity would give mortal sinners “A get into Heaven free pass?” The “Pass theory” doesn’t make sense, it is illogical, bogus, and yes it is a lie. There are dire consequences for freely turning your back on Jesus Christ: Hell.
  9. But do today’s pagans turn their backs?
  10. The answer to that question is: Have they made the effort to know the Truth? Have they been exposed to the truths of the Hebrew and Christian Scriptures? Have they been evangelized by courageous and selfless missionaries who are willing to undergo all sorts of hardships and possibly even martyrdom for the sake of their flocks’ eternal souls? Have they deliberately turned their backs on the truth and revelation of God through the Christian Scriptures, and the documents and witness of the Apostles, Saints, Church’s Doctors and Fathers, bishops and Pope as they present the truth on faith and morals? Have the pagans or people of other religions acted on the free gift of God’s Actual Grace?
  11. The Church’s duty and responsibility is to bring, without arrogance or condescension, the Holy Scriptures, Sacred Traditions, and the Holy Sacraments to the world. If its bishops, priests, deacons, consecrated brothers and sisters in various religious orders, and laity shirk or compromise their duties and teaching authority, give bad example through public and private sin, then they possibly will be denied entrance into Heaven, too.
  12. Is the Church giving sufficient resources to the missionaries in the field? Are we able to inspire young men and women in today’s world of the necessity and challenge to enter the life of a missionary? Have we thrown in the towel?
  13. This is my great concern about what I see in the Church today (especially the recent blessing of the pagan Pachamama statue in Rome; (by the way, all of the Amazonian Pachamama rituals were condemned by six Cardinals). The Christian churches should not be about assimilation of pagan cultures into the Faith in order “to learn from them,” or do so in a “spirit of dialogue” and accommodation.
  14.  The Western and Eastern Rites of the Catholic Church have the complete and total revelation of God to humanity. We have the complete revealed truth of The Trinity. We have the example of what it means to live in the heart of the Father through the life of Jesus Christ. Christ’s life, redemptive death, and resurrection made possible our entrance into God’s family. This entrance is accomplished through the Sacrament of Baptism (using the Trinitarian formula), and individuals’ growth in faith and good works.
  15. Matthew 28: 18-20, relates Jesus’ specific command. Our duty is to compassionately and without arrogance teach pagans and other non-believers about Jesus Christ, baptizing them in the name of the Father, and the Son, and the Holy Spirit.
  16. It is intellectually and morally irresponsible to give the impression that apostates, heretics, pagan/polytheistic cultures, and people of other faiths can add to the Deposit of Faith.We either understand the gift of the Deposit of the Faith or we don’t. There should be no waffling.
  17. We either proclaim His truth effectively and with conviction or we will see the Church continue to decline, make compromises, cause confusion, anxiety, division, and resentment among its faithful. Hell is a reality. It is our responsibility to act with courage and truthfulness to ensure that a person’s eternal salvation is not compromised through confused or false teachings.
  18. The Gospel of Luke 18: 8 challenges us to examine our own hearts: “When the Son of Man comes will He find faith on the earth?” 
  19. To paraphrase Peter Kreeft, Ph.D and Rev. Ronald Tacelli S.J. “if we have a diamond of immense and extraordinary value (our Catholic/Christian Faith) why would we go about the world seeking additional baubles?
  20. Refer also to the Catechism of the Catholic Church (2nd edition, 1997, pages 311-324) which has an excellent section on the Sacrament of Baptism.

Copyright © 2011- 2019, Deacon Paul O. Iacono – All Rights Reserved. Permission to reprint must be obtained (through the Comments section below) from the author in writing. Students, and those interested, may quote small sections of the article as long as the proper credit and notation is given. Thank you

Bernini’s Bronze Sculpture of Four “Giants” of the Church

Today, May 2nd, is the “Memorial” day of St. Athanasius, a Doctor (profound theologian) of the Church.

There are four “giants” of the Nicene  and Post Nicene period, all are known as “Doctors” of the Church: St. Athanasius, St. Ambrose, St. John Chrysostom, and St. Augustine. They are immortalized in bronze by  the Renaissance sculptor, Bernini, and are portrayed in his magnificent sculpture of the Throne of St. Peter found in the sanctuary of St. Peter’s Basilica.

St. Athanasius and St. John Chrysostom are saints of both the Latin and the Greek Rites of the Church. Both were bishops. Yet, Bernini does not put the Bishop’s mitre on their heads. Sadly, the sting of the Great Schism of 1054 between the Latin and Greek Rites still stung in the 17th century.

Thus, these two Greek Fathers of the Church were slighted, not because of anything that they did (they were profound shepherds and theologians), but because Bernini wanted the authority of and preeminence of St. Peter’s position of “first among many” and the importance of two of the Latin Rite Fathers, to be showcased in bronze and remembered in the centuries to come.

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The above photo is the “Chair of St. Peter” and is found in St. Peter’s Basilica (Chair created 1656 – 1665). It is an extraordinary masterpiece by Gian Lorenzo Bernini (1598 – 1680) which he made for Pope Alexander VII (Chigi family, 1655/67). Bernini was a child prodigy and polymath. This Chair proved to be a wooden throne dating to the year 875. It was donated by Charles the Bald to Pope John VIII (served AD 872/882) on the occasion of his coronation to the papacy. Four humongous bronze statues of Doctors of the Church flank the chair: In front to the right “St. Augustine”, to the left “St. Ambrose” (Latin Rite). Behind to the left “St. Athanasius”, to the right “St. John Chrysostom” (Greek Rite). The entire bronze structure’s weight is 74 tonnes (81.5 tons). The height is 14.74 m (48.3 feet). The statues of the Doctors of the Church are 5.35 m (17.5 feet) high. Above the four saints is located a stained glass window: “Dove of the Holy Spirit,” dated 1911 by the German glassmaker Hagle from the original design of Giovanni Paolo Schor (1615/74). These facts are from https://romapedia.blogspot.com/2013/10/basilica-of-st-peter-second-part_3.html. That blog is edited by David Macch. This is an excellent website about all aspects of the art, architecture, and history of Rome.

There are five Councils of the Church that had major impact on the development of the Church’s sacred art: the Council of Nicaea, the First Council of Nicaea/Constantinople, the Council of Ephesus, the Council of Chalcedon, and the 2nd Council of Nicaea (2nd Nicaea met in AD 787 and is the last of the Seven Ecumenical Councils). Besides these Councils all the Church Fathers through their scholarship, pastoral zeal, and extraordinary homilies, witnessed to the truth, beauty, and goodness of the Holy Trinity.

The list below provides the names and birth/death dates of the Fathers of the Church within the “Post Nicene” (that is, the time after the Council of Nicaea, AD 325) period of Church history. A quick review of each of their contributions will prove to be beneficial to you if you decide to paint a sacred image of them. How can you truly benefit from painting a sacred image of a person that you don’t know! 🙂

I recommend that you refer to my bibliography (“Early Church Fathers”) provided in my post of February 8, 2019. There are a number of different books in that bibliography that will prove to be helpful to you.

The Post Nicene Church Fathers born within the Western (Latin) Rite are:

St. Ambrose (AD 340-397),

St. Jerome (AD 345 – 420),

St. Augustine (AD 345-430),

Pope St. Leo the Great (AD 400 – AD 461),

St. Benedict of Nursia (AD 480 – 547) and

Pope St. Gregory the Great (AD 540 – 604);

the Post Nicene Fathers born within the Eastern (Greek) Rite are:

St. Athanasius (AD 295 -373) – (he straddles the Nicene and Post Nicene Periods),

St. Basil the Great (AD 330 – 379),

St. Gregory of Nazianzus (AD 330 – 390),

St. Gregory of Nyssa (AD 330 – 395)

St. John Chrysostom (AD 345 – 407),

and St. John Damascene (Damascus) (AD 675 – 749) 

All of the saints listed, including those in the Greek Rite, are venerated within the Western Rite of the Catholic Church.

Ciao!

Copyright © 2011- 2019, Deacon Paul O. Iacono – All Rights Reserved. Permission to reprint must be obtained from the author in writing. Students, and those interested, may quote small sections of the article as long as the proper credit and notation is given. Thank you.

Sacred Icons and Sacred Images – the Nicene Debate Continues!

AyaSofya
A photo of the inside of the Aya Sofya (Hagia Sophia) church in what is the present-day city of Iznik, Turkey. Iznik was called Nicaea prior to the rule of the Ottoman Turks . This photo shows the interior of one of the rooms in the  building complex that served as the location for the First Council of Nicaea (AD 325). Also, in the late 8th century the Seventh Ecumenical Council met in this building, too. That Council met to debate and decide the issue of iconoclasm (should sacred icons and images be prohibited and destroyed). The written arguments of St. John Damascene (Damascus) won the day and sacred icons were allowed to continue to be made. Iconoclasm was to raise its ugly head again in later years, and came to full fruition during the Protestant rebellion/reformation, the French Revolution, and worldwide Communism in all its cultural forms.  This photo of the inside of the Nicaean building is from Bryan Cross’ website: calledtocommunion.com. It was posted in May, 2010. Thanks Bryan!

I would like to thank one of my readers who identified the  contemporary icon of St. Spyridon (thanks Carol!). The iconographer is the Catholic priest William Hart McNichols. He is a very talented artist who paints traditional icons and sacred images. At times, he steps out of the bounds of the traditional approach and adds his own personal interpretation of the person he is portraying. His artistic vision is unique.

John Daly from Australia emailed me this morning to provide further grist for our mill concerning St. Athanasius, St. Spyridon, and the Council of Nicaea. One of the participants in his iconography school is a Greek Orthodox lady who is the sister-in-law of an Orthodox priest. He is coincidentally named Athanasius.

John had the opportunity to discuss with her the icons that we were analyzing in my posts of the last few days. She provided John some valuable information by explaining  that her mother had given her a beautiful sacred image of the First Council of Nicaea and specifically St. Spyridon’s role in the debate with the heretic Arius. The sacred image is below.

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Greek Orthodox sacred image of the First Council of Nicaea. Notice St. Nicholas on the lower right about to possibly physically strike Arius who reacts by pulling away. On the left you see St. Spyridon, holding a brick with flames streaming upward and water puddling below it to the floor (confer yesterday’s post of April 16th to obtain the explanation of that imagery). The room of the actual Council, as portrayed in this sacred image is quite ornate.

Also, like the sacred icon we examined in yesterday’s post we see the Emperor Constantine, dressed in the royal robes of Byzantine reddish purple (almost a maroon) sitting on the right. On the Emperor’s right we again observe a bishop, maybe its Bishop Alexander of Alexandria, Egypt. In front of him we again see a deacon, dressed in what is either an alb or dalmatic (he would have to stand up to see all the garments).

In the above sacred image, the deacon is again seated at the scribe’s desk. This makes sense, since a deacon serves the administrative needs and report’s directly to his bishop. That is true to this day; yet, throughout the world today the local bishop has his deacons serving in parishes, hospitals, prisons, etc. rather than in an administrative capacity in the local chancery. Notice the bishop is behind the deacon scribe to facilitate accurate communication.

The above sacred  image, which I have never seen before John Daly sending it to me, is very well done. The painter has captured the meaning of the Council as a whole and two of its major participants: St. Nicholas’, in his famous interaction with the heretic Arius, and the great oratorical and mystical abilities of St. Spyridon challenging Arius, too.

Is the deacon pictured in the painting from the Latin Rite or is he Orthodox? Truly, there is no way to accurately tell because the deacon is seated, and what is showing of the deacon’s stole is inconclusive. Depending on the angle of view both the Western and Eastern Rites’ deacon’s stole placement looks the same.

In today’s painting and in yesterday’s post of the icon, the deacon is seated and the possible vertical panel on the Eastern Rite and Orthodox stole is in shadow or not detectable, yet, the panel that drapes from left shoulder and gathers at the waist is visible, and would appear, as you see below, in both Latin, Eastern, and Orthodox Rites!

Just between you and me, I think the deacon depicted in the icon, from my April 16, 2019 post and today’s, is St. Athanasius from Alexandria, Egypt. The Catholic Church, the Eastern Rites in union with Rome, and all the Orthodox Churches venerate St. Athanasius as a great saint and designate specific feast days for him. He belongs to all of us.

The deacon’s stole in the Eastern Rites of the Catholic Church that are in union with Rome; and, the Greek Orthodox, the Russian Orthodox, and Coptic Orthodox deacon stoles look like this:

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Orthodox deacon’s stole in a royal Byzantine fabric (in  what appears to be a royal maroon purple) is bordered in gold thread with gold crosses. Originating at the left shoulder, gathered at the waist, with the fabric of the stole hanging vertically on the left shoulder both in the front and the back. The stole is worn on top of  the ornate gold and white dalmatic.

The cassock, alb, stole, and dalmatic all have the same meaning and functions in both the Western and Eastern Rites of the Church. In today’s Western, that is, the Latin Rite (Roman Catholic) tradition, a deacon wears the rank of his ministry and ordination, the stole, over the alb but under the dalmatic. Latin Rite deacons would wear their stole’s in this manner:

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A Roman Catholic deacon’s stole running from the left shoulder and gathered at the waist, then hangs vertically under the right arm. It is worn on top of a white alb, and under a dalmatic. The dalmatic is only worn during Holy Mass. When the deacon performs baptisms, marriage and funeral services, liturgical prayer services, and formal blessings, etc. the deacon would not wear a dalmatic, so the deacon would appear as in the above photo wearing a simple white or cream colored alb and a stole in the appropriate color..  The stole’s fabric in the photo above is dyed dark purple for Lent; during the season of Advent a purple stole is used, too; sometimes, it is of a lighter purple than the Lenten penitential purple. A white stole would be used for Baptisms. Marriages, Funerals, Holy Thursday services, and during the Easter and Christmas season. Red stoles would be worn at Palm Sunday and Good Friday services, Pentecost, and on the feast days of martyrs.

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A Roman Catholic deacon’s dalmatic which is worn over the white alb and the stole. The dalmatic is in the corresponding color to the stole. The color green is worn during “Ordinary” time (which is the liturgical period that borders the great seasons of Advent, Christmas, Lent, and Easter).

I’ve really enjoyed this lively information exchange. Thanks to all who participated in it!

May you have a blessed Easter Tridiuum of the Passion and Resurrection of Our Lord Jesus Christ.

Peace be with you.

Copyright © 2011- 2019, Deacon Paul O. Iacono – All Rights Reserved. Permission to reprint must be obtained from the author in writing. Students, and those interested, may quote small sections of the article as long as the proper credit and notation is given. Thank you.

St. Athanasius – Coptic and Eastern Orthodox Icons

St. Athanasius of Alexandria was “the Lion” of the Council of Nicaea. He was instrumental in providing well argued testimony rebuking the heretic Arius during the Council’s debates. His verbal skills, as powerful and commanding as a lion, shredded Arius’ arguments. His eloquence convinced the assembled bishops of the correct dogma that Jesus Christ has two, separate and distinct, natures (divine and human), and that Jesus Christ is fully human and fully divine. The heretic Arius insisted that Jesus was “just a creature” of God.

Icon-St.-Athanaius-the-Great
A contemporary icon, completed in The Egyptian Christian Coptic style, of St. Athanasius of Alexandria standing on the back of the heretic Arius (seen in very dark colored clothing) at the Council of Nicaea (AD 325). Athanasius is seen in front of the assembled bishops from the Eastern and Western Rites of the Catholic Church. He is holding the Council’s accepted conclusions in the document known as the Nicene Creed. Notice that he does not have a bishop’s mitre on his head similar to the bishops sitting in attendance behind him, and is dressed in what appears to be a deacon’s dalmatic with cape. The style of this sacred icon is very similar to the style of the Coptic (Egyptian) Orthodox Church’s sacred art; yet, the inscription above his head is in Greek rather than Coptic. Image found at churchofourladyofkazan.org; (thanks to them) throughWikipedia images.

The Council’s main purpose was to address the divine nature of Jesus Christ and the concept of HIs being the Son of God the Father. This had to be done in order to squash the Arian heresy once and for all. It was also to establish a date for the celebration of Easter, resolve organizational and clerical issues, and the development of Church law (what today is called Canon Law). They were also attempting  to settle a schism that had occurred in Egypt. That schism was being fomented by another bishop who had enlisted with the heretic Arius.

The Council was also tasked with development of a Christian Creed that would provide unity of belief for both the Eastern and Western Rites of the Church. This unity of belief was critical since the Church needed a formal set of beliefs  that could be used as a catechetical tool and a binder that kept all the cultural and geographical “Catholic” churches together.

The Council of Nicaea basically resolved all the main issues of its agenda. It was a stunning achievement. The priest Arius was banished for promoting heresy and his ideas declared anathema. Yet, the problem the Council still faced was convincing Arius’ followers of their heretical errors. Banishment or not, an unrepentant Arius continued to spread  his opinions fomenting confusion throughout the Empire.

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The above image is another example of a sacred icon, however, it is not completed in the Coptic style which originated in Egypt. It is an Eastern Orthodox icon (Greek, Russian, or one of the many other Eastern Rites of the Church), completed centuries after the Council ended in the summer of the year 325. It shows a non-heretical bishop castigating the heretic priest Arius (who is raising his hand in an attempt to stop the speaker). The bishop, because of his hat (mitre), appears to be labeled with Athanasius’ name found at the bottom); however, he is not clothed in a deacon’s dalmatic, nor did deacon’s wear that style of hat. It is believed that Athanasius was not ordained a priest and bishop until after the Council ended. The Emperor Constantine sits on the right dressed in imperial clothes and it may be surmised that it is Bishop Alexander of Alexandria (the bishop of Arius’ and Athanasius’ diocese) who sits to the immediate right of the Emperor.

The Eastern and Western Rites of the Catholic and Orthodox Church have always believed that sacred icons and sacred images are always venerated by the faithful; they have never and are never worshipped.To worship sacred icons, sacred images, statues, and other visual reminders of the glory of God and His saints is against the 1st Commandment (confer Exodus 20: 2-17, and Deuteronomy 5: 6 – 21). If anyone worshipped those visual images they would correctly be called idolaters. Worship is for God alone, that is, the Holy Trinity – the Father, the Son, and the Holy Spirit; Three Divine Persons in One God.

Our Savior Jesus Christ is One Person with two natures: human and divine; that is a state of being which is part of the great Mystery of the Incarnation of God into human existence.

Jesus Christ is the Lamb of God, sacrificed in Jerusalem through His Passion, Crucifixion, and death. Jesus, following His Father’s will, suffered and died for us in order to atone for all of humanity’s sins (past, present, future). God the Father and God the Holy Spirit responded by raising Jesus from the dead on the third day, ultimately enabling Jesus to interact and be seen by His Apostles and hundreds of disciples.

Truth, Goodness, Beauty, and Love, incarnate in our Savior.

Thanks for stopping by.

May you continue to have a prayerful Holy Week and a joyous Easter Season.

Copyright © 2011- 2019, Deacon Paul O. Iacono – All Rights Reserved. Permission to reprint must be obtained from the author in writing. Students, and those interested, may quote small sections of the article as long as the proper credit and notation is given. Thank you.

 

Saint Nicholas Slaps a Heretic! A Reflection Appropriate for Palm Sunday

The extensive Gospel reading for Palm Sunday relates the Scriptural and historical truth that Jesus  triumphantly entered Jerusalem, yet, five days later He was arrested, put on trial, tortured, and executed.

As you know, the religious and secular leaders of Israel did not accept Jesus as the Messiah and Son of God. They were adamant about the fact that Jesus was just a man and that His claims, teachings, and healings were all fraudulent.  Their disbelief took place during the first century, yet, two hundred years later there were Christians saying the same thing.

The questions came down to, “Who is Jesus Christ? Is He a man? Is He God? Is He both?”

These were the same questions that the people of Jerusalem, some of them waving palm branches, and their leaders were asking each other.

In the year 325 scholars and clerics were still grappling with those questions, too.

Many deacons, priests, and bishops of the Church had settled the question in their own mind, yet, all of Christendom was not in agreement. Emperor Constantine was worried; as a military man he knew trouble when he saw it. Religious disagreements could easily spread into civil war. Something had to be done.

Stories have come down to us through the centuries that St. Nicholas of Myra, a faith-filled bishop, decided to defend Sacred Tradition and the Scriptural interpretation of the reality of Jesus as the Son of God the Father. The story relates that he not only vigorously defended Sacred Tradition but became so worked up that during one of the debates he slapped the author of this heresy which was called Arianism.

But, was it a verbal or physical slap?

Let’s take a brief look at some of the details:

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Partial icon of the “incident” at the 1st Council of Nicaea. Immortalized in an early icon. The Early Church was well aware of the importance of this Council in debating and agreeing to the specific dogmas of the Church that would be ultimately proclaimed in the Nicene Creed. All catechumens that enter the Church at the Easter Vigil Mass proclaim their belief in the great Sacred Mysteries and historical truths of the Nicene Creed.

Who: Saint Nicholas of Myra, Bishop, (Myra, an Ancient Greek city on the coast of present day Turkey),  vs.  Arius, priest from the diocese of Alexandria, (Alexandria, a city on Egypt’s Mediterranean coastline). Emperor Constantine, Roman Empire, centered in the new city named in his honor: Constantinople (present day Istanbul, Turkey). Constantine convenes an ecumenical council of bishops from the five major patriarchies of Christendom (Alexandria, Antioch, Constantinople, Jerusalem, and Rome).

What: Supposed incident of Bishop Nicholas “slapping” the priest Arius, at the first ecumenical Council of Bishops: the Council of Nicaea. This was the first Council since the Council of Jerusalem (held in the first century and was attended by luminaries such as St. Peter and St. James).

When: Late Spring and early Summer of the year 325.

Why: The incident concerned the critical issue of who is Jesus Christ, and whether Jesus Christ is “the same in being and the same in essence” as God the Father. Arius was promoting the heresy that Jesus Christ was “just a creature” of God and not a divine Person of the Holy Trinity.

Where: Nicaea, an ancient city in Asia Minor; it is the present day city of Iznik, Turkey.

As it applies to sacred art, the Council of Nicaea provided a specific creed: a set of theological proclamations that impacted  sacred artists from the 4th century to the present day. It is stated clearly in this Creed that God the Father has communicated His love, mercy, and laws to humanity through His revealed word in the Hebrew and Christian Scriptures. This action culminated in the ministry, passion, death, and resurrection of His incarnated Word, His Son Jesus Christ.

The Nicene Creed definitively proclaimed that Jesus Christ is the same in essence, and the same in being, as God the Father and God the Holy Spirit. So we have the great Mystery of the Incarnation, the nature of Jesus Christ: He is both human and divine – the Son of God – One Person with two natures – human and divine.

orthodox_icon_of_our_jesus_pantocrator_of_sinai._large
The above is a 6th century sacred icon of Jesus as Pantocrator. Pantocrator is a Greek word describing the all knowing, all powerful Son of God: Jesus Christ. The Council of Nicaea declared that Christ, as God, is consubstantial: Jesus is the same in essence (substance) and in being as the Father and the Holy Spirit. Also, Jesus possesses two natures: human and divine. This is truly a great Mystery of the Church. The sacred artist of the above icon, probably a monk, used hot pigmented wax (the encaustic method) to render this likeness. This sacred icon is currently located in St. Catherine’s Monastery, Sinai Peninsula, Egypt. The face has a striking resemblance to the face on the Holy Shroud of Turin.

The day-to-day proceedings and debate notes of the Council have been lost to history, so we will never know if St. Nicholas gave Arius a physical or just a verbal “slap.” Regardless, St. Nicholas made his point and contributed to giving us the gift of the Nicene Creed.

In AD 381, the Nicene Creed was edited and amended at the First Council of Constantinople (thus, the Creed is called the Niceno-Constantinopolitan Creed. Try to say that phrase fast, three times!😃).

Thanks for visiting with me. May you have a prayer-filled Holy Week.

Sources for the above post are found in my bibliography post, entitled Early Church Fathers – A Short bibliography of February 8, 2019. I relied primarily on Pope Emeritus Benedict XVI’s works, also Aquilina and D’Ambrosio’s volumes.

Copyright © 2011- 2019, Deacon Paul O. Iacono – All Rights Reserved. Permission to reprint must be obtained from the author in writing. Students may quote small sections of the article as long as the proper credit and notation is given. Thank you.

 

 

 

Luke 15: 1-3, 11-32. The Prodigal: Which Brother Are We?

I once heard a friend repeat a quote by the author Katherine Mansfield: If you wish to live, you must first attend your own funeral.”

How true. We begin to live life perceptively only when we project ourselves to the time of our own death, imagining how we’ve lived our life and wondering whether we’ve met the mark.

Depending on our frame of mind, and perspective on life, we may not include the spiritual in our self-assessment, or, only give it a passing thought. That is why Mansfield’s phrase may be viewed as spiritually deficient.

In today’s Gospel on the parable of the Prodigal Son there are family members that Jesus is requiring us to understand. The behavior of these people, the father and the two sons, provokes four questions. Questions not so much about our secular situation but our spiritual – our relation to God, and, each other.

At first glance, the younger son impresses us as an individual who is quite selfish. When he requests his inheritance from his father, he isn’t just asking for the cash, he is in effect saying to his father: “I want to live my life now and without any strings attached. To me you’re unimportant, this family is unimportant. Just let me get on with my life and give me my share right now.”

Are we living in  a way that categorizes God? Are we willing to acknowledge  Him only because we want to get something out of Him? Do we play upon His charity and generosity?

If this is so, if we have the younger son’s attitude, we end up like him – swimming with the pigs.  What will be our inheritance? It will undoubtedly be spiritual poverty and secular discontent. Sadly, sometimes people understand this only in the last few months of their life, or, in the moments right before their death.

Jesus is teaching us that the prodigal son was only able to enter into a state of recovery when he “attended his own funeral.” When he was able to perceive his own personal endpoint, his own material and spiritual poverty. He was finally able to admit that he was grievously wrong only when this realization slammed into his consciousness.

His new perception demanded that he learn the root causes of his problem, reject his worldly self, and humbly ask for repentance. He needed to realize that his father and family were all important to his happiness. This required acceptance of and humbly requesting his father’s mercy and love.

This perception did not demand psychoanalysis. He did not need years of therapy on a psychologist’s couch. He had the intelligence to figure it out because he confronted himself as he truly was and extended that personal analysis to his family and surroundings. He acknowledged his sins, and how truly needy he was of his father’s love and mercy.

We are half way through the Season of Lent. Like the younger son, have we confronted our own faults, our lack of perception, and yes – our own sins?

The Prodigal says: “I will arise and go to my father, and will say unto him, father, I have sinned against heaven, and before you.”

This is the turning point in the Prodigal’s life. It can also be ours.

Improvement begins with a decision to change the way we do things, the way we behave and perceive reality, both in a secular and spiritual sense. If you are a Western Rite Catholic, this is accomplished in three ways: Sacramental Confession, prayer, and resolution of purpose. Reconciliation is always possible. Our God is a God of justice, but also, a God of infinite familial love and mercy.

Do we behave like the younger son or the elder son? Are our hearts cold?

What the younger son ultimately accepts the elder son initially rejects. At first, the elder son resents the generosity of the father’s love – he resents the generosity of the act of forgiveness. It appears that he is unable to accept his repentant brother or his generous father.

Does this, in any way, apply to us? Do we ignore the Father, Son, and Holy Spirit’s love for us; do we resent people who have converted, changed their spiritual way of life? Or do we continue to judge them as if they were still enveloped by their sins? Do we verbalize our resentment or question their repentance? Are we unwilling to repent of these attitudes? Are our hearts cold?

I am a sinner and you are a sinner. There are very few people on this earth that are living saints. Regardless of whether our sins are small or large, visible or hidden, it is paramount that we remember the words of St. Paul: God the Father “reconciles us to Himself [through the passion and death of His Son] and has given us the ministry of reconciliation. Be reconciled to God. For our sake He made Him [Jesus Christ] to be sin who did not know sin, so that we might become the righteousness of God in Him” (2 Corinthians 5: 17-21).

We need to take stock of ourselves this Lenten season, repent and return to the Father’s embrace. This can only be done through the Sacrament of Confession/Reconciliation – a Sacrament made possible through the life, death, and resurrection of Jesus Christ, our Lord and Savior.

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Painting by James Tissot (French; 1836 – 1902). “Return of the Prodigal Son.”

Thank you for reading this post.

 Copyright © 2011- 2019, Deacon Paul O. Iacono – All Rights Reserved. Permission to reprint must be obtained from the author in writing. Students, and those interested, may quote small sections of the article as long as the proper credit and notation is given. Thank you.

 

 

 

 

 

 

 

 

 

 

 

 

 

The Holy Trinity – Communication Through Word and Art

Is communication just a trait of human beings? Is it a trait of God?

The Dogma of the Holy Trinity is one of the great Mysteries of the Christian Faith.  All Christians acknowledge and accept that The One True God, the divine Holy Trinity, are three separate and distinct Persons of the Father, Son, and Holy Spirit. The Holy Trinity is not three separate Gods. They are one God in three Divine Persons. This is known as the dogma of the “consubstantial” Trinity: each of the three Persons is God – completely and entirely.

These ideas were debated and verified by the assembled bishops at the First Council of Nicaea in AD 325 and subsequent Councils (specifically the ecumenical Council of Nicaea/Constantinople in AD 381).

In the 13th century the Fourth Lateran Council stated: “Each of the Persons is that supreme reality (nature, essence, and substance) of God” (confer Catechism of the Catholic Church, 2nd edition, paragraphs 198 through 315, pp. 54-84).

These three Divine Persons relate and communicate among themselves and desire to communicate and relate with Their creation. This is verified through Holy Scripture, Sacred Tradition, and the historic teachings of the Apostles, the Ecumenical Councils, and the saints of the Church.

The  first of Their creation, the nine choirs of angels, communicate with God and each other, too.

Obviously, human beings communicate and relate through speech, behavior, and the written word, though at times, not very well. To a much lesser extent, there is “communication” in the other members of the animal kingdom (by instinct, chemical, and behavioral signals) and in the plant kingdom (through chemical signals).

God the Father has communicated specifically through His Word, the incarnated Son, Jesus Christ. In accordance with the Father’s will the human Jesus is “born of a woman” into space and time through the great Mystery of the Incarnation of Christ.

Jesus agreed to humbly obey His Father’s will. Through His Incarnation the Divine Son Jesus expresses His two natures: human and divine. He does this while “hiding” the full majesty of His divinity (except for the moments of His Transfiguration, Resurrection, and subsequent appearances to His Apostles).

The Holy Spirit (as the Council of Florence stated in 1439) “Is eternally from the Father and Son; He has His nature and subsistence at once from the Father and the Son. He proceeds eternally from both as from one principle and through one spiration (the life-giving breath of God).”

“When the Father sends His Word to His Creation He also sends His Breath. “Jesus and the Holy Spirit are on a joint mission, while at the same time being distinct but inseparable. It is the Son who is seen, the visible image of the invisible God, while it is the Holy Spirit that reveals Him.” (please refer to page 181 of the Catechism of the Catholic Church, 2nd edition, also pages 54 through 90).

The Holy Spirit communicates and spiritually shapes us through the Holy Scriptures, liturgical and private prayer, the teachings of the Western and Eastern Rites of the Church, and with the Father and Son in the seven Holy Sacraments (in the Eastern Rites – the Holy Mysteries).

The solemnity of Pentecost recalls the full expression of the Holy Spirit’s “Fruits and Gifts” to the Apostles, and through the Holy Sacraments to us, too  (refer in the Christian Scriptures to the Acts of the Apostles chapter 2, verses 1 – 42; and in St. Paul’s letters to the Galatians chapter 5: verses 22 ff; and 1st Corinthians chapter 12, verses 4 ff; also refer in the Hebrew Scriptures  to the book of the prophet Isaiah chapter 11, versus 2 – 3).

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“The Trinity”: early 15th century; egg tempera and gold on wood panel by St. Andrei Rublev (1370 – 1430).  St. Rublev was a Russian Orthodox monk. He resided and “wrote” with egg tempera paint to produce images of God, the angels, and the saints in sacred  icons. He lived at St. Sergius Monastery in Moscow, Russia. His sacred icon above captures some of  the truth of the Three Persons of the Holy Trinity communicating with each other. God the Son, Jesus Christ, is the figure in the center of this painting.  You see two of His fingers extended to express His human and divine nature, and in a pointing gesture, to the “Cup of His Blood”  made manifest through His Redemptive sacrifice. In this masterpiece you observe the colors blue representing divine life and purple madder/burgundy signifying Christ’s humanity. God the Father is on your left and God the Holy Spirit is on your right. The Holy Spirit is garbed in blue and in green as a symbol of new life and spiritual growth through prayer and the Holy Sacraments (Holy Mysteries). God the Father is painted in both blue, green, and a very light, transparent gold ochre. The First Council of Nicaea (AD 325) verified and promoted the Dogma of the Holy Trinity. This Dogma was reaffirmed, and further explained by the Council of Nicaea/Constantinople in AD 381.

 

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A contemporary copy of the original Trinity by Rublev.

God the Father sent His Son to be born of a woman through the fecundity of the Holy Spirit. The Incarnation of Jesus Christ changed the Universe. God became flesh and walked among us. Why?  In order to teach, heal, and redeem us from our sins. The New Covenant with His creation is written in His Blood. There is, if you have the gift of faith, ample proof that God wants to communicate with you.

It is up to each man and woman to honestly determine whether or not they are ignoring Him, and if so, to decide what to do about it. Time is short.

Copyright © 2011- 2019 Deacon Paul O. Iacono All Rights Reserved.

God is a God of Compassion

“God of all compassion, Father of all goodness,

to heal the wounds our sins and selfishness bring upon us

You bid us turn to fasting, prayer, and sharing with our brothers and sisters.

We acknowledge our sinfulness, our guilt is ever before us;

when our weakness causes discouragement,

let your compassion fill us with hope

and lead us through a Lent of repentance to the beauty of Easter joy.

Grant this through Christ our Lord.”*    Amen.

 

*Roman Breviary – Vol. 2; Third Sunday of Lent, Evening Prayer I, Closing Prayer, pg. 210.

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Rembrandt van Rijn, The Return of the Prodigal Son, c. 1661–1669.

Christ in the Wilderness: Lent – the Season of Preparation – Luke 4: 1-2.

Jesus, full of the Holy Spirit, returned from the Jordan and was led by the Spirit into the wilderness, where for forty days He was tempted by the devil. He ate nothing at all during those days, and when they were over, He was famished. (Gospel of Luke chapter 4: verses 1-2)

In the extraordinary painting  below, we see Jesus after He was led into the desert wilderness by the Holy Spirit. He is surrounded by rocks and sand. He sits on a boulder, hands in front of Him. His eyes are filled with the knowledge of reality, of passions, power, and pain, ego and emptiness, sin and self aggrandizement.

This painting may move us from the awareness that in the desert wilderness Jesus is not only thinking through His ministry, Passion, and death but is also viewing our lives – our ministries, our passions, our death.

What do we see?

Let us examine His face.

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We see the seriousness of the forthcoming temptations; the physical, mental, and the spiritually violent struggle with the devil. It is written plainly upon His emaciated face.

We see the irrefutable fact of Jesus’ humanity.

We see that He is like unto us, except for sin.

This is the face of our Savior; but the victory is not His, yet.

His temptations, public ministry, Passion, and death are still to occur.

What do we see?

We see a man who knows His Mind. He knows His Body, Soul, and Spirit.

He knows His freely accepted duty to accomplish His Father’s will.

This is not the face of a defeated man. It is the face of a determined man who is also Lord and Savior.

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Observe Christ’s clenched hands, gaze deeply into His eyes, and you will see the artist’s portrayal of a Savior that is already, at the beginning of His ministry, aware of the viciousness of the tempter and the burden of our sins. Sins accepted by Him, and through His Passion and death, makes all things new.

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Jesus had to confront in that desert assault whether or not He was going to be faithful to His mission.

The Gospel passage above challenges us with the same questions: are we going to be faithful to the Commandments, to our Baptismal promises, to the mission given us in Confirmation to live and practice the truths that He taught us?

Are we going to be faithful to the spiritual power and grace given to us, not just when we feel like it, but even in the most difficult of circumstances?

As disciples of Christ we are on a daily basis constantly revolving around the axis of temptation and sin – faith and grace. We understand that temptation, in and of itself, is a test – it is not sin. It is only sin when we willfully place ourselves in its shackles, when we give into its fueled power to overwhelm our body and soul. That power  – a deadly power – obtains its animus and energy from the original tempter and liar – Lucifer himself.

Hell is real. It is not a mental construct. To say that it doesn’t exist is to call Jesus a liar, and His Passion, death, and Resurrection meaningless.

Jesus the Christ lived heroically in the face of Hell’s demons and witnessed to the power of God’s grace.

But you say, I am not Jesus Christ, I am a weak man or woman, boy or girl.

I say true, we all are; but by virtue of our faithful reception of the Holy Sacraments (Holy Mysteries) of Reconciliation (Penance/Confession) and the Holy Eucharist we have the power of Christ’s grace within us. A power, freely given by God and unmerited by us, to resist and overcome temptation and sin.

If we do sin – if we do “miss the mark” – we have a remedy.  We follow St. Paul’s advice: pick yourself up, dust yourself off (confess your sins), and confidently continue on your journey. We must do our part in cooperation with God’s love and mercy.

The Season of Lent is a time of joyful repentance, prayer, and fasting.

Let’s remember the  words of Nehemiah, who in the Hebrew Scriptures says: Today is holy to the Lord your God. Do not be sad, and do not weep; for today is holy to our Lord. Do not be saddened this day, for rejoicing in the Lord must be your strength! (Nehemiah 8: 9-10. 5th century BC)

***

The painting above was created and completed in the late 19th century by Ivan Kramskoi. He was a gifted Russian painter, noted portraitist, draughtsman, and teacher. The painting is entitled Christ in the Wilderness.

Copyright © 2011- 2019 Deacon Paul O. Iacono All Rights Reserved. Portions of this essay may be used in accordance with correct notation and bibliographical insertion; contact deaconiacono@icloud.com for more information or questions.

Fra Angelico’s Four Reliquaries for the Church of Santa Maria Novella – Part 4 of the “Heaven on Earth” Exhibition

Today’s post is Part 4 in my series that began on May 16, 2018 concerning the recently concluded exhibition of extraordinary egg tempera paintings by the Dominican friar Beato Fra Angelico. The exhibition was held at the Isabella Stewart Gardner Museum in Boston, Massachusetts during the Spring of 2018 and was entitled Fra Angelico – Heaven on Earth.

Nathaniel Silver, Associate Curator of the Collection for this exhibition, includes in his book, Fra Angelico – Heaven on Earth, articles by eleven scholars. Each paper is a quality contribution to scholarship. There is one article authored by Chiara Pidatella, entitled “The Provenance of the Four Reliquaries for the Church of Santa Maria Novella.” It clarifies and answers the confusion surrounding the provenance of the four reliquaries. Ms. Pidatella has written an important paper in that it compiles the documentary evidence that proves that the four sacred images within the reliquaries in the sacristy of the Church of Santa Maria Novella in Florence, were painted by Fra Angelico. These reliquaries and other Angelico masterpieces were on display in the Gardner Museum.

A reliquary is an ornate elaborately constructed box, frame, etc. that is made of wood or precious metals and contains the remains of an individual or multiple saints. These remains may be small or large particles of bone, hair, etc of the deceased saint.  Depending on the design of the frame the openings for the relics are contained in the top or bottom, and in the center if it is a box with lid. You can see the potential opening for the relics at the top of the frame in The Dormition and Assumption of Mary.  It would be within the top circle that is vertically sliced in the center, the relics would be put in that small opening behind “the doors.” It should be noted that Colnaghi & Co. built a new frame for that painting in 1899. I presume they were loyal to the original design of a gabled early Renaissance reliquary, and that the vertical slice is actually an opening for the relic(s).

The reliquaries in the exhibition are embellished with four extraordinary paintings of events in the life of the Blessed Virgin Mary. Ms Pidatella says that “The fact that the saints whose relics they [the reliquaries] contained are not explicitly named suggests that the relics were of minor importance, especially in comparison to others mentioned in the same documents and described with great precision (particularly those decorated with gemstones and precious metals). The third inventory also confirms that all four reliquaries stayed together in the sacristy until at least 1772″ [Pidatella, p. 25]. 

The history of the movements of the four reliquaries is interesting. I won’t go into the historic details yet one incident deserves mentioning  (I recommend that you purchase the book, Fra Angelico – Heaven on Earth, 2018, Gardner Museum, and Paul Holberton, London). The incident concerns the events of the early 19th century when the French government was required (under orders from Napoleon) to make an inventory of Italian artworks. The result being the French government took a very hard stand in relation to Italian art. Ms. Pidatella mentions their belief “that only France deserved to exhibit works from the most important moments in the history of art” (emphasis mine) [Pidatella, p. 27].   Pretty cheeky.

While three of the reliquaries remained in Florence, the Dormition/Assumption of Mary reliquary (one of four seen below) made its way into a collection of an English family headed by Rev. John Sanford (1777 – 1855; he was the chaplain to the Duke of Cambridge, brother of the British King George IV). This acquisition occurred  in the early 19th century; however economic difficulties led to Sanford’s daughter, Anna Horatia Caroline Methuen, to put this Angelico painting on the market. When this occurred Bernard Berenson recommended Isabella Stewart Gardner of Boston to purchase the piece, which she ultimately did in 1899, for £4000 [Howard, p. 18, Fra Angelico – Heaven on Earth]. The Dormition and Assumption of Mary painting then became the first Fra Angelico to be displayed in the United States. Its current frame (that you will see below) was commissioned by Colnaghi & Co.(art dealers) in 1899. Their focus was to frame it in its original gable design {Howard, p. 18-19, ibid].

It is my privilege to present to you my quickly snapped photos of these masterpieces of the four reliquaries (through the courtesy of the Isabella Stewart Gardner Museum) . I will also provide my photograph of the back of one of the reliquaries to show you the wooden panel on which the egg tempera paint was applied. You will see that the panel was covered with a decorated piece of paper-like parchment. The reliquaries are approximately 24 inches tall by 15 inches wide.

The Annunciation and Adoration of the Magi (painted 1426-27) egg tempera and gold on wood panel. This frame is not slightly tipped to the right in reality. It was my attempt to snap a photo before someone stepped in front of me; I didn’t realize the photo was tipped at the time!

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The above two are closeups of the Annunciation and Adoration. Slight tipping resulting from a quick snap occurred here, too. The green squares to the left of Mary’s head are not part of the painting. I did not use a flash. I don’t know what they are, possibly security lights. Notice the extraordinary grill work in back of the Virgin Mary, the angel Gabriel, and the Magi.

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The Dormition and Assumption of Mary (1433-34, egg tempera and gold on wood panel). Purchased by Isabella Stewart Gardner in 1899, making it the first Fra Angelico painting in America. The painting shows in the lower section the Dormition (falling asleep, death, and above it the resurrection of Mary, the Mother of God ( that is, Mother of Jesus’ human nature) and her simultaneous Assumption into Heaven. The angel, dressed in a blue garment to the left of the frame, is one of a number of larger than life size posters that graced the black walls surrounding the exhibit. These poster angels were copied from Fra Angelico’s paintings. They provided a dramatic effect to the entire exhibit.

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The above is a closeup of Mary which has also been expanded into a larger than life size poster image found in the above Assumption painting. This image was the first you saw as you rounded the second floor stairs into the exhibit at the Gardner Museum. It was taken from the above reliquary on the Dormition and Assumption of Mary and introduced visitors to the beauty of the exhibit.

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The Coronation of the Virgin (1429). The lower image within this reliquary is contained in a small rectangular panel called a predella. It shows the Adoration of the Christ Child by Mary, St. Joseph, and six angels. It also is completed in egg tempera, gold, on a wooden panel. You see more poster angels taken from the Dormition and Assumption of Mary painting in pink and blue garments to the right of this reliquary on the black walls of the exhibit.

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This is a closeup of the Coronation of the Virgin found within the above reliquary. Below are gathered a group of saints. The saint looking over his shoulder at the viewer near the extraordinary translucent stairs is Saint Peter holding the keys of Heaven. St. John the Baptist is on his left. Dominican saints, St. Peter Martyr and theologian St. Thomas Aquinas are also present, St. Francis of Assisi showing the stigmata in his hands, two deacons (St. Stephen, the first martyr (protomartyr), and possibly the deacon St. Benjamin, and some Old Testament prophets. St. Thomas Aquinas (above within the  bigger photo) is looking at the viewer. He is situated next to a pope (the Benedictine Gregory the Great?), possibly placed in that position because both Aquinas and the pope were not martyrs.

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The Madonna della Stella (The Madonna of the Star, 1433/34). Within the predella are the major saints of the Dominican Order (Order of Preachers). Saint Dominic (middle) flanked on the right by St. Thomas Aquinas and on the left by Saint Peter Martyr. The small circular photo of the Church of Santa Maria Novella on the back wall of the exhibit accidentally was included in my quick snap of this picture.  It is interesting that it appeared, I did not plan it. It is the church that the four reliquary paintings were originally housed before they were split up during the last two and one-half centuries.  Presently the Gardner Museum has the Dormition/Assumption of Mary reliquary staying in its collection and the other three will be returned to the Museo San Marco in Florence, Italy.

 

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Closeup of the Madonna della Stella, showing the symbolic colors of the garments worn by the figures. The color blue represents divine attributes, which in the Blessed Mother’s case, represents the belief that she was always immaculate – without sin – and that the Holy Spirit “overshadowed” her resulting in the Incarnation taking place within her physical body. The presence of her immaculate nature was within Mary from the moment of her conception. The Latin Rite, the Eastern Rites in union with Rome, the Coptic Church, and the Orthodox Rites believe that Mary is not God, or a goddess. All of these Rites and Churches do not worship Mary; she is venerated by them. Worship and veneration are two very different concepts; they should never be equated.

The color red of Mary’s inner cloak (as well as Jesus’ outer cloak) represents their human nature. The orange trim of her cloak represents the specific spiritual illumination, and self knowledge, of her status as the Mother of Jesus’ human nature, not His divine nature.

With the two lower angels you notice that the blue/red colors are reversed. The inner cloak is blue representing their spiritual illumination and unique qualities/functions, yet, their outer cloak is red. This is done because Fra Angelico represents them all with human features, but, in the case of the two lower angels he represented their outer cloaks as red. I can place no other interpretation on it other than to say that because Jesus and Mary were resurrected from the dead, and have new physical bodies (with unique and specific qualities) the angels dressed in red outer cloaks may be serving Mary’s physical needs (whatever they may be) in Heaven. Heaven is viewed as both a physical (while different from ours) and a spiritual dimension.

As you know, angels are spiritual beings living within the divine atmosphere of Heaven. According to the Latin Rite (Roman Catholic) and other Rites, there are nine “choirs” of angels; each choir possesses specific attributes and functions. Fra Angelico may be distinguishing one “choir” from another through the different colors of the angels’ garments. Angels are pure spiritual beings; they do not have human features or bodies. They are represented that way in Latin and Greek Rite paintings, and some of them in the Holy Scriptures, in order to give the observer/reader a way to relate and understand their functions.

The Dominican Order was keen on expressing the theology of illumination as expressed in the Blessed Mother, their founder – St. Dominic (who illuminated Europe with his sermons against heretics) – and the illumination of the doctrines and dogmas of the Catholic faith provided through the writings of 13th century theologian St. Thomas Aquinas.

For Mary, Fra Angelico expressed that illumination through the orange pigment of Mary’s inner garment and the extraordinary gilding of the rays of light emanating from Mary and Jesus’ bodies. Notice that Fra Angelico shows the love between the two by having the child Jesus place His head close to His Blessed Mother as if He is about to give her a kiss with the Madonna lovingly holds Him.

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Closeup of the Madonna della Stella; also showing a lovely lavender angel on her left.

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The back of one of the reliquaries showing the structure of the wooden panel, and its decorated paper covering. On the front Fra Angelico applied a base coat of gesso, and then his egg tempera paints and gilding.

I hope you enjoyed viewing my four part series on this extraordinary work by Beato Fra Angelico – Fra (Friar) Giovanni di Fiesole. My deep gratitude to Peggy Fogelman  (Director), Nathaniel Silver (Associate Curator) and the very talented staff  of Boston’s Isabella Stewart Gardner Museum for bringing these masterpieces to America. For my wife and I it was a once in a lifetime experience. Congratulations to them and my sincere thanks, too.

I will be featuring some of the remaining single paintings within this exhibition at appropriate times during 2018-19. Some of the remaining Fra Angelico images from this exhibit are the marriage of St. Joseph and the Blessed Mother, the Deposition (taking down) of Jesus from the Cross, another painting of the Dormition of Mary, and events in the life of of Saints Cosmas and Damian.

June 12, 2018

© Deacon Paul O. Iacono 2011-2018 – text and photos. Photos were taken through the courtesy and generosity of the Isabella Stewart Gardner Museum, Boston, Massachusetts, USA. I took the photos with an iPhone 6, no flash.

 

Fra Angelico – “Heaven on Earth” Exhibition – Part 2 – Ascension, Pentecost, the Last Judgement

I hope you had a blessed Feast of Pentecost!

Please read Part 1 of “Fra Angelico – Heaven on Earth” (posted here on May 16, 2018) in order to receive a proper introduction to the Isabella Stewart Gardner Museum’s extraordinary exhibition that, unfortunately, closed this weekend..

As you moved into the gallery that exhibited this once in a lifetime collection of Fra Angelico paintings you first saw the beautiful painting entitled The Ascension of Christ, The Last Judgement, and Pentecost (the Corsini Triptych). It is painted in egg tempera with gold leaf on a wood panel. Fra Angelico painted it during the years 1447-1448, seven years before his death in 1455. It was loaned to the Gardner Museum from the Galleria Nazionali d’Arte Antica di Roma – Galerie Barberini Corsini, Palazzo Corsini.

My photographic images of that painting are found below:

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The following quotation is taken from the Exhibition’s commentary found on the right side of the painting. Mesmerizing in its detail, Fra Angelico’s painting pictures three biblical events. At left, Christ ascends into heaven over the heads of the Virgin Mary and the  Apostles. At right, a masterfully foreshortened dove – the Holy Spirit – descends to earth. The story culminates in the center. Christ passes judgment over the living and the dead, saving the worthy (left) and condemning the wicked (right). While the damned cower from fearsome devils who attack the poor souls with claws, angels embrace the blessed.

“This small devotional triptych – a painting with three parts – served a cultivated individual, probably a cleric (deacon, priest, or bishop) in Rome.” Please compare its three episodes to others in my upcoming posts. In the above painting Fra Angelico adopts a vertical presentation. This energizes the connection and communication between heaven and earth. The Gardner Museum’s curator remarked that this technique “enlarges the central scene, and emphasizes” the Catholic Church’s spiritual power.

Fra Angelico, as a Dominican priest, desired to present that Jesus’ act of Redemption (passion, death, and resurrection), and His Ascension back to the Father, made possible the moment of Pentecost. Christ’s actions enabled the eventual opportunity for our free will to choose to accept His Truth and be fed by the Spirit’s power. It is the Father and the Son’s will to have the Holy Spirit nourish us through His grace. This grace is available to us through the proper administration and worthy reception of the Holy Sacraments. Thus, we come to the central panel –  the Last Judgement. Did we freely accept His Sacramental grace or did we ignore, and thereby, reject it? At that moment will we be on the right or the left of Christ?

Allow me to make some personal points on the three close-up photos below. In the first panel of this painting, notice the gold work around the body of Christ. I was allowed to closely examine it. I have never seen a painting’s gold work done with such precision and delicacy. It is not just gold leaf that is applied in a flat manner to the panel. It appears to be actual raised strands, or threads of gold, all applied with great precision. As you slowly move left or right around that part of the painting you notice the light catching the gold and literally radiating and shimmering around the image of Christ. IMG_1745

The Ascension, with Pentecost below.

Second, the image of Pentecost, with the Blessed Mother in the center of the Apostles as the dove hovers and the fire of the Holy Spirit descends upon them and gives them the gifts and fruits of the Holy Spirit (Isaiah 11:23; 1st Corinthians 12: 4 ff; Galatians 5: 22 ff).

Notice St. Peter, filled with conviction, speaking to the assembly of men below (“Peter’s Discourse” found in the Acts of the Apostles chapter 2, verses 14 ff.). Also, notice the clothing on one of the men who gather outside of the upper room listening to Peter: the detail of the lace work on the bottom of one of his garments, and the shadows on the man’s red leotard/shoe. If you stand away from the painting at approximately eight to ten feet to take it all in (as you see in the panoramic top photo) you don’t notice all the detail; but the blessed Fra with his extraordinary perception, noticed the need for it, and he painted it in. A master of detail, and as a true maestro, he knew how to successfully accomplish it. Wonderful!     The last two close-up pictures are below.

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My photos (through the kindness of the Isabella Stewart Gardner Museum), and            my text © Deacon Paul O. Iacono 2011-2018. Photos taken with an iPhone 6, no flash.

 

St. Joseph the Worker and Sacred Artists

Today, May 1, is the memorial of St. Joseph the Worker. I chose him to be the patron of St. Joseph’s Art Workshop (found within this site’s Menu Tab at the top of the page) because he is, of all the saints, the most important next to Our Blessed Mother. He was a righteous man (in the finest sense of that spiritual word), a devout and very prayerful Jew, a carpenter, the beloved spouse of our Blessed Mother, and the foster father of Jesus Christ. Today we honor him as a worker. A worker in the professional sense and a worker in God’s vineyard.

Saint Joseph provides us with a model for some of the attributes that all Catholic artists should cultivate: the proper use of time, patience in learning the techniques and meaning of our work, and the daily work itself – making a prayerful commitment to find some time during the day to learn something new about sacred art and practicing the skills necessary for its proper construction.

You will find below a few of the phrases, prayers, and Scripture readings from today’s Divine Office (the Liturgy of the Hours) for the memorial of St. Joseph the Worker.

Come let us worship Christ the Lord who was honored to be known as the son of a carpenter.

God made him the master of His household, alleluia, alleluia. He gave him charge over all His possessions. 

Saint Joseph faithfully practiced the carpenter’s trade. He is a shining example for all workers, alleluia. 

A reading from the letter of Paul to the Colossians (3: 23-24):  Whatever you do, work at it with your whole being. Do it for the Lord rather than for men, since you know full well you will receive an inheritance from Him as your reward. Be slaves of Christ the Lord.     

The just man shall blossom like the lily, alleluia, alleluia.

All-holy Father, you revealed to Saint Joseph Your eternal plan of salvation in Christ, deepen our understanding of Your Son, true God and true man.

God of all righteousness, You want us all to be like You, may Saint Joseph inspire us to walk always in Your way of holiness. 

God our Father, creator and ruler of the universe, in every age you call man to develop and use his gifts for the good of others. With Saint Joseph as our example and guide, help us to do the work You have asked and come to the rewards You have promised. We ask this through our Lord Jesus Christ, your Son, who lives and reigns with You and the Holy Spirit, one God, for ever and ever. Amen

Saint Joseph, please pray for us now and at the hour of our death. Amen.

Stained glass image of St. Joseph with the Child Jesus

May 1, 2018

© Deacon Paul O. Iacono 2011-2018

Jesus Our Savior – An Image that is a Work in Progress

I have the happy service of presenting a new workshop to interested adults from Massachusetts and Rhode Island beginning on Saturday February 14th, 2015.

In an attempt to give everyone individual attention the class is currently filled at a limit of ten people. We will be pursuing our studies of painting sacred images in the Latin iconographic tradition. I hope to make the artists aware of the importance of studying the Latin and Byzantine origins of sacred images and its inevitable blossoming within the Greek and Russian civilizations.

The workshop will run over a five-week period, for a total of twenty hours of class time. While they will not be painting the sacred image that is found below of Jesus Our Savior, the technique that I used to paint this image will be taught to the artists. Note that the image is painted using acrylic paints; however, I have developed a different approach in manipulating the layers of the paints. This approach evolved out of studying the work of the 12th century Benedictine monk, Theophilus the Presbyter (whom I have written about in previous essays on this blog), and my own experiments over the past few years of working with egg tempera and acrylic paints.

I specialize in painting personal prayer images (9 by 12 inches, or 12 by 16 inches) rather than images that would be found in large church or chapel applications. The image found below (95% finished) is typical of my approach. It is an image that the person in prayer can relate to, yet, it also carries a sense of transcendence. This approach will be taught in the upcoming workshop. I attempt to teach simplicity in both technique and spirituality. I  avoid flourishes and excessive naturalism in facial or garment representation. In this way I have ignored the typical approach of many Latin Rite sacred artists from the mid 14th century onward. I am attempting to rediscover, or reestablish, the Latin Rite techniques of painting sacred icons. This endeavor is a work in progress!

In the upcoming workshop the students will be studying my technique and actually paint an image of St. Michael the Archangel. Upon completion of that sacred image, they will eventually move on to painting an image of the Holy Theotokos, the Blessed Mother, and then complete the sequence in studying and painting a sacred image of Jesus Christ. In upcoming posts I will be blogging about their experience and the steps that they will take in completing the sacred image of St. Michael.

My approach to the painting of sacred images in the iconographic tradition owes a debt of gratitude to my many teachers in the Byzantine and secular artistic traditions. I also owe a profound thank you to the Holy Spirit, whose grace has enabled my hands to paint sacred images. I pray that my sacred art has not offended Him. The image below appears slightly brighter than it actually is as a result of the flash.

Jesus Our Savior by Deacon Paul O. Iacono, Fra Angelico Institute for the Sacred Arts, Copyright © 2011- 2015 Deacon Paul O. Iacono All Rights Reserved

 

 

Copyright © 2011- 2015 Deacon Paul O. Iacono All Rights Reserved

The Gospel of John 1:35-42 – An Invitation to Follow Jesus

In our Gospel today we hear John the Baptist proclaim “Behold the Lamb of God.”

We see in our mind’s eye, Andrew and another disciple, probably St. John, listening to the Baptist say those words.

Immediately after Jesus walks by they look at one another and, without saying a word, begin to follow Jesus.

Jesus, sensing their presence, turns and seeing them says,

“What are you looking for?”

They say: “Rabbi where do you live?”

They didn’t presume to say, “Rabbi we want to be your companions – we want to learn from you.” Rather they instinctually knew that this man, whom John the Baptist had proclaimed “The Lamb of God,” was the Lamb of God – the promised Messiah; and they wanted to be with Him.

In what must have been an astonishing moment for them, Jesus in turn says, “Come, and you will see.”

What did they see in those three years they spent with Him? That is what John believed he had to write down.

Those three years, and then the following years of John’s own ministry, had to be written down.

Two thousand years later we experience his excitement in the short clips of his memory as we read the significant facts and unique moments of what he experienced.

For in those facts and moments are contained the unique vision of John’s Gospel and Epistles.

They proclaim his experience of the truth that the Word of God – the Mind of God – was incarnated into the man Jesus, the Son of God.

This was done so that the Father could fully express the meaning of His love and His desire to share that love with His creation.

“Rabbi, where do you live?”

“Come and you will see.”

But this is the 21st century; and many of us do not hear the call of God to “Come and see.”

Maybe Jesus is calling to us and we are too distracted, or hurt, or swallowed up by life’s events; or maybe we don’t know how to see or listen to His message, or are just not listening at all.

But the message of this Gospel is that Jesus’ call – His invitation – is always open.

He invites us, like Andrew and John, to join Him for the afternoon and share a simple meal of bread and wine.

He invites us to be baptised into His family so we can receive the many gifts He desires to give us.

He invites us to know His laughter and joy; and He invites us to suffer with Him by knowing loneliness, sickness, heartache, and loss.

“Rabbi, where do you live?”

“Come and you will see.”

Our imagination can visualize a small Hebrew home, with a low doorway so large animals would not wander in.

IEC-exhibition

We can imagine that this is where Jesus lived: in a small but adequate house on a simple Hebrew street.

Jesus, and any visitors, would have to bend down to get through the door.

We are asked to bend down, too.

We are to lower ourselves in humility, patience, reconciliation, and love.

For how are we to live with the Creator of the Universe if we, in the light of the One who loves us, are unwilling to honestly look at our own souls, ask for the forgiveness of our sins, and implore His mercy?

Ultimately, we respond to Jesus’ call by inviting Him into our heart. For that is where He truly wants to live, and rest, and share a simple meal of bread and wine.

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The above post is my homily for the 2nd Sunday of Ordinary Time. Year B. I delivered this homily at St. Francis of Assisi Church in Wakefield, Rhode Island on January 18. 2015 at the 8 AM and 10 AM Masses. It was updated on January 11, 2019.  Copyright © 2011- 2019, Deacon Paul O. Iacono All Rights Reserved  Thanks to the blog Clerical Whispers for the photograph of a typical Hebrew street scene. Their site can be located at: http://clericalwhispers.blogspot.com/2012/05/exhibition-recreates-gospel-village-for.html

 

Christ in the Wilderness, a Russian Artist, and a Challenge

In the late 19th century a Russian painter, the noted portraitist, draughtsman, and teacher Ivan Kramskoi painted a haunting image of Jesus alone in the desert. It is a painting which expresses the internal struggle of the flesh versus the spirit. It portrays Jesus, in the early morning hours and the cold air of the dawn, with the sun rising over His back.

He is surrounded by small boulders and sits on a rock, hands in front of him, eyes filled with anguish and pain. This portrait of Christ in the desert is not one of victory; looking closely at His face you recognize the seriousness of the struggle and the irrefutable fact of Jesus’ humanity.

christ_in_the_wilderness_detail_400

Observe Christ’s clenched hands, gaze deeply into His eyes, and you will see the artist’s portrayal of a Savior that is already at the beginning of His ministry aware of the viciousness of the tempter and the burden of our sins that will weigh upon Him.

Kramskoi’s painting is so powerful because it shows not the physical tearing that was to come in the scourging and crucifixion, but the sensual, psychological, and spiritual battles that would challenge the mission and authority of Jesus Christ.

**679px-Kramskoi_Christ_dans_le_désert

Jesus had to confront, in that very first desert assault, whether or not He was going to be faithful to His mission; was He going to be faithful to the anointing that He received from the Father and the Spirit at His baptism?

The Gospel challenges us with the same questions: are we faithful to our Baptismal promises? Are we faithful to the Commandments? Are we faithful to the call that we received at our Confirmation to live and practice the truths that He taught us, not just when we feel like it, but everyday – even in the most difficult of circumstances?

As disciples of Christ we are on a daily basis constantly revolving around the axis of temptation and sin – faith and grace. We understand that temptation, in and of itself, is a test – it is not sin. It is only sin when we willfully place ourselves in its power, when we give into its power to overwhelm our body and soul, – a deadly power that obtains its animus and energy from the original tempter – Satan himself.

Christ lived blamelessly in the face of evil, but you say, I am not Christ, I am a weak man or woman, boy or girl. I say true, we all are, but by virtue of our faithful reception of the Sacraments we have the power of Christ’s grace within us.

Unlike Christ we don’t enter the wilderness of our own temptations alone. When we do face the anguish of our own sin, our own desolation in the face of Satan’s onslaughts, when we peer over the edge of the pit of sin – Christ’s witness tells us “Do not despair. Do not dwell in the pit. Do not accept the pit of sin as being permanent.” Jesus Christ tells us that He has instituted a Church that, with all its human sins and imperfections, still exists – in purity – to convey through its clergy the grace of God.

One of the first things that you notice about Christ in this portrait is that here, at the beginning of Jesus’ ministry, the artist has Jesus’ hands clasped together. Yet, when you walk into a Catholic or Orthodox Church, and look at the crucifix or an icon of one, you see Jesus as He ends His ministry on the Cross, with His hands unclasped, and stretched out, stretched out for each one of us.

This Lenten season we need to reach out our hands to the One, who 2000 years ago, stretched out His hands for our Redemption – and who still reaches out for us today. Reach out to Him in prayer and the Sacrament of Reconciliation, and through Jesus, reach out to those around you who are suffering in the same way, and lead them back to the love of Christ.

Copyright © 2011- 2014 Deacon Paul O. Iacono All Rights Reserved

Mary and Joseph’s “Yes” – The Risk of an Open Heart

Our Gospel today (4th Sunday of Advent, Matthew 1: 18-24)) provides us with the story of a young couple, Mary and Joseph, who through their pondering of God’s request for understanding and trust provide humanity with the opportunity for divine Redemption. It is in their collective “Yes” to the angel’s request, that God’s plan could be fulfilled. His strategy for humanity’s Redemption was patiently planned and executed. It was a plan, seen in the Holy Scriptures, that shows Him searching for His broken human family, seeking ways in which He can communicate His desire for love and friendship.

God is very methodical in His attempts to search for His lost children. The first question ever asked in Holy Scripture is found in the book of Genesis. It is there that God asks the question: “Where are you?” He asks of the first family, Adam and Eve, “Where are you hiding?”  We know that they were hiding because of their sin; because of their collective “No” to God’s request of them to stay away from the Tree of Knowledge of Good and Evil.

With their sinful actions, God set into motion His plan for our Redemption – a plan that ultimately saw His entrance into human history to teach, heal, and redeem it from the sins of our spiritual parents. At the birth of Christ, the seven hundred year old messianic prophecies of Isaiah became a historic reality; and on a yearly basis, we celebrate that moment at Christmas.

But today we also need, in light of our Gospel, to pause and rejoice in remembrance of Mary and Joseph’s courage and willingness to say, “Yes,” to God. We need to consider that their “Yes” was not a simple act – it contained enormous risks since Mary’s circumstances after that “Yes” were at the very least – precarious.

She was a young woman, probably in her mid teens, engaged to be married, and is suddenly pregnant, not from the man she loves, but, by an unseen Holy Spirit of God; moreover, what about Joseph? He was a successful carpenter in Nazareth who had fallen deeply in love with Mary, was publicly betrothed and ready to live a happy life with her. Then the news: “I’m pregnant.” As a result under Jewish law, Mary faced a public humiliation and stoning and Joseph, stunned and confused, faced feelings of betrayal, pain, and anger. Understandably, at first, he is not ready to say “yes” to Mary and her story of divine intervention, there are few men that would.

But through divine intercession you have God, through His angel, making another request:

474px-'Joseph's_Dream',_painting_by_Gaetano_Gandolfi,_c._1790

“Joseph, Joseph, do not be afraid to take Mary your wife into your home.” With Joseph’s “Yes,” to this request his pain and anger subside and are replaced with a joyful nurturing spirit that enables him to take leadership of the situation and begin acting as a faith-filled stepfather. So the collective “No” by our spiritual parents Adam and Eve, is now trumped by the collective “Yes” of the first Christian family: Mary and Joseph.

Now it may be hard for us to relate to this Gospel. Our lives may be filled with anger, worry, family resentments, and disappointments. We may conclude that this story really doesn’t relate to us because the sharp axe of pain and frustration has severed the roots of our own sense of joy, hope, and love. If that is our dilemma, we must call out to God for His direction and try to remember, that in this Christmas season we can, with His help, change our focus. We can say, maybe for the first time with maturity, “Yes” to God and His call to us. You see the story of Mary and Joseph and the Christ child is absolutely relevant. For the angel’s request to Joseph of “Be not afraid” applies to us, too.

The request of  “Be not afraid” involves many different opportunities: the opportunity of forgiving others who have hurt us; or confronting our own sinfulness and unburdening ourselves of our sins, or the opportunity of being a person who desires to seriously investigate their faith and explore the reasons why we believe.

You see all of this involves the same risk that Mary and Joseph experienced: the risk of exposing our mind, heart, and soul to God’s love and allowing Jesus, through His sacramental grace, to be joyfully born into our own hearts and to give us the courage to truly live as a Catholic Christian.

So my brothers and sisters, as we make our final preparations for the celebration of Christmas, let us make every effort to imitate Mary and Joseph by saying “Yes” to God’s call, and in so doing, open the doors of our own hearts to provide a loving home for the Lord.

hol fam-1

Copyright © 2011- 2013 Deacon Paul O. Iacono All Rights Reserved. This is a homily that Deacon Paul O. Iacono delivered at the 8 and 10 AM Masses at St. Francis of Assisi Church in Wakefield, Rhode Island USA on Sunday December 22, 2013. Information on the painting: This painting was completed by Gaetano Gandolfi (1734 – 1802). It is entitled Joseph’s Dream, is oil on canvas, and is approximately 37 inches high by 30 inches wide. It was completed in 1790.  Information on the mosaic: Detail of the apse mosaic in the St Joseph’s chapel of Westminster Cathedral. It was installed in 2003, and the designer is Christopher Hobbs who worked with mosaic artist, Tessa Hunkin. – See more at: http://elmiradominicans.blogspot.com/2011/12/holy-family-of-jesus-mary-and-joseph.html#sthash.vVewiGgP.dpuf

The Apocalypse and Christian Duty – 33rd Sunday in Ordinary Time

It has been said that we are living between times – between Advents – in the times between Christ’s first coming – as an infant in the manger, and His second coming – as Lord and Judge of this earth. Our Scriptures challenge us today – the 33rd Sunday in Ordinary Time – with an important question: “Do my actions in public and private indicate that I am a disciple of Christ, dutifully preparing to meet the Lord?”

You see, we could spend a lot of time and effort trying to figure out the signs of the times, discussing this visionary and that seer, trying to determine whether or not we are in the actual last days before the Second Coming. We could speculate on how various personalities in the media discuss the deterioration of political effectiveness, the degradation of cultural discourse, or our precarious economic situation. We could also become unsettled over the apocalyptic scenario of what continues to occur at the destroyed Fukushima nuclear plant in Japan, the possible demise of its nuclear core, and the resulting catastrophic impact on the Pacific region.

Troubled times were also prevalent two thousand years ago when St. Paul penned his letters to the Greeks of Thessaly. St. Paul was alarmed that the gossiping about current events and apocalyptic speculations were causing disruptive behavior. The Greek word that Paul uses to describe their behavior refers “to actions that interrupt the truthful announcement and living out” of the Good News of Christ. He carefully tells us that these alarmists are false prophets if they are causing such unease as to reduce the effectiveness and the realization of the Gospel in the lives of the people.

So what does Jesus and St. Paul suggest?

First, we need to take them seriously and not be overly concerned about when the last days will come. Christians should be alert – but not worry; rather, like Noah upon hearing the word of God, they should prepare and rejoice. We need not worry because we have plenty to do in the interim by concentrating our attention on our duties to love God with our whole heart and our whole soul, repent of our sins, and love and assist our neighbors, too.

St. Paul, echoing Christ, is very specific on this point, he says, “Your love must be sincere. Detest what is evil, cling to what is good. Love one another with the affection of brothers and sisters. Anticipate each other in showing respect. Do not grow slack but be fervent in spirit; He whom you serve is the Lord. Rejoice in hope, be patient under trial, and persevere in prayer.” (Romans 12: 9-12)

Let us pray that whatever the role we find ourselves in, we faithfully carry out the duties the Holy Spirit has asked us to complete. Each of our jobs and duties are important in the eyes of God. How, and in what spirit we perform them affects our life, and the lives of others, both on earth and in eternity. So let us be worthy of the trust, love, and friendship that Jesus has for us. If we do that, and live in the prayer and grace-filled life of His Word and Sacraments, we will have nothing to fear.

Copyright © 2011- 2013 Deacon Paul O. Iacono All Rights Reserved. I will deliver this homily at St. Francis of Assisi Church in Wakefield, Rhode Island on Sunday November 17, 2013.

Easter 2013

“The splendor of Christ risen from the dead has shone on the people redeemed by His blood, alleluia.”

“Our Redeemer has risen from the tomb; let us sing a hymn of praise to the Lord our God, alleluia.”

“Alleluia, the Lord is risen as He promised, alleluia.”

Fra_Angelico_024

God our Father, by raising Christ Your Son You conquered the power of death and opened for us the way to eternal life. Let our celebration today raise us up and renew our lives by the Spirit that is within us [through our Baptism into Your Life]. Grant this through our Lord Jesus Christ, Your Son, who lives and reigns with You and the Holy Spirit, one God, for ever and ever.” Amen

Notes on the painting: This painting by Fra Angelico is found in one of the “cells” (cell 31), that is, one of the rooms that were used by Dominican friars as their personal living quarters in their priory, or what is today called the Museo de San Marco, in Florence, Italy. The painting portrays Jesus Christ, after His resurrection on Easter Sunday morning, entering into that spiritual place where the souls of the righteous deceased were waiting for their expected liberation by the Messiah. Christ’s hand is extended to Adam, Eve is behind him and St. John the Baptist is next to her, followed by all the righteous from past history. Jesus, the Son of God, will now lead them into Heaven, to rejoice forever with the Trinity. The door to this spiritual place has been shattered, catching a demon under its fall. Other demons cower in a corner, totally overcome by the beauty, majesty, and spiritual power of God Himself. Jesus Christ’s image is one of love, mercy, tenderness, and welcoming. He is happy to be there and to be the source of their personal spiritual Redemption and liberation. This Redemption was made possible by Jesus’ bloody sacrifice and death on the Holy Cross which is represented on the standard that He holds.

This painting is a fresco and is approximately 5 feet by 6 feet in size. It is called Christ Storming Hell, and is also known as Christ in Limbo. It was completed between 1437 and 1450.

We pray that  you have a Happy Easter Day and a grace filled Easter Season!

The quotations are taken from volume 2 of the Roman Breviary – The Divine Office, page 524-526, antiphons and closing prayer for Easter Sunday morning.

Copyright © 2011- 2013 Deacon Paul O. Iacono All Rights Reserved

The Last Supper – Jesus as Servant, Christ as Sacrifice: An Evening Meditation

At the Last Supper, on the night He was betrayed, our Savior entrusted to His Church the memorial of His death and resurrection.
This memorial came to us through the Institution of the Holy Eucharist, a memorial that He intended would be celebrated forever by His Church in the magnificent prayer that is known as the Holy Mass.
Let us adore Him, and say:
Jesus, sanctify Your people, redeemed by Your blood.
Lord, You humbled Yourself by being obedient to the Father’s will, even to accepting death, death on a cross.
Please give all who faithfully serve You the gifts of:
obedience to Your Holy Word found in Your Gospel,
service to our neighbor because they are reflections of You,
and patient endurance in all our troubles and tests.
Christ Washing Peter's Feet, Ford Madox Brown

Jesus Washing Peter’s Feet, (1852-56) by Ford Madox Brown (1821 – 1893), Tate Britain, London.

(Meditation based on the Intercessions, Evening Prayer for Holy Thursday, found in the Roman Breviary: The Divine Office, volume 2, page 465. Thanks to the Catholic Artists Society for the posting of Ford Madox Brown’s painting, please visit their site and consider becoming a member: http://catholicartistssociety.posterous.com ).

Copyright © 2011- 2013 Deacon Paul O. Iacono All Rights Reserved

 

 

The Christmas Star of Bethlehem – Merry Christmas, Everyone!

Even though the vast majority of us are not astronomers, the famous star of Bethlehem still has a great ability to intrigue us especially as it relates to its actual astronomical occurrence. As Christians we believe in the Christmas story, not as legend or myth, but as an actual historical occurrence which led to the Redemption of mankind by the Son of God – Jesus Christ.

There are many elements of the Nativity of Christ that are expressed by the evangelists, and one of the most interesting is the illumination of Israel by a brilliant star at the time of the actual birth of Jesus. The Christmas Star has intrigued artists and poets in its ability to shed light on the truth of the cosmic meaning of Christmas; and in recent years some research has been done using computer animation and astronomical programs to determine if, when, and where it actually occurred.

The EWTN network usually airs a contemporary and extremely popular documentary entitled The Star  (of Bethlehem) (please examine the filmmaker – Rick Larson’s site – for a wonderful, multipart, overview of his documentary: www.bethlehemstar.net/

The following post attempts to determine the birth date of Jesus Christ in light of the astronomical evidence. The quotes I provide are taken from a fascinating study entitled Probable Date of Birth of Christ found in this website: www: copiosa.org/christmas/birth_date.htm by Father William G. Most (Fr. Most’s article offers a summary of the work done by  E. L. Martin, in his book The Star That Astonished the World, ASK Publications).

“In the evening of June 17, 2 BC, there was a spectacular astronomical event in the western sky. Venus moved eastward seemingly going to collide with Jupiter. They appeared as one star, not two, dominating the twilight of the western sky in the direction of Palestine. This conjunction had not happened for centuries, and would not happen again for more centuries. Jupiter was considered the Father, Venus the Mother.

Then not many days later, Venus came within 0.36 degrees of Mercury. On September 11 came the New Moon, the Jewish New Year. This happened when Jupiter, the King planet was approaching Regulus, the King star. Further, there were three conjunctions of Jupiter and Regulus within the constellation of Leo, the lion, which was considered the head of the Zodiac.

Now Genesis 49:10 had foretold there would always be a ruler from Judah, whom Jacob called the lion, until the time of the Messiah. The star Regulus, which astronomers called the King Star, dominated Leo.

The Magi, being astronomers and astrologers, would surely read these signs. (The three conjunctions with Regulus were August 12, 3 BC; February 17, 2 BC, and May 8/9, 2 BC). In Hebrew, Jupiter was called sedeq = “righteous,” a term especially pertaining to the Messiah.

On September 11, Jupiter was close in the constellation of Virgo, the virgin. On September 3rd of 3 BC Jupiter was in conjunction with Regulus, the brightest star in the constellation of Leo — Leo the Lion, which was associated with Kings, and the Lion of Judah, as foretold by the dying Jacob in Egypt in Genesis 49:10.

Also, on December 25 of 2 BC, Jupiter stopped for 6 days over Bethlehem. This is a normal motion for Jupiter; it stops twice, and reverses its seeming movement. This may have been the very time the Magi came with their gifts. This was also the time of the Hanukkah festival, during which it was customary for Jewish Fathers to give gifts to their children.

The shepherds watching their flocks in the fields indicate a date either in late summer or early fall.

E.L. Martin [whose research this article is based on] thinks the birth of Jesus was in September, 3 BC (Jupiter in conjunction with Regulus), and the probable date of the Magi was December 25, 2 BC (Jupiter stopped for 6 days over Bethlehem).”

Please don’t forget when we speak in BC time, the “ladder of time” comes down from let us say 10,000 BC to 1 BC, in a descending order, so 3 BC comes before 2 BC.

In AD time (Anno Domini, a Latin phrase which means “the year of Our Lord” the “ladder of time” is ascending, so, we are currently in the year 2012, but as of midnight December 31st, we will then be in the year 2013, or two thousand and thirteen years since the birth of Christ. When this Gregorian Calendar system was developed and applied to western Europe, approximately five hundred years ago, they did not have the sophistication of computer/astronomical observations to correct the date of Christ’s birth, if we agree with Martin’s research, to the year 3 BC.

“The above span of dates (approx. 16 months) coincides with The Slaughter of the Innocents, where Herod killed all males under the age of two years. Herod died shortly thereafter. Interestingly, More than 600 planetariums here and in Europe have revised their Christmas star show to match this work of E. L. Martin.”

594px-Giotto_-_Scrovegni_-_-18-_-_Adoration_of_the_Magi

The above painting is entitled the Adoration of the Magi by Florentine painter Giotto di Bondone (1267–1337). The Star of Bethlehem is shown as a comet above the child. Giotto witnessed an appearance of Halley’s Comet in 1301.

“Magi were not really just astrologers. They served as court advisors, going from one royal court to another. It would not then be difficult to suppose they had come from a great distance with gifts. In those days all astronomers were acquainted with astrology. They were also mathematicians.” This is the end of Fr. Most’s article.

For more information check out Fr. Most’s website: copiosa.org/christmas/index.htm. As you go down this index on the left hand side you will see Fr. Most’s complete article on the Probable Date of the Birth of Christ. His site has some very interesting articles that can be very helpful in explaining to people – especially children – the origins of Catholic Christmas traditions.

220px-Nativity_Icon

The above icon was written (painted) in Russia and displays, in a lovely catechetical way, the entire Nativity narrative: the angel’s appearance to the shepherds, the Star of Bethlehem (appearing as a disk with a shaft of light coming down to the cave of the birth, the actual birth of the child Jesus being wrapped in swaddling clothes by His Blessed Mother – Mary, the coming of the Magi, the washing of the child Jesus, and St. Joseph being visited by an old man in furs (some refer to this last image as the temptation to doubt that confronted Joseph.

Soon after the dream visitation by an angel, St. Joseph realizes the nature of this Child. He understands that he is given the responsibility to care for Him and His mother and raise the child as if He was his very own. St. Joseph does exactly that; he is the epitome of quiet, loving leadership, and a model for all fathers.

St. Joseph is silent throughout the entire Gospel narrative. Yet, his actions speak louder than words. We see in St. Matthew’s Gospel (Chapter 1: 18ff) that he ultimately had a thoughtful plan to quietly divorce Mary when he learns that she is pregnant; however, he is not stubborn or hard of heart, for when the angel Gabriel visits him and tells him what is happening he does not rebel and say “No, I will not do it” out of pride or ego. Rather, he changes his plan and trusts the angel’s message which was sent by God to him.

This is so important – and it should speak volumes to us – if we, too, have open hearts and minds to hear what God is telling us in prayer, Scripture, and the grace of the Holy Sacraments. These three sacred tools, along with a holy orthodox spiritual director, will assist us on our path – and like the Star of Bethlehem – lead us to the Christ.

In the immortal words of Tiny Tim Cratchit: “… and a Merry Christmas, everyone!”

Copyright © 2012 Deacon Paul O. Iacono All Rights Reserved

December 21, 2012 – The Archangel Gabriel’s Greeting to Zechariah

A very clear narrative greets us in the Gospel by St. Luke. He tells us that both Zechariah and his wife Elizabeth were both righteous before God: walking in all the commandments and ordinances of the Lord – they were blameless; but they have no child. Elizabeth was barren and both were elderly. We read of Zechariah silently bringing his heavy heart before the Lord – even after all those years – it was still burdened with disappointment. The couple probably remembered Psalm 112 which says:

“Happy the man who fears the Lord, who takes delight in his commands. His sons will be powerful on earth; the children of the upright are blessed.”

Zechariah was a priest, and on that day – by lot – it was his turn to enter the chamber within the Temple called the Holy Place and burn incense on the special altar. The Holy Place was a small chamber that led to the Holy of Holies, which housed the Ark of the Covenant.

For whatever reason, Zechariah that morning carried his disappointment with him into the Holy Place; and while he was there the archangel, Gabriel, appeared on the right side of the Altar of Incense. Gabriel tells Zechariah not to be afraid and that his prayer was heard before the throne of God. Gabriel continues with the joyous news that Elizabeth will bear a son, and that he will be called John – which in Hebrew means – “the Lord is gracious.” This child will grow and be great before the Lord, and even from his mother’s womb – he will be filled with the Holy Spirit.

But, in a typically human way, Zechariah questions the archangel’s announcement. His query must have been different in tone. It must have had the typical masculine attitude of “Are you kidding me!” Zechariah’s tenor makes Gabriel, and possibly God, indignant – and Zechariah is struck speechless for his insolence.

In Scripture, few lines later, we see Gabriel’s announcement to Mary. She questions him, too, as “How can this be since I do not know man? But Gabriel does not strike her speechless. We have to be struck by this difference. What does it teach us?

It is clear that God knows our hearts. God knew what was on Zechariah’s heart when he was in the Holy Place. Zechariah does not trust the message or the messenger, and by inference – he does not trust God. God knows his heart; and disciplines this good man. Like Zechariah, we, too, may disbelieve God. In our sophistication or position in life we may say “Well that’s fine, but, the Scriptures don’t apply to our situation, or this specific teaching was acceptable years ago, but, too much time has passed and it doesn’t apply to my problems.

The Gospel says that Zechariah and his wife were good and righteous people. It was mentioned that he kept all the Commandments and ordinances. Yet, when his big moment comes – where is all that goodness and righteousness? It might still be there in his heart, but, there was also a pocket of doubt – a crevice of skepticism – that was significant enough for him, as a priest of the Almighty God, to be struck speechless in punishment for not trusting Gabriel’s message.

As sacred artists, as Christians, this Gospel asks us to stop, and check our souls in this last week of Advent. It asks us how patient, confident, and trusting have we been of the Lord’s message to our hearts, and have we allowed this to carry over into our actions? Have we become more interested in all the hype about the end of the world from a pagan culture, or, have we trusted in the Word of the Lord and His messengers?

Zechariah learned the hard way that when the Lord prepares us for His coming He desires us to be alive, awake, and alert to His call and to trust His message. So, our prayer in these last days of Advent should echo that of Zechariah, who in the months of speechless waiting, most likely in his mental prayer said,  “Lord, I believe; cleanse me of my disbelief. Lord, I trust, heal me of my distrust;” and it should also echo that of Mary – who in humility and expectation waited patiently for the graciousness of the Lord to take fruit in her womb.

Copyright © 2012 Deacon Paul O. Iacono All Rights Reserved

Thanks to angels-angelology.com for stained glass window image

The Immaculate Conception of Mary – The Beauty of the New Eve

We are about to begin the second week of Advent and as you may know the word Advent has its root in the Latin word adventus which means “coming.” The liturgical term adventus is similar to the Greek word parousia which refers to the Second Coming of Christ at the final judgment of the world.

Through the millenia Church scholars have linked these two words together because they hope to instill within us the understanding that we are on a spiritual journey. In this journey we experience the waiting period – the longing – for the coming of Jesus, the actual birth of Jesus, and then, we again experience the waiting time for His return at the Second Coming.

As part of our preparation for the great solemnity of Christmas, the Catholic Church, in both the Western and Eastern Rites, remembers the significance of Mary’s immaculate purity as being a necessary part of this entire spiritual journey.  For in her humble “Yes” to the invitation to be the Mother of the Messiah, Mary becomes the New Eve – the mother of Jesus – and the Mother of the Church.

Our sacred Tradition tells us that Mary was the daughter of Saints Joachim and Anne. They were devoted Jews who raised their child to be loyal and pure within the Jewish holy tradition. Mary was born within the royal line of King David and was betrothed, and later married under Jewish law, to Joseph, a respected Jewish carpenter from Nazareth.

Little is known of Mary’s day-to-day life other than the references to her in the Gospels. Those early references indicate that she was a loving, concerned, and devoted person. During her Son’s ministry she attended the wedding feast at Cana, was present at Jesus’ crucifixion, and was most likely with the Apostles at the coming of the Holy Spirit on Pentecost.

The most famous Old Testament prophecies concerning the coming of the Messiah are Genesis 3:15, Isaiah 7:14 and Micah 5:1-4. In all three prophecies the Mother of the Messiah plays a prominent role.”Therefore the Lord Himself shall give you a sign; Behold, a virgin shall conceive, and bear a son, and shall call his name Immanuel.” [Isaiah 7:10-14].  The name Immanuel in Hebrew means “God is with us.”

As the mother of Jesus, and the wife of Saint Joseph, Mary is the greatest saint. She is the model of faith, purity, and maternal devotion for all Christians. Mary is called the Blessed Virgin because our Sacred Scriptures tell us that she conceived Jesus by the power of the Holy Spirit, so Saint Joseph is the foster father, not the biological father, of Jesus.

To become the mother of the Savior, Mary was “enriched by God with gifts appropriate to such a role.” (Lumen Gentium). Mary freely gave herself to God with complete trust even in the face of possible confusion about what was happening to her, and she freely responded and consented to God’s Will for her life. Mary’s “Yes” to God’s request that she become the Mother of the Incarnate Son of God, Jesus, enabled our Redemption to occur.

What is the Dogma of the Immaculate Conception?

The Church teaches that Mary was conceived without sin.  This is the Dogma of the Immaculate Conception which we celebrate on December 8th of every year. This Solemnity explains to us that Mary received from God a special grace which is known as Prevenient Grace. Prevenient Grace is a “grace that comes before.” This means that prior to Mary’s biological conception, God decided that in His plan for salvation history He needed a totally pure woman to be the New Eve – to be the New Ark – free from all stain of sin and free from any future sin.

This was possible through God’s gift of Prevenient Grace which was given at her conception. Mary burned with God’s grace, purity, and love – gifts that were freely given by God.  She, like the burning bush that Moses confronted, was enriched by these gifts and, like a warming fire, softly radiated the grace of God’s love to those around her.

As The Catechism of the Catholic Church states in paragraph 491, the Dogma of the Immaculate Conception means that “Mary was redeemed from the moment of her conception.”  Pope Pius 9th  announced this Dogma when he said: “Mary was preserved immune from all stain of original sin.” This was accomplished through the power of God. He willed and acted so that Mary should be free from the stain of sin. Mary, as the angel Gabriel described is “full of grace”… “Hail Full of Grace / Rejoice Highly Favored One.”

The Fathers of the Eastern Catholic Church also agree with this truth and verify it when they address the Mother of God as “the All-Holy” (Panagia) and celebrate her as free from any stain of sin.

Theotokos-the-burning-bush-Inner-Liturgy-of-the-Heart

An interesting article entitled Mary in Scripture, on the EWTN website, explains “The angel Gabriel’s greeting to Mary is of great consequence for our understanding of Mary and Marian doctrine. The greeting has been variously translated as “Rejoice highly favored” and “Hail full of grace.”

The object of the varied translations is the Greek word kecharitomene which refers to one who has been transformed by God’s grace. The word is used only one other time in the New Testament and that is in the Epistle to the Ephesians where Paul is addressing those who, by becoming Christians, are transformed by grace and receive the remission of sins. It is clearly significant that Mary is considered to already have been transformed by grace before the birth of Christ.” ( Confer the article “Mary in Scripture” at this site: http://www.ewtn.com/library/MARY/MARYINSC.htm

So, we see that God intervened and did not allow the stain of Original Sin to be passed to Mary. She – as the pure vessel – would receive the redemptive grace of God before the actual Redemption took place. This is logical and filled with common sense. Why would God the Father have His Incarnate Son be conceived in a woman who was tainted by the stain of Original Sin? As the Scriptures state – we do not put new wine into old wineskins. To make a commonplace analogy: would any self respecting surgeon, cook, artist, or musician use soiled instruments as they were healing, creating, or performing a masterpiece in their art?

The Christian scholar Origen (AD 185 – 254) made a very interesting observation, he said,  ”Because the angel greeted Mary with new expressions, which I [Origen] have never encountered elsewhere in the Scriptures, it is necessary to comment on this. I do not, in fact, recall having read in any other place in the Sacred Scriptures these words: “Rejoice highly favored one, O Full of Grace. “ Neither of these expressions is ever addressed to a man: such a special greeting was reserved only for Mary.” (quote taken from the article referenced above – “Mary in Scripture.”

In the year AD 431, at the Council of Ephesus in present day Turkey (attended by over 200 bishops from throughout Christendom), Mary was named Theotokos (the God Bearer) and a model of Christian living. “Mary is truly “Mother of God” since she is the mother of the eternal Son of God made man, who is God Himself.” (Catechism of the Catholic Church, 2nd edition, #509).

She is called the New Eve because just as the original Eve brought sin and death into the world, Mary, as the bearer of spiritual life, brought Jesus (the New Adam) into the world. This provided the opportunity for grace, Redemption from Sin, and salvation to impact and transform mankind for all eternity.

Since 1964, Mary has been honored as the Mother of the Church She is called The Mother of the Church because through her free choice she cooperated with God’s plan to be the Mother of God – mother of our Redeemer. As a result of His life, ministry death, and resurrection He was able to transform us into a new people and build a new “arc of salvation” (the Church) for us.

By the 700’s the Catholic Church celebrated four major Marian solemnities: the Annunciation (Gabriel’s announcement to Mary that she would be the Mother of the Savior), the Presentation of Mary in the Temple, the Assumption of Mary into Heaven, and the Birthday of Mary. The Immaculate Conception became popular by the tenth century. Saint Bernard of Clairvaux, Saint Louis de Montfort, Pope John Paul II and many other saints of the Church have written extensively on Mary and her role in the Church and in the lives of individuals. The Church teaches that Mary was assumed into heaven with body and soul united. 

Roman Catholics, Greek Orthodox, Russian Orthodox, and all of the Eastern Rite Catholic Churches DO NOT worship Mary. WORSHIP IS RESERVED FOR GOD ALONE. The Western and Eastern Rites of the Catholic Church pay respect and reverence to Mary but never worship her.

ourlady2

The meaning of Our Blessed Mother Mary for us today is that, especially at this time in history, we must remember that she spiritually pleads for mercy on behalf of us before the throne of God. She does this in the same way that a mother would intercede with the father on behalf of her children. She loves us with the love of a true mother – for she sees not only our faults but our inherent goodness, too. Please God that we respond to the graces she has to offer us. Hail Mary, full of grace. The Lord is with you. Blessed are you among women, and blessed is the fruit of your womb, Jesus.

Copyright © 2012 Deacon Paul O. Iacono All Rights Reserved

Some sources on the concept of Prevenient Grace: “Every time we begin to pray to Jesus it is the Holy Spirit who draws us on the way of prayer by his prevenient grace” (#2670 Catechism of the Catholic Church). “That grace is preceded by no merits. A reward is due to good works, if they are performed; but grace, which is not due, precedes, that they may be done [St. Prosper].” Can. 18. #191 Council of Orange II A.D. 529 (Second Council of Orange).  St. Augustine also wrote extensively on the concept of grace; and my Associate Pastor Rev. Joseph R. Upton, also mentioned it in his beautiful sermon for this solemnity’s vigil Mass on December 7, 2012 at St. Francis of Assisi Church in Wakefield, Rhode Island.  Special thanks to the blog: http://classicalchristianity.com/category/holyfathers/theotokos-mary/ for the Orthodox sacred icon of Mary and the Child Jesus surrounded by the Burning Bush.

Our Lord Jesus Christ, King of the Universe

Thought you might enjoy my homily for this weekend’s solemnity of Christ the King:

Today, the last Sunday of the liturgical year, we celebrate the solemnity of Our Lord Jesus Christ, King of the Universe; yet, our Gospel presents to us a scene that recalls Good Friday. For we again hear and visualize Pilate’s interrogation of Christ and His kingdom.

In the Book of Revelation Jesus is given the title King of Kings and Lord of Lords (Rev. 19:16); and today, at the heart of this Gospel, we are challenged to respond to that title.

It is a challenge that implores us to answer the most important question that we will ever confront:

Do I recognize – accept – and live my lifeas a witness to the truth that Jesus Christ is my Lord and King?” 

In 1925, when this solemnity of Christ the King was first instituted by Pope Pius 11th, the Pope realized that humanity was beset by all sorts of conflicting thoughts, ideologies, movements and distractions that continually cried out for attention and acceptance.

Pius 11th knew that the situation had to be addressed and that he needed to clearly state to the world that Jesus the Christ should be the only King of our hearts and souls.

“The Pope understood that “the claim of Christ came first: Pax Christi in regno Christi: the peace of Christ in the kingdom of Christ (as related by Fr. Ronald Knox).”  In other words – the peace of Christ comes only when we live our lives within and according to the kingdom of Christ.

We are here today because we know this to be true. Yet, there are many Catholics, and maybe even some of us – clergy and laity alike – who are similar to the people that Pope Pius was addressing in 1925.

We are conflicted. We are distracted. We are beset by numerous loyalties that, when examined are truly not of Christ – loyalties whether social, political, sexual, or financial that are more akin to the Kingdom of Darkness and Shadows – the Kingdom of Deception  – than the kingdom of Light and Truth.

We are beset by numerous confusions or lack of comprehension that affects our entire understanding of who Jesus is, what He accomplished on the Cross, and is capable of doing  for us in our own lives.

We shouldn’t be surprised by the statistics. There are approximately 68 million Catholics in this nation, but only 30% – or 21 million of them – actually practice their faith on a weekly basis and these numbers hold true for even our own parish.  (Gallup Poll, Parish census)

Based on these numbers alone, we must again ask the question: “Is Christ our King?”

If Catholics do not participate in the great prayer of the Kingdom of God – which is the Holy Mass – and have no understanding of the reality of Christ’s true presence in Holy Communion, and rarely receive the Sacrament of Reconciliation because they have lost all awareness of the concept of sin and have convinced themselves that they do not sin – will they receive the welcome of God’s love and fellowship at the time of their deaths?

My brothers and sisters – Jesus Christ is truly our Lord and King – but He will never force Himself on us. He gave all of us, repentant and unrepentant, the gifts of reason and free will; and through the Sacraments He freely gives to us the gifts of His saving grace.

Jesus does not want mankind to be robotic in their love and worship of Him; we can freely choose to be members of the Kingdom of Light  – or  –  the Kingdom of Darkness.

Remember Christ’s words in His Gospel – ‘Choose one Kingdom or the other’ – regardless of what the pundits say – there is no middle ground.

Next weekend we begin a new liturgical year, and as we do so it is incumbent upon us, in this Year of Faith, to evaluate ourselves and do everything we can to accept, practice, and proclaim that Jesus Christ is the king of our lives and souls – not just for an hour on Sunday – but for all eternity.

Copyright © 2012 Deacon Paul O. Iacono All Rights Reserved.

Thanks to livingscripture.wordpress.com for the icon of Jesus Christ, King of the Universe. The artist of this image was not listed.

The Exaltation of the Holy Cross of Jesus

Today we celebrate the feast of the Exaltation of the Holy Cross.

During the first 280 years of its life the Catholic Church was severely persecuted. The symbol of the Cross, the symbol of public humiliation and excruciating death, was rarely used in our Christian iconography. But this doesn’t mean that the early Christians were reluctant to express their devotion to the Cross. Writing in the year 204, the Christian theologian Tertullian said: “At every going in and out, when we put on our clothes, when we sit at table, in all the ordinary actions of daily life, we trace upon the forehead the sign [of the Cross].”

In the year 313, the Emperor Constantine signed the Edict of Milan which proclaimed toleration for the Christian faith within the Roman Empire. Constantine’s mother, Helena, made a pilgrimage to the Holy Land, and with the support of the local bishop, excavated the area known as the site of Golgotha.

Tradition states that portions of the true Cross, with a partial nameplate still attached was found, resulting in Constantine ordering that the Church of the Holy Sepulcher be built over the site. The church was dedicated nine years later, with a portion of the Cross placed inside it.

So the feast that we celebrate today marks the dedication of the Church of the Holy Sepulcher in the year 335. That Church was unfortunately destroyed by the Muslims in the year 1009, only to be rebuilt centuries later, with the new occupants, all Christians from different Rites of the Catholic Church, vying for control of the site.

Unfortunately, even among our brother Christian Churches – Orthodox, Latin, Ethiopian, Coptic, there have been numerous clashes and conflicts over the control of the site. It is as if these guardians of the Church had not internalized the meaning of the true Cross, the meaning of what happened on that site 2000 years ago, the meaning of the supreme sacrifice of God’s love.

Our Holy Scriptures tell us that Moses lifted up the bronze serpent, a sign of sin, and the people were healed. Jesus makes an analogy of the serpent with the healing power of the Cross, since it is a sign of our sin and our redemption.

The meaning of the Cross takes on a new dimension as a result of  the Father, through the power of the Holy Spirit, resurrecting Jesus from the dead. The Resurrection transforms the Holy Cross into a sign of Christ’s victory over sin and the opportunity that we have to personally choose to accept His victory and make it a part of our life.

God, through the instrument of the Holy Cross, shows us the level of His love for His creation. The Father shows His love for us by giving us the best He has, His Son, and His Son shows His obedience and trust in the Father,  through His willingness to become a perfect offering, a pure sacrifice, back to the Father on our behalf.

Let us pray that we, on a daily basis, attempt to imitate this profound love of God. Our love is strengthened by the truth of our faith, and by the historic reality of the Cross. When we do this we will understand that the crosses that we carry, and the sufferings that we endure, unite us to the Lord, and help us transform our lives into His.

Copyright © 2012 Deacon Paul O. Iacono All Rights Reserved.  Notes on the painting: The above fresco painting and its close-up were completed by the Italian painter Masaccio during the years 1425-27. It is currently located in the church of Santa Maria Novella in Florence, Italy. This is a very important painting in the history of western liturgical art for it combines the images of the Father, Son, and the Holy Spirit (the white dove that appears as a scarf or collar around the Father’s neck). Current research mentions that the brilliant engineer and architect, Philip Brunelleschi, may have been consulted by Masaccio since he had continued the research into the ideas of linear perspective. You can view this sense of linear perspective in this painting in the three dimensional aspect of the vaulting behind the figures. Brunelleschi had continued the studies on linear perspective that were started by the famous painter from Siena, Peter Lorenzetti, in the early 1300’s.

Saints Pontian and Hippolytus and Our Call to Duty

Today we celebrate the martyrdom of Saint Pontian, who was the lawfully elected successor pope to St. Callistus during the early 3rd century. St. Pontian was considered a criminal by the emperor Maximinius and banished to the silver mines in Sardinia – an exile which meant certain death. We also celebrate today a saint by the name of Hippolytus, who was a priest in the Church of Rome at this same moment in time.

Saint Hippolytus is recognized because of his brilliance and profound scholarship. He is considered to be one of the finest theologians of the 3rd century, and is the source of the 2nd Eucharistic Prayer recited at Mass. Hippolytus’ most important work is a treatise known as The Apostolic Tradition; and scholars such as Dr. Marcellino D’Ambrosio, (at http://www.crossroadsinitiative.com) tell us that it provides “an enlightening and extensive glimpse into the liturgical and devotional life of Roman Christians around the year 200.” The statue found below is of Roman origin, found in the mid 16th century. It has the name Hippolytus carved into it as well as references to works of other Apostolic Fathers. The image is presented through the courtesy of Dr. D’Ambrosio.

Controversy, however, erupted when St. Callistus, was elected to the papacy. St. Hippolytus considered Callistus to be a liberal since Callistus extended absolution to new converts who had committed mortal sins such as adultery and murder. Hippolytus contested the election, violently disagreed when Callistus was affirmed, and then made history by declaring himself pope, thus becoming the first anti-pope in the history of the Church!

As a result of his action he divorced himself from full communion with the Church. When Pope Callistus was martyred, in the year 222, Hippolytus began disagreeing with his successors – the last being Pope Pontian.  Hippolytus’ theological differences and self-imposed actions didn’t mean anything to the Romans for they arrested him, too, and exiled him off to Sardinia; and there, St. Hippolytus – the anti-pope met St Pontian, the true pope and lawful successor to Pope Callistus.

In the silver mines of Sardinia, Pope Pontian abdicated his office, making way for a lawful successor to be elected, and Hippolytus renounced his anti-papacy and was absolved of his sins by Pontian. Fully reconciled they died together for the faith in the year 235.

So, what does this have to do with us?!

Our Gospel today (Matt 17: 22 – 27) provides the answer, for in it our Lord and the Apostles were confronted with the arrogance of the officials who implied they were evading the local taxes.  Jesus attempts to clarify His position not only for St. Peter but for the officials as well.

Jesus is basically saying that, yes, they must pay the tax; the reason being they must not do anything to put a stumbling block in the way of people understanding His ministry and message. Again we see Christ not getting political. He is not ranting about the just or unjust qualities of the Temple tax, or Roman occupation. He is beyond that, and demands that the Apostles, as His successors, not give a bad example to the people.

This is a lesson that St. Hippolytus, for all of his brilliance never learned. He did give bad example to the Church of Rome in declaring himself an anti-pope. His dissension and attacks were not productive or helpful in a highly charged environment which constantly witnessed Roman persecution.

Yet, St. Hippolytus ultimately saw his sin, repented of it, and along with Pope St. Pontian, did his duty and defended the true faith with his life. We must always do the same, and whatever our calling or ministry may be, we must never become a stumbling block that prevents others from seeing and believing in Jesus and His Church.

Copyright © 2012 Deacon Paul O. Iacono All Rights Reserved   Images of all the popes are found in the Basilica of St. Paul Outside the Walls in Rome, Italy. The custom of having a mosaic of a deceased pope put on display was started by Pope Leo the Great.

Fr. Richard Reiser’s Beautiful Icon of the Transfiguration

The article that is found below my opening comments, and the image of the Transfiguration, is reblogged, through the courtesy of Fr. Richard Reiser, pastor of St. James Catholic Church Omaha, Nebraska.

I really enjoy Fr. Reiser’s iconographic style. He is able to convey the Scriptural truth of the Transfiguration while, at the same time expressing it in artistic language accessible to contemporary Christians. Fr. Reiser studied with noted master iconographer Philip Zimmerman who founded the St. John of Damascus Icon Studio in Pennsylvania. Father Reiser pointed out to me in an email, that St. James is larger than the other saints. This resulted from the fact that he painted this icon for his parish church – St. James Parish.


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    Icon of the Transfiguration (Mark 9: 2 – 10), by Fr. Richard Reiser, pastor of St. James Catholic Church Omaha, Nebraska. Copyright Fr. Richard J. Reiser, iconographer. Each icon panel measure 36″ x 54.”

God our Father in the transfigured glory of Christ your Son, You strengthen our faith by confirming the witness of Your prophets, and show us the splendor of Your beloved sons and daughters. As we listen to the voice of your Son, help us to become heirs to eternal life with Him who lives and reigns with You and the Holy Spirit, one God, forever and ever. Amen.

THE TRANSFIGURATION OF THE LORD    

by Fr. Richard J. Reiser  

A HISTORY OF ICONS

“An icon is a religious work of art done in a symbolic and stylistic manner. Its main focus is not with realism but with spiritual realities.  The icon was a favorite art form that developed in the early Church and became the preferred style of religious representation for the Eastern Orthodox Church.   In the Roman Catholic Church, mosaics and types of statuary were the prominent styles of art used for religious representation.

Realism or accurate perspective is not a primary concern in iconography. The main purpose of an icon is to draw the viewer into the realm of the holy through contemplation. An icon in this sense means to “see through to the divine,” or to be a “window to heaven”.  In icons, the details of the eyes should draw the viewer into a vision beyond the present. The perspectives are more subject-centered as a way of focus, rather than relying on realistic horizon lines.  The icon does not, after all, represent the material world, but the realm of the Divine.

The stoic faces on the figures in icons suggest that the holy ones, whose lives of service work are now accomplished on earth, now contemplate and rest in the presence of the Divine (signified by the light [halo] which surrounds the heads of the holy figures).

THE TRANSFIGURATION ICON

The two-panel icon of the Transfiguration has been done in a contemporary method and should be understood as a religious painting done in an iconographic style since it was not written (painted) following the strict rules of traditional icons that included rigorous fasting, special prayers, and special mixing of pigments with egg whites. This icon is written with acrylic paints.

The two oaken panels each measure 36″ x 54″, and their rounded tops echo the architectural detail found elsewhere in the church.  The event of the Transfiguration is found in Matthew 17: 1 – 8 and Mark 9: 2 – 8.  The naming of the icon (Transfiguration) is done in English, but in a contemporary Slavonic (Old Russian) style of lettering.

The images on the panels are of Jesus Christ, St. Elijah (1), St. Moses (1), St. Peter, St. James, and St. John. Jesus Christ and St. James are larger than the other figures to give them prominence; Jesus, since he is the main figure of the Transfiguration, and St. James, since he is the patron of the parish.   The icon is designed to invite the viewer to participate in the event of the Transfiguration by allowing the light coming from Christ in the first panel to confront the viewer, then, inviting the viewer to connect the light of Christ to the apostles in the second panel.   The rays of light that emanate from Christ were done in a stained-glass style that reflects the shape and colors of the stained glass found elsewhere in the church (2).

THE MOUNT TABOR PANEL (at right)

The central figure of the right panel is Jesus Christ, clothes in white and surrounded by light in the traditional manner which depicts Him in glory, along with the creedal statement of “Light from Light.”  The aureole (the gold-leaf background) which surrounds the entire body of Jesus.   Christ’s halo contains the traditional Greek letters that identify Jesus Christ as “I Am,” the title of God given to Moses in Exodus 3:14 and given human expression in Jesus as the divine Son of God.   The Greek letters to the left and right of the aureole are the traditional abbreviations for “Jesus Christ.”   High right hand is raised in the traditional gesture of blessing where the two joined fingers represent the two natures (human and divine) of Christ.

A scroll is held in Christ’s left hand and is symbolic of Christ being the Word that became flesh (John 1:14).

The haloed figure of Moses to the right of the Christ figure bows in deference towards Christ who is the completion and fulfillment of the law. Moses reverently holds the two tablets of the Ten Commandments without directly touching them.  They symbolize the law with the word Torah (3) inscribed on them in Hebrew. Moses is represented as the younger man than he was at the time he received the tablets of the law.   The garments of Moses are brownish red and blue.

The haloed figure of Elijah to the left of the Christ figure, also defers to Christ as the completion and fulfillment of the prophets. Elijah was taken up to heaven in a whirlwind. His garments are green and blue.

All three figures on the right panel stand atop Mount Tabor (4).  The mountain suggests the place of God’s revelation to Moses in the Old Testament when he was given the law (Deuteronomy 5), and the place where Elijah the prophet experienced the voice of the Lord in the gentle breeze (1 Kings 19: 8 – 13). Icons of the Transfiguration show Jesus Christ as God’s full revelation by being presented on a mountain.

THE APOSTLES PANEL (at left)

The Apostles panel of the left is divided into three plateaus each supporting one of the apostles closest to Christ. The center plateau is larger and bright and it supports St. James. He is shown humbled on his knees, because of the experience of the Transfiguration.   He is reaching forward while attempting to secure stability and balance on the rocky plane.   He is presented with his hand shielding his face from the light.  His outer garment flows in the wind generated by the force of the transfigured Christ. The trees representing creation also bend by the power of Christ’s transfiguration. He is attempting to seek Christ, but with difficulty. The halo surrounding his head marks him as a saint. His outer garment is purple and his undergarment is green.

The upper plateau supports St. Peter who is held back from the force of the Transfiguration by a ledge where his feet are supported.   His outer garments flows in the win. As the leader of the apostles, he points to the light and to Christ. The haloed figure is presented with the traditional gray hair and beard suggesting wisdom. Positioned on the rock, he is named by Christ as the “Rock” on which Christ will build His Church. His outer garment is the traditional gold, and his undergarment is green.

The haloed figure of St. John is the bottom figure. He is the brother of St. James. His right hand shield his face from the light.   His outer garment flows in the wind. His left hand reaches forward clinging to the rock. A ledge supports his forward right leg and holds him which his back leg waves freely with the force almost releasing his sandal. His beardless face is the traditional way of depicting his youth. He is said to be the youngest of the apostles. His outer garment is green and his undergarment is blue.

The maize-colored border of both panels reflects the color and stained glass of the central rose windows in the church (5).  The medallion on the right panel border holds a piece of rock from Mt. Tabor. The medallion on the left panel border holds a relic of St. James.”

THE INSCRIPTION ON THE BACK OF THE ICON PANEL

“The inscription on the back of the icon panels reads:  The Transfiguration   Feast – August 6.   Blessed by Fr. Richard Reiser   August 6, 2006. Donated by Colleen Mahoney in memory of the William and Colleen Mahoney Family Fr. Richard Reiser, iconographer.”

“Notes:

(1) In the Orthodox tradition, both Elijah and Moses are considered saints.

(2) A similar technique with the fishing net was used by Brother Robert in the “Calling of James” icon in our (St. James) church.

(3) The first five books of the Old Testament’ they present all of the 613 laws and interpretations that are central to Judaism.   In Jewish services the scrolls of the Torah are still extravagantly decorated and venerated with respect when they are proclaimed.

(4) Mount Tabor is more of a geographical mound in the area of Galilee and not a mountain as such.

(5) This border also is found on the “Calling of James” icon.”

Copyright © 2012 Reblogged image and article painted and written by Fr. Richard J. Reiser. All Rights Reserved

St. Peter Chrysologus’ Appeal By Christ To Be Transformed

Today is the memorial of Saint Peter Chrysologus.

Peter was born in the late 4th century in northern Italy. In 424, after serving as a deacon and priest in Emilia, he became bishop of the Italian city of Ravenna. Little reliable information about St. Peter’s life survives, except that he successfully drove heresy and the remnants of Roman paganism from his diocese by doing two things: providing exceptional pastoral care to the people and by giving practical yet passionate sermons. St. Peter’s brief sermons were so inspiring that he was given the title “Chrysologus” which means “of golden speech.”

He was declared a Doctor of the Church in the 18th century. In order to be called a Doctor of the Church the Pope and Cardinals must agree that the individual possessed three main characteristics during his or her life: truly outstanding holiness; a depth of doctrinal insight; and a body of writings which the Church recommends to people as authentic and life giving. These three qualities contributed to Peter’s success in ministering to the people of his diocese.

Our Gospel today speaks of the tiny mustard seed growing into a large bush, or the tiny yeast germ enabling the flour to rise. This theme of transformation is at the center of the story of the Incarnation. In a homily on this theme, St. Peter beautifully describes how Jesus is able, through His two natures, to touch and transform us. Christ meets us on a daily basis in prayer, and especially through the Scriptures and His real presence in the Holy Eucharist.

By means of these two marvelous gifts St Peter explains that we are able to identify with Jesus and be converted like the mustard seed and yeast germ, into something so much greater –  we are transformed and divinized into the life of Christ Himself. In one of his homilies, he has the Lord speaking and appealing to His people. He says,

“Listen to the Lord’s appeal: In me, [your Lord] I want you to see your own body, your members, your heart, your bones, your blood. You may fear what is divine, but why not love what is human? You may run away from me as the Lord, but why not run to me as your father? Perhaps you are filled with shame for causing my bitter passion. Do not be afraid. This cross inflicts a mortal injury, not on me, but on death.

These nails no longer pain me, but only deepen your love for me. I do not cry out because of these wounds, but through them I draw you into my heart. My body was stretched on the cross as an icon, not of how much I suffered, but of my all-embracing love. I count it no less to shed my blood: it is the price I have paid for your ransom. Come, then, return to me and learn to know me as your father, who repays good for evil, love for injury, and boundless charity for piercing wounds.”

May the Lord continue to raise up men and women with St. Peter Chyrsologus’ gifts to feed and care for His people.

Copyright © 2012 Deacon Paul O. Iacono All Rights Reserved.

Image of St. Peter Chrysologus courtesy of info@crossroadsinitiative.com

 

A Sacred Image – The Sun of Justice, Jesus Christ

You are probably thinking, the poor old fellow has made a mistake in his spelling. Shouldn’t the title read “Son” of Justice?

One evening a passage from Evening Prayer in the Divine Office caught my attention. It was the final prayer and it read: “Father, yours is the morning and yours is the evening. Let the Sun of Justice, Jesus Christ, shine for ever in our hearts and draw us to that light where you live in radiant glory.” That phrase provided this image’s title: Sun of Justice, Jesus Christ.

My intent was to have the image direct the prayerful observer to meditate on the truth that Jesus Christ is metaphorically the Sun, which as a result of His obedient and willing sacrifice on the holy wood of the Cross, shines in our hearts. It is up to us to prevent its eclipse in our soul.

Through his death and resurrection He redeemed us of our sins and guides us back to the Father. He is the Son and the Word of the Father. He is the Light of the World. He is also the Sun of Justice, in that we as individuals will all surely have His light illumine our souls and be judged by His standards.

The face and garments of the sacred image are not  painted in the artistic language of traditional iconography. I made preliminary sketches and based them on the drawings and wood carvings of Brother Martin Erspamer, O.S.B.      I attempted to emulate woodcarving methods.

I am happy to say that when you are praying in its presence it does provide comfort to your soul.

This sacred image of The Sun of Justice, Jesus Christ was a gift to Fr. Joseph R. Upton. He is a wonderful and holy priest who serves as the Chaplain of the Fra Angelico Institute for Sacred Art.

Essay and photo of the above sacred image – Copyright © 2012. Deacon Paul O. Iacono All Rights Reserved

When People Or Governments Get In Our Face

Recently I received a rather funny email from a friend concerning a God loving Marine coming to terms with an atheist professor. It triggered, however, a serious reflection on how we, as Christians, are to confront those who “get in our face” about issues of spiritual beliefs, sacred art, religious freedom, and personal liberty.

The passage from St. Matthew’s Gospel, chapter 5: 38-42, on “an eye for an eye and a tooth for a tooth” gives us an insight into who Jesus is as God. The behaviors that He explains, and asks us to imitate, are actions that He would perform; so in this passage on “an eye for an eye” we are getting a glimpse into the personality of God.

Jesus explains that the old Jewish law of “an eye for an eye and a tooth for a tooth” is no longer appropriate or virtuous in God’s eyes, it doesn’t reflect the behavior and actions that the Lord is trying to teach His people to follow, actions which reflect the Lord’s own mind and heart.

The following photo by talented photographer Kenny Lindstrom found at www.flickr.com/photos/kennylindstrom/ provides meaning, visual imagery, and the clarity of a typical traffic stop sign. We instantly recognize what the creator of this sculpture is trying to say (by the way, is this image done in sand, stone, or clay?). We get the message; but, as in all art, its interpretation depends on the values and beliefs of the viewer. Lindstrom’s photograph is a wonderful example of how a piece of art can display an impression that is both a teaching and reflective moment for the viewer.

The Holy Scriptures, however, are not to be viewed as artistic reflections or suggestions to the reader and listener. The Holy Spirit divinely inspired the Bible; thus, the faithful understand (sometimes better than many of the academics) that Jesus, as the Son of God, came to teach, preach, and heal mankind. His words are not suggestions, they are directions for living within His Sacred Heart; and that demands fortitude, perseverance, and most importantly, His grace.

Over the last two thousand years the Catholic Church has taught that we have a right to defend ourselves – a right to resist the evil that is done to us. But Jesus teaches that we should not resist evil with an evil response or by an evil means  – in other words we should not resist evil with a spirit of vengeance, rage, anger or with an unlawful or excessive physical or verbal response.

So, Jesus is teaching us that the tribal law of an “an eye for an eye and a tooth for a tooth” is destructive and directly opposed to the Father’s plan of a loving spiritual family living within a shared community.  Yet, not everyone in the world is a Christian; and the 20th and 21st centuries are showing themselves to be much more personally and collectively violent than many of the other centuries combined.

So what do we do? Jesus teaches us that our response to evil and insult, as difficult as this may be, should be measured; that is, it should be filled with patience and grace. For if we confront and attempt to defeat evil with an evil or vengeful response, then, we are weakening ourselves and empowering that which we hope to defeat. This does not mean, however, that we are to deny a sense of righteous and justifiable anger over injustices that are done – the Lord Himself gave witness to that when He drove the moneychangers and polluters of His Father’s Temple into the street.

The world can slap us on the cheek, it can take our belongings, it can take away our religious, political, and artistic freedoms and prevent us from speaking out against injustice, and it can even take our lives, but it can never touch our hearts or souls because the Lord God Himself has forever claimed us as His own children.

Let us pray that when we do have to correct our own actions or those of another, we do it based on Jesus’ spirit of graceful moderation, love, and kindness.

Copyright © 2012 Deacon Paul O. Iacono All Rights Reserved

Shaped By The Potter’s Hands

All of us struggle with the reality that the experiences of our life may harden our hearts and deafen our ears to God’s truth. We may be similar to the  disciples in this past Sunday’s Gospel (Luke 24: 35-48), who were filled with anxiety – until – – the moment “He opened their minds to understand the Scriptures.”

Jesus shows them the nail wounds in His hands and feet. He explains to them that the Scriptures teach that we cannot have glory and honor without the willingness to suffer and die to our own sinful will and perceptions.

He teaches them that they need to see the connection between His passion and death with His resurrection. He explains this so that they can understand what He is truly about, and that their mission, “as witnesses to these things” is to go out and preach the truth of His words and resurrection. Jesus explains, if they cooperate with and are open to His teaching, then they will realize that life’s events will shape them into what they are truly meant to be and the Father’s plan will end in glory for them, too.

We can relate the shaping and opening of the disciples’ minds to the creation of a beautiful piece of pottery or a favorite coffee mug or tea cup that we may own. That cup started out as a simple lump of clay. Its creator – the artist – put it on a potter’s wheel, moistened his or her hands, and began to firmly and patiently mold the lump of clay into a cup.

The cup had to be put into a kiln and heated – then taken out, allowed to cool – painted – put back into the kiln again – and then, at the right moment – taken out of the heat and allowed to cool – to eventually be used for the purpose it was created.

The cup – a few days or weeks before – was just a soggy lump of clay – all closed in on itself; but now, after all the pounding, shaping, heat, and stress of its experience – it is open to serve the purpose intended for it by its creator – its ceramic arms now open to embrace and hold what it was intended to receive – and thus, be a useful instrument – a good and faithful servant.

This analogy helps to explain a thread running through the fabric of Holy Scripture, a thread, Jesus probably repeated to His disciples which is from the prophet Jeremiah, it says “As clay in the potter’s hand, so are you in My hand…” (Jer.18.6);

Our creator, God the Father – has spoken to us through His Son and laid His potter’s hands on us – His chosen vessels. We are all lumps of clay. We have all been pounded and shaped on the wheel of life.

We are a people who have been put into the furnace of life’s circumstances, suffered through sickness or various types of torments and troubles, and who sometimes find ourselves hanging on by a mere thread, but with Jesus’ help – in the end – even though we have suffered much – we are made stronger in our faith – and are viewed as beautiful in the eyes of God because we have not given up.  The clay of our life has been moistened by God’s Holy Scriptures and Sacraments – and because we have patiently kept the faith – we have not cracked in the heat of the kiln of life.

Like the disciples in today’s Gospel let us be willing during this Easter season, to have our hearts and minds opened, shaped, and molded through the patient and loving hands of Our Lord in His Words and Sacraments. If we allow Him to do this, even though we have experienced the wheel of life and the kiln of adversity, we will emerge as beautiful and faithful servants of our Lord.

Special thanks to http://blog.lablanchepoterie.com/ for providing the image of the potter cutting the cup away from its base.

Copyright © 2012 Deacon Paul O. Iacono All Rights Reserved

Our Living Hope: The Tomb Cannot Hold Us

Catholics, Orthodox, and Protestants  – we are all an Easter people. For two thousand years we have – through faith in historical documents and human witness – been invited to believe in a divine act of revelation: the Easter resurrection of our Lord and Savior; for it is in that act that our God shows us who He truly is.

We believe that the resurrection of Jesus is a historical and spiritual fact; and that the resurrection of Jesus not only explains the truth of His promises but it demonstrates what has been promised to us.

On the first Easter morning, Mary Magdalene, Peter, and John saw that the stone had been rolled away from Jesus’ tomb; and as they looked in  – they came face to face with their eternal destiny. Since no stone could have stopped the resurrected Jesus, it was pushed away not to let Jesus out – but to let them – and us – in.

Like Mary, Peter, and John, and all the others, we come to realize that we are an Easter people – which means that we are an eternal people – members, through our holy baptism, of the family of the eternal high God. The tomb could never hold the resurrected Jesus, and – as a people of faith – it cannot hold us.

St. Paul tells us in his epistle to the Hebrews that “faith is the assurance of things hoped for, the conviction of things not seen.” (11: 1)

But what is hope? Hope is trust based on a divine promise. We have hope because we trust the words and deeds of Jesus Christ. We trust in His promises to us.

Our hope interacts with our faith in Him – and we are forever changed because of it. You and I are certain of our faith, because we understand and rejoice in the hope that our God does not lie – our Scriptures do not lie  – our Sacred Tradition does not lie; so as an Easter people we possess the hope that St. Peter speaks of when he says: “…we have been born anew to a living hope through the resurrection of Jesus Christ from the dead.   (1 Peter 1:3).

As we celebrate the Easter season, let us – as our Lord tells us today – “Be not afraid”  – let us be joyful and thankful for the gift of faith and the willingness, in the face of all odds, to share our faith and joy with others.

May God grant you a joyous and creative Easter season!

The attached sacred image was painted by Fra Angelico in 1441 and is entitled “The Women at the Tomb.”       Copyright © 2012 Deacon Paul O. Iacono All Rights Reserved

Holy Saturday Meditation: Something Strange Is Happening

“Something strange is happening – there is a great silence on the earth today, a great silence and stillness. The whole earth keeps silence because the King is asleep. The earth trembled and is still because God has fallen asleep in the flesh and he has raised up all who have slept ever since the world began. God has died in the flesh and hell trembles with fear.

He has gone to search for our first parent, as for a lost sheep. Greatly desiring to visit those who live in darkness and in the shadow of death, he has gone to free from sorrow the captives Adam and Eve, he who is both God and the son of Eve.

The Lord approached them bearing the cross, the weapon that had won Him the victory. At the sight of Him Adam, the first man He had created, struck his breast in terror and cried out to everyone: “My Lord be with you all.” Christ answered him: “And with your spirit.” He took him by the hand and raised him up, saying: “Awake, O sleeper, and rise from the dead, and Christ will give you light.”

I am your God, who for your sake have become your son. Out of love for you and for your descendants I now by my own authority command all who are held in bondage to come forth, all who are in darkness to be enlightened, all who are sleeping to arise. I order you, O sleeper to awake. I did not create you to be held a prisoner in hell. Rise from the dead, for I am the life of the dead. Rise up, work of my hands, you who were created in my image. Rise, let us leave this place, for you are in me and I am in you; together we form only one person and we cannot be separated.

…For the sake of you, who left a garden, I was betrayed to the Jews in a garden, and I was crucified in a garden.

See on my face the spittle I received in order to restore to you the life I once breathed into you. See there the marks of the blows I received in order to refashion your warped nature in my image. On my back see the marks of the scourging I endured to remove the burden of sin that weighs upon your back. See my hands, nailed firmly to a tree, for you who once wickedly stretched out your hand to a tree.

…a sword pierced my side for you who slept in paradise and brought forth Eve from  your side. My side has healed the pain in yours. My sleep will rouse you from your sleep in hell. The sword that pierced me has sheathed the sword that was turned against you.

Rise, let us leave this place. The enemy led you out of the earthly paradise. I will not restore you to that paradise, but I will enthrone you in heaven… the kingdom of heaven has been prepared for you from all eternity.”

The above quotation is from an ancient homily of the Catholic Church from its earliest centuries and is found within the Divine Office of the Roman Catholic Church. It is taken from the Office of Readings for Holy Saturday.

The first image of “The Harrowing of Hell” was painted by the Florentine painter Fra Angelico between the years 1437-46. The second image on this same subject was completed around the year 1315 by an artist of the Orthodox Church who painted this wall icon in fresco. It is presently found in the Chora Church in Istanbul, Turkey. The third image of the “Harrowing of Hell” is by the head of the Moscow school of icon painters from the late 15th century – the master Dionysius. This Russian Orthodox  icon was completed around 1481.

Copyright © 2012 Deacon Paul O. Iacono All Rights Reserved

What Does The Silence Of Christ Say To Us?

In the passage from the first Epistle of Peter known as the Canticle of Peter (1 Peter 2: 21-24) Peter describes Jesus’ acceptance of His passion. He explains:

“Christ suffered for you, and left you an example to have you follow in His footsteps. He did no wrong; no deceit was found in His mouth. When He was insulted He returned no insult. When He was made to suffer, He did not counter with threats. Instead He delivered Himself up to the One who judges justly. In His own body He brought your sins to the cross, so that all of us, dead to sin, could live in accord with God’s will. By His wounds you were healed.”

In this morning’s first reading we have Isaiah tell us, “He [the suffering servant] does not cry out or shout aloud, or make his voice heard in the streets.”

We can picture Jesus carrying the Cross, carrying the weight of our sins through the streets of Jerusalem to His place of execution.

After receiving a savage beating and scourging at the hands of the Roman soldiers, He said nothing; after having the weight of the Cross thrust upon His raw and bleeding shoulders – He said nothing; as He stumbled and zigzagged through the streets of Jerusalem, being hounded every step of the way by sadistic soldiers and a callous mob, He said — nothing.

What does His silence say to us?

Possibly, if we unite ourselves to His sufferings, we can see that our own life consists of spiritual, physical, and emotional beatings, scourgings, sufferings, and crosses that are thrust upon us.

Like Jesus, we may feel that we are being ground into the street by the suffering we are experiencing – but like Him – we must rise up – to carry our personal cross as best we can.

As Catholic Christians – actually, all Christians regardless of denomination – have as our calling the duty to carry our trials and troubles in the same way that Jesus did. Like Him, we will zigzag through the streets, we too, will stumble and fall; but Holy Week reminds us that we must always see Jesus’ composure, humility and strength in the face of unbelievable pain and extraordinary adversity as a model that we must strive to emulate.

Jesus was not a masochist; nor are we. But we understand that the mystery of suffering contains within it the seed of our redemption – the seed of our spiritual rebirth – for a seed must fall to the ground and have its outer shell stressed, broken, and yes, pulverized, so that its center may take root and give birth to new life.

This week we must make a silent prayer, to join our trials and sufferings, those of our loved ones, and those of our nation – to His, and to implore the Father to help us raise up our nation, family, and ourselves as best we can, so that we may, as Saint Peter tells us, “follow in His footsteps” and silently and without complaint, carry our own cross – as well as the crosses of others.

Special thanks to Fernando Mario Paonessa a contemporary artist for providing the images of Jesus suffering the Way of the Cross. Fernando created these stunning sculptures (reliefs); more images may be found on his website: http://fernandomariopaonessa.eu/pages/via_crucis.htm

Copyright © 2012 Deacon Paul O. Iacono All Rights Reserved

The Demons Say “We Are Legion.” Jesus says “Trust Me.”

The Gospels of Matthew, Mark, and Luke all contain the story of the demoniac from the territory in northern Israel called the land of the Gerasenes. They describe the fact that the demons had united within this man for a specific purpose – to torment this poor sinner and to terrorize the countryside with demonic power so concentrated – that the evil was unable to be controlled.

Unclean spirits fueled the demoniac’s actions; and as Jesus steps out of the boat onto the shore the demoniac immediately confronts Jesus and the demons within him beg to be left alone.

Jesus enters into dialogue with the possessed man. He asks him his name, and the demons respond, “My name is Legion, for we are many.” The disciples, hearing this response would have been horrified because a legion, at that time, was no small force – in the Roman army a legion encompassed  6,000 soldiers.

What’s left of the possessed man’s free will had run toward the Lord – and the psalmist tells us to do the same because they both realize who God is, the magnitude of His power and mercy, and that true healing, security, and protection from evil can only be found under His protection.

 

Psalm 91 alludes to this, and uses military language to express its message as it says: “A thousand may fall at your side, ten thousand at your right hand; but [evil] will not come near you Because you have made the Lord your refuge, the Most High your habitation.”

At times, our technologically driven society has desensitized us to the wonder of Jesus’ mercy, or, like the people in the city – upon hearing of the demoniac’s healing – recoil from Mercy’s power. Like them we may be satisfied with our own circumstances, we may feel that we do not need to be healed or evangelized, that we don’t need the grace of God’s mercy in the Sacraments, especially the Sacrament of Recon-ciliation,  what an extraordinary mistake – what a rejection of God’s grace that would be for us.

Perhaps we are afraid to pay the price of liberation from the power of evil in our lives. Yet, what is the cost to us? Is it the cost of being healed of our sins? The true cost was paid by Jesus Christ in His suffering and death upon the Cross.

The cost, having been paid by the Son, provides the opportunity for the Father and the Holy Spirit to freely give us the grace that Christ has merited for us. The only thing that Jesus requests of the healed demoniac is that he go home and give witness. Jesus says,  “Go home to your friends, and [and in thanks] tell them how much the Lord has done for you, and how He has had mercy on you.”

The only price that needs to be paid is the price of thankful witness – the price of unselfconsciously showing others that we have turned away from evil – and that God has changed our lives through the power of His grace and mercy.

The freed and healed demoniac was asked to evangelize his friends, and we, are asked to do the same. Interestingly, the territory of the Ten Cities – the Decapolis – which were primarily Greek and pagan territories was an extraordinarily difficult missionary area. The now healed man was asked to go into that territory – to those Ten Cities –and preach to them of his healing and deliverance. He was, in no uncertain terms, a missionary – a missionary to the Gentile people of the Decapolis. It appears that he was successful, because, Mark (in his Gospel’s 7th  chapter, vs. 31ff) speaks of the hopeful crowds from the Ten Cities bringing Jesus another man to be healed.

So what is the final message of this Gospel for us today? It may be that even though, thank God, we may not be possessed by one or thousands of demons, we are still tempted, we fall, and we do sin.

So we are always in need of God’s mercy – and after repenting of our sins and receiving God’s forgiveness, mercy, and healing in the Sacrament of Reconciliation we need to give thanks to the Lord; and like the healed demoniac, share the story of our spiritual journey, healing,  and God’s love for us with all those who will listen.

Copyright © 2012 Deacon Paul O. Iacono All Rights Reserved

Whose Star Do We Follow?

St. Thomas, in his Summa Theologiae, has a wonderful meditation on today’s Solemnity of the Epiphany. He says that “Salvation was to be through Christ and apply to all sorts and conditions of men because in Christ Jesus there cannot be Greek or Jew, slave and free man. In order that this should be foreshadowed in Christ’s birth, he was made known to men and women of all conditions, because as St. Augustine says, the shepherds were Israelites, the Magi were Gentiles, the first were near, the latter from afar: both hastened to Christ the cornerstone…. The Magi were wise and powerful, the shepherds, simple and lowly. He was also manifested to the just, Simon and Anna, and to sinners, namely the Magi. And also both to men and to women… so as to show that no human condition was barred from His salvation.”

Dominican Father Andrew Carl Wisdom, OP adds to these observations the following prayer: “Newborn King, you show no partiality in your love for us. Young or old, rich or poor, educated or uneducated, you could not love us any more in the next moment than you do in this moment. But my witness wavers at times, Lord. I lose track of the real Star, caught up in becoming one myself. Help me to once again kneel before you like a little child and open up my treasuries of time and talent on behalf of the work which I was sent.”

As you know, this blog is dedicated to evangelizing the truth, goodness, and beauty of God through the study and creation of sacred art in His honor. As artists the meaning of the Epiphany is very important solemnity to us. Why? Because it reminds us and redirects our creative efforts away from following the supposed light and friendship of the secular world, the television, the political party, or the glow of the computer screen, to the true Light – the Light emanating from the face of Christ.

Yes, we have to exist within our particular culture. We have to make a living and provide for ourselves and our loved ones. Yet, as Christians, Jesus Christ’s manifestation to the Magi asks us to remember that we must live in the world but not have our souls be overcome or compromised by it. The shepherds and Magi were changed by the Light of Christ’s face – may His Light and Presence change us, too.

Image of Jesus Christ by Blessed Fra Angelico (1387 – 1455).

Copyright © 2012 Deacon Paul O. Iacono All Rights Reserved

Christ Child by Fra Angelico

To all the friends, followers, and members of the Fra Angelico Institute for the Sacred Arts,

We wish you all a very Merry and Holy Christmas Season and a grace filled New Year!  May the blessings of the child Jesus and the adult Savior remain with you, and your loved ones, throughout the coming months.

We thank you so very much for your support, advice, and participation, and we look forward to sharing new artistic adventures with you during the next year! Thanks again for all that you have done to make the Institute meaningful and helpful in the promotion of the sacred arts and in the evangelization of the truth, goodness, and beauty of God, His angels, and His saints.

Warm regards,   Deacon Paul and Jackie Iacono

This image is an extreme close-up of a painting of the Madonna and Child Jesus with assorted saints painted by Fra Angelico in Florence during the early 15th century.

Copyright © 2011 Deacon Paul O. Iacono All Rights Reserved

 

The Joy Filled Christian – A Sermon on Survival in the Face of Tribulation

Today is Gaudete Sunday. Gaudete means “Rejoice!” The Church has us  visualize this by the rose colored candle in the Advent wreath and the rose colored vestments. Gaudete Sunday appears at the midpoint of the Advent season, and we pause to rejoice and reflect on the marvelous work of God and His plan of salvation for us.

Our readings show us Isaiah speaking of the splendid work of God – – St. Paul telling us to “give thanks and rejoice always,” not just in good times, but in all circumstances, and our Gospel describes St. John the Baptist testifying that the Light of the World would soon begin His ministry.

But today’s reading from St. Paul may have given you pause and trouble: you may say:  “You mean I’m to rejoice even if I have just lost my job, even if corporate and governmental corruption has destroyed my retirement income, even if I am mourning a deceased loved one, even if my husband, wife, or child is sick, or has abandoned me, or wants nothing to do with me?

Remarkably, St. Paul’s message is “Yes, give thanks, and rejoice!” 

Although, let’s be careful, he is not saying for us to put on blinders and act like Pollyanna. St. Paul knew what trouble was. He had plenty of trials to deal with, his letters to the various churches of Asia Minor, Greece, and Italy are filled with numerous personal problems and tribulations.

Yet, through all of that, he kept his vision focused firmly on Jesus. It was that mental memory of who Jesus was, what He preached, how He suffered and died; and the truth that was well known to St. Paul and many others that Jesus the Word of God and the Light of the World had resurrected from the dead and had appeared to him, face to face, mind to mind, to express His love for those Paul was persecuting, and to ask him to stop, and to follow Him as Lord.

It is this focus, this trust, this faith that enabled St. Paul to deal with his problems.  

It is this focus, this trust, this faith that enabled him to maintain joy in the knowledge that his eternal salvation was certain through faith in Jesus Christ.

St. Paul’s focus was on his eternal salvation through Jesus – not on the trials of this world.

But how does St. Paul keep his focus?

You see, Paul links the ability to possess sincere joy with praying; because joy is a gift from God. It comes to us through His grace – it is a specific fruit of the Holy Spirit.

So, joy enters our world when we humble ourselves to receive God’s grace and see the real meaning of our life as a child of God – when we look at our own fragility and brokenness – and realize that we are not able to survive without the help of God.

Joy will come into our life when we realize that survival depends on our developing a prayer filled and Sacramental relationship with Christ – which leads to our being sanctified by His grace. This relationship can only occur when we seriously view our prayer life – and Christ’s Sacraments – through the eyes of a trusting and knowledgeable child – rather than that of a worldly wise adult.

We must be humble enough to start with daily traditional prayer; however, there will come a moment in which these prayers move us into a dialogue, a conversation with our Lord, and this is the heart of prayer.  Saints Paul, John the Baptist, and Isaiah all spent time in deep conversation with God. It is through their prayer life that the gift of God’s joy was able to fill their hearts.

So on this Gaudete Sunday we remember that we are called to rejoice through prayer in the truth that, regardless of how dismal our personal circumstances, Jesus our Savior loves us – and will never abandon us.

Let us remember that our lives should be a testimony, not to sorrow, guilt, or fear, but to the mature trust and joy that delights in the knowledge that – by virtue of the saving power of Jesus Christ and His Sacramental grace – we are redeemed children of God, who with His grace and strength, can endure any tribulation.

Copyright © 2011 Deacon Paul O. Iacono All Rights Reserved

The above is a sermon Deacon Paul O. Iacono gave at St. Francis of Assisi Church in Wakefield, Rhode Island on the weekend of December 10/11, 2011 Scriptural references referred to in this, the 3rd Sunday of Advent, were from Isaiah 61: 1-2, 10-11; 1st Thessalonians. 5: 16-24;  John. 1: 6 -8, 19-28.

A Custodian of Beauty – The Talent of Artist Jamie Medeiros

After an article explaining the mission of the Fra Angelico Institute for the Sacred Arts appeared last June in our Diocesan newspaper, the Rhode Island Catholic, I received a call from a lovely young woman by the name of Jamie Medeiros. She explained that she was from Massachusetts and that she, too, had been touched by the Holy Spirit to offer people the opportunity to blend the creation of beauty with personal prayer. She described the process through which she currently leads people to express themselves in art while they are praying – actually to make prayer part of their artisitc process. She told me that she calls their parish meetings Pray and Create, and that they successfully had a number of parishioners involved who were doing exactly that – joining prayer with artistic expression.

As she was explaining what she was doing in her Pray and Create sessions I couldn’t help but stand in awe of the power of the Holy Spirit to be touching people with the same impulse throughout the United States. This same impulse – the same desire – to combine prayer with art; from the Fra Angelico Institute for the Sacred Arts in Rhode Island to the Catholic Artists Society in New York City, to Pray and Create in Massachusetts, and the Way of Beauty at Thomas More College in New Hampshire, to the Foundation for the Sacred Arts in Washington, D.C. – all attempting to examine and put into practice the words of Beato John Paul 2 and Pope Benedict 16th to become “custodians of sacred beauty.”

By becoming involved in the sacred movement to be a custodian of beauty we refashion culture and ourselves. We accomplish that end by evangelizing the truth, goodness and beauty of God through the study and creation of sacred art.

We continued to talk and I invited Jamie to become a member of the Fra Angelico Institute for the Sacred Arts, and she graciously accepted. Jamie has a wealth of experience in the arts, having received a Master of Fine Arts in painting from the American University in Italy, and an undergraduate degree from the Catholic University of America. She currently is a self employed artist and lives in Massachusetts. A self portrait appears here:

Jamie’s talent can be appreciated in the above portrait as well as in a sampling of her sketches (seen below) – which she showed at our Autumn Meeting. To see more of Jamie’s paintings and sketches please go to her web site iliveinhope.com. She has a potpourri of different photographs, sketches, paintings, and whimsical studies. I especially like the work she has done of her dog “Daisy” and – a Rhode Island icon: Mr. Potato Head! Actually, I am sure that as soon as  Hasbro Industries (headquartered in Rhode Island and the creator of Mr. Potato Head), or Hasbro Children’s Hospital in Providence sees them they will snatch up those beauties!

The sketches below were done during her Pray and Create sessions at her parish church. Photos taken and used with the permission of Jamie Medeiros. Her painting and sketches are Copyright © 2011 Jamie Medeiros All Rights Reserved.

Very powerful, indeed! Thank you Jamie for the time, talent, and treasure that you are willing to share with others who accompany you on our beautiful spiritual journey back to the Lord.

Photos taken and used with the permission of Jamie Medeiros. Her painting and sketches are Copyright © 2011 Jamie Medeiros All Rights Reserved.

 Copyright © 2011 Deacon Paul O. All Rights Reserved.

Sacred Artists Must Be Empty Vessels

In this morning’s Gospel St. Luke is clear that Jesus is carefully listening to the argument that breaks out among His disciples as to who is the greatest among them. One translation has St. Luke saying, “He perceives the thoughts in their hearts.” 

It would be prudent to say that we are all psychologically and theologically hardwired to look for approval. King David wrote of this in the Psalms when he said:  “You have made them a little lower than God, and crowned them with honor and glory.”  David recognized the fact that we are something special in the grand scheme of creation, but Jesus has come to set even the wisdom of King David straight. (Psalm 8 verse 5).

He tells His disciples,  “… for he who is the least among you – is the one who is great.” The disciples must have done a double take when He said this, for it went counter to their understanding of reality. But Jesus uses a child to demonstrate this truth; for  children in ancient times were socially at the bottom of the barrel, they had no rights, and basically were – if a family was lucky enough to have them – equivalent to  domestic staff and servants. Children were expected to be seen and not heard – the watchwords for them were humility, listening, and service. An honorable Jewish child of the first century AD would not be bold enough to assert any supposed rights, or demand anything of their parents. There was no self-seeking here, there was no expectation of a mandatory trophy given to raise self-esteem.

Jesus is telling His disciples to see in the child standing next to Him the model for their own behavior. For they, too, should view themselves as servants; as James would say in a later epistle “God opposes the proud, but gives grace to the humble.” (James 4:6).  Jesus explains that we must eliminate from our life everything that blocks our spiritual progress – vanity, self-aggrandizement, power-grabs – and the greatest of all sins – pride. St. Paul tells us very clearly in the 2nd epistle to the Corinthians that the Lord wants us to be empty vessels so that He can fill us up with His love, grace, and power.

We cannot leave this day without mentioning two men who were “empty vessels” for the Lord. They were early martyrs of the Church – Sts. Cosmas and Damian – excellent models for all of us who aspire to be sacred artists. They met their death at the hands of the Emperor Diocletian in the late 3rd century BC.

The above two icons are of the twin brothers Saints Cosmas and Damian. The very top icon was done many centuries ago, and the icon right above these lines is a more contemporary interpretation.  Unfortunately I was not able to locate the names of the artists that “wrote” these two beautiful icons.

Sts. Cosmas and Damian are models for us because they were not interested in making a name for themselves (even though because of their medical skills they were known throughout the Eastern Roman Empire). They were not interested in making money in return for their remedies (they were called the “moneyless ones” since they did not accept money for their services).

The above image is by Fra Angelico. It is his interpretation of Saints Cosmas and Damian miraculously treating the emperor Justinian after he prayed for their help, three hundred years after their death. The leg was healed, and Justinian attributed it to his prayers for their intercession. The icon shows them practicing their skills, following through and using their knowledge (they studied at the famous medical centers in Arabia). As artists (for we can say “the art of medicine”) they confronted all illness head on and relieved suffering, not by just turning to past remedies, but willingly using their common sense and their ability to adapt remedies to new situations. They were “with-it” as the current parlance would say. Yet, they were novel in their approach since they were practical men who “emptied themselves of self,” had a deep love and faith in Jesus, while at the same time, doing all they could to increase their skills for the benefit of their fellow man.

Thus, they apply to our desire to be sacred artists by showing us that we must make the effort, as St. Paul says, to be empty vessels: to allow our own ego to be overwhelmed by the power of the Lord, to confidently go about the process of learning the art form(s) that we are called to concentrate on, keeping our sense of humor as to the rate of our improvement, steadily practicing the art, and prayerfully putting our trust in Jesus to help us be the best artists we can be.

Sts. Cosmas and Damian were committed Christians, and the early Church regarded them with great honor from the moment of their martyrdom. They truly are a symbol of what our Gospel speaks about this morning – for they made it their duty – especially in the manner of their deaths – to empty themselves – and be filled beyond measure with God’s gifts.

Copyright © 2011 Deacon Paul O. Iacono All Rights Reserved

The Triumph of the Cross and Our Lady of Sorrows by Jed Gibbons

Today we celebrate the feast of the Exaltation – or Triumph – of the Holy Cross.

The early Catholic Church was intensely persecuted during the first 280 years of its life – so the symbol of the Cross – the symbol of public humiliation and excruciating death – was rarely used in our Christian iconography. But this doesn’t mean that the early Christians were reluctant to express their devotion to the Cross. Writing in the year 204, the Christian theologian Tertullian said: “At every going in and out, when we put on our clothes, when we sit at table, in all the ordinary actions of daily life, we trace upon our forehead the sign [of the Cross].”

In the year 313, the Emperor Constantine signed the Edict of Milan, which proclaimed toleration for the Christian faith within the Roman Empire. Constantine’s mother, Helena, made a pilgrimage to the Holy Land, and with the support of the local bishop – excavated the area known as the site of Golgotha. Tradition states that portions of the true Cross, with a partial nameplate still attached was found, resulting in Constantine ordering that the Church of the Holy Sepulcher be built over the site. The church was dedicated nine years later, with a portion of the Cross placed inside it. So the feast that we celebrate today marks the dedication of the Church of the Holy Sepulcher in the year 335. That Church was unfortunately destroyed by the Muslims in the year 1009, only to be rebuilt centuries later, with the new occupants – all Christians – vying for control of the site! Unfortunately even among our brother Christian Churches there have been numerous clashes and conflicts over the control of this holy site. It is as if all of us – as guardians of the Church’s holiest site – had not internalized the meaning of the true Cross – the meaning of what happened on that site 2000 years ago – the meaning of the Father’s supreme sacrifice of His Son for the sake of His creation. God’s love was raised up on Golgotha that day and Satan’s venom was forever neutralized, but the sting of Satan’s original bite in the Garden of Eden still remains.

The truth of our Scripture readings tell us that Moses lifted up the bronze serpent, a sign of sin, and the people were healed. Jesus makes an analogy of the serpent with the healing power of the Cross – since it is a sign of our sin and our redemption. When the Father, through the Holy Spirit, lifted up Jesus in the resurrection, the Holy Cross was no longer viewed as a sign of evil and sin – rather it became a sign of Christ’s victory and our salvation.

Our Savior, through the instrument of the Holy Cross, shows us the level of His love for His  creation. The Father shows His love for us by giving us the best He has  – His Son – and His Son shows His obedience and trust in the Father – through His willingness to take upon Himself all sin and become a perfect offering back to the Father on our behalf. The Fra Angelico Institute for the Sacred Arts chaplain, Fr. Joseph Upton, gave a beautiful homily today at morning Mass in which he emphasized that every day, we too raise up Jesus on the Cross. In every Mass, we have re-presented the sacrifice of Jesus for us. We commemorate His act and we thank Him for it in His gift of Himself to us in the Eucharist. We unite ourselves to the Triumph of the Cross through the Mass.

As sacred artists, on a daily basis, we must attempt to imitate this profound love of God in our creation of artistic works, and in our families and community. Our love must be strengthened by the truth of our faith – and by the triumph of the Cross; when we do this we will understand that the crosses that we carry, and the sufferings that we endure, unite us to the Lord, and help us transform our lives into His. Our Blessed Mother is our model for this transformation.

Tomorrow, September 15th, is the memorial of Our Lady of Sorrows. The Invitatory prayer that begins the Office of Readings in the Liturgy of the Hours says, “Let us adore Christ, the Savior of the world, who called his mother to share in his passion.” Those words reminded me of a beautiful illuminated miniature by Jed Gibbons, a very fine artist from Chicago. I met Jed when he was teaching at the St. Michael’s Institute for the Sacred Arts at Enders Island in Mystic, CT. Jed has produced some truly inspirational work (his Stations of the Cross in the chapel on Enders Island are exquisite) and this piece that you see below captures not only the theme of the Triumph of the Cross but the truth of the Church’s teaching that Mary shared in the passion of her  Son. This piece is entitled   Maria, Mater Misericordiae (Mary, Mother of Mercy); it was completed in 2006, and was done in historic earth pigments and 23 karat gold. It measures 6.75 by 9.25 inches. I thank the Foundation for the Sacred Arts website for the image.

Copyright © 2011 Deacon Paul O. Iacono All Rights Reserved. Image copyrighted by Jed Gibbons All Rights Reserved